Two volumes of lovely new carols for SATB and piano/organ - a must-have for your christmas carols concerts. Written by Alan Taylor originally for the Chipperfield Choir resident choir at Chipperfield Church in Hertfordshire. Two volumes of lovely new carols for SATB and Piano/Organ - a must-have for your christmas carols concerts. Written by Alan Taylor originally for the Chipperfield Choir resident choir at Chipperfield Church in Hertfordshire. Alan was a chorister at St. Catherine's College Cambridge and graduated with an honours degree in Music followed by a post-graduate Diploma in Education. A first post as a Head of Music in Nottinghamshire was followed by his appointment in 1961 as Director of Music at The Haberdashers' Aske's Boys' School in Elstree where he spent the remaining 35 years of his teaching career. Out of school Alan worked with all the major conductors and his choirs were continually in demand for performances in the London concert halls especially at the Royal Opera House Covent Garden taking part in many broadcasts Promenade Concerts and recordings. His contribution to Music and Music Education was recognised in 1982 with the award of an MBE in the Queen's Birthday Honours.

POD-A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB Choir. A setting of a poem by William Blake from his 'Songs of Experience' a full performance lasts around 2 minutes. A Poison Tree is a work by composer Julian Marshall for Unaccompanied SATB Choir. A setting of a poem by William Blake from his 'Songs of Experience' a full performance lasts around 2 minutes.

for SATB with optional piano Inspired by the simple directness of William Chatterton Dix's vivid text the composer explores the breadth of the choral canvas in this expressive carol which is also available in a version for upper voices. Brian Chapple 's What Child Is This? for SATB choir with optional Piano accompaniment. Inspired by the simple directness of William Chatterton Dix's vivid pictorial text the composer explores the breadth of the choral canvas in this expressive and artful carol. The piece has a straightforward verse-chorus structure with gentle development of the verse material and an effective motif to close each verse making it accessible to and rewarding for choirs of all abilities. Also available in a version for upper voices.

Contents: Sarum Prayer œ I dream'd in a dream œ Christmas (H.M.S. Iron Duke 1914).

This collection contains twenty-four pieces from 18th and 19th century Scotland. Included are airs and dance tunes originally for voice or fiddle. These duet arrangements are perfect for student and teacher as well as cello colleagues. The music is presented in sets of two or three tunes ready for performance. The traditional music of Scotland has unique and beautiful qualities and is fun to play. This collection contains twenty-four pieces from 18th and 19th century Scotland. Included are airs and dance tunes originally for voice or fiddle. These duet arrangements are perfect for student and teacher as well as cellocolleagues. The music is presented in sets of two or three tunes ready for performance. The traditional music of Scotland has unique and beautiful qualities and is fun to play.

Eleven superb arrangements of classic and lesser-known spirituals covering a wide range of styles and moods from simple four-part settings to extended eight-part compostions. These stunning settings can be performed as a set or individually and are ideal choices for concerts festivals or even as suprising encores!

Seven Festive Trumpet Solos is a collection of powerful and sparkling settings for trumpet and organ. Several of the compositions are original. Others are new arrangements on well-loved sacred hymns. This text is the first in a two book series. The follow up is called Trumpet Praise! All selections in this book and in the companion book Trumpet Praise! may be heard in the companion free audio download. Seven Festive Trumpet Solos contains the organ and trumpet parts. A free download of the trumpet solo parts is also available. The solos in both this book and in Trumpet Praise! are ideal for church worship celebrations concerts festivals and recitals.Seven Festive Trumpet Solos is a collection of powerful and sparkling settings for trumpet and organ. Several of the compositions are original. Others are new arrangements on well-loved sacred hymns. This text is the first in atwo book series. The follow up is called Trumpet Praise! All selections in this book and in the companion book Trumpet Praise! may be heard in the companion free audio download. Seven Festive Trumpet Solos contains the organ andtrumpet parts. A free download of the trumpet solo parts is also available. The solos in both this book and in Trumpet Praise! are ideal for church worship celebrations concerts festivals and recitals.

Just as in his “Trout” Quintet (D 667) “Wanderer” Fantasy (D 760) and string quartet “Death and the Maiden” (D 810) in the flute variations on “Trockne Blumen” (D 802) Franz Schubert employs one of his songs as the thematic basis of an instrumental composition. “Trockne Blumen” (Dried Flowers) is the eighteenth song from the cycle “Die schöne Müllerin” (D 795) composed in autumn 1823. In January 1824 before publication of all of the Müller songs that summer the Theme and Variations in E minor for flute and piano were written prefaced by a weighty introductory section. The work remains Schubert’s single and singular virtuoso composition for flautists: tremendouslydifficult for the flute to play and incidentally sometimes very tricky for the piano to “accompany.” Schubert’s much-reworked autograph manuscript is the sole authoritative source for our Urtext as it demonstrably served as the engraver’s copy for the posthumously published first edition. One of the variations he crossed out entirely – the Henle Urtext edition reproduces it more for informational purposes than for performance in the appendix. A highly authoritative Urtext edition of Franz Schubert's Variations On 'Trockne Blumen' D.802 Op. post.160 for Flute and Piano as edited with critical commentaries by Wolf-Dieter Seiffert and fingered by Klaus Schilde.

Claude Debussy 's Syrinx (La Flute De Pan) for solo Flute.

The 'Consolations' are among the best-known piano works by Franz Liszt. Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris were consulted as well. The edition iscomplemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt's interpretational ideas. Furthermore a clear notation without page-turn problems makes it easier to study and perform the popular works. The Consolations are among the best-known Piano works by Franz Liszt . Their popularity is due not only to their expressive and lyrical character but also to their relatively moderate pianistic demands. Having a long history the final version of the six pieces appeared in print for the first time in 1850. The Wiener Urtext Edition provides this version authorized by Liszt for publication the text of which is mainly based on the German first edition owing to the lack of extant autographs and engraver's copies. In addition the French first edition as well as separate editions of the Consolations Nos. 3 and 5 published in London or Paris wereconsulted as well. The edition is complemented by performance notes of the Liszt pupil Lina Ramann which are virtually first-hand records of Liszt 's interpretational ideas. Furthermore a clear notation without page-turn problems makes it easier to study and perform the popular works.

Featuring tailored arrangements and original pieces by the authors of the award-winning Fiddle Time series Solo Time for Viola provides sophisticated repertoire from the Baroque to the modern age and introduces styles and techniques for the developing performer.

Gaelic Melodies Music Pictures - Group VI this work is for Piano Solo and was composed in 1924 by John Herbert Foulds. Gaelic Melodies Music Pictures - Group VI this work is for Piano Solo and was composed in 1924 by John Herbert Foulds.

Patrick Hawes ' My Bonnie Lies Over The Ocean for solo Soprano Flute Oboe Harp and Strings. Vocal score. Patrick Hawes ' My Bonnie Lies Over The Ocean for solo Soprano Flute Oboe Harp and Strings. Vocal score.

Commissioned by BBC Radio 3 for the 2012 BBC Proms. First performed on 5th August 2012 at the Royal Albert Hall London by the BBC Scottish Symphony Orchestra conducted by Donald Runnicles. Instrumentation 3 Flutes 3rd doubling Piccolo 3 Oboes 3rd doubling Cor Anglais 2 Clarinets in Bb Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bb 3 Trombones Tuba Harp Timpani Percussion (3 Players): Vibraphone Crotales 2 Suspended Cymbals (High Medium) Tam-Tam Chinese Bell Tree 5 Tom-Toms Bass Drum Strings (at least 16.14.12.10.8)Commissioned by BBC Radio 3 for the 2012 BBC Proms. First performed on 5th August 2012 at the Royal Albert Hall London by the BBC Scottish Symphony Orchestra conducted by Donald Runnicles. Instrumentation 3 Flutes 3rd doubling Piccolo 3 Oboes 3rd doubling Cor Anglais 2 Clarinets in Bb Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bb 3 Trombones Tuba Harp Timpani Percussion (3 Players): Vibraphone Crotales 2 Suspended Cymbals (High Medium) Tam-Tam Chinese Bell Tree 5 Tom-Toms Bass Drum Strings (at least16.14.12.10.8)

Method- Fundamental instructions for playing the Recorder are contained in Book I. The scope of that book however is limited to the lower tones of the instrument. Book II takes up the higher tones thus covering the Recorder's entire practical range. This book contains a selection of popular tunes for Soprano Recorder along with notes on range fingering and half-position.

This work is the International edition of Philippe Gaubert's Madrigal for Flute and Piano. Philippe Gaubert was a French musician who was a distinguished performer on the Flute arespected conductor and a composer primarily for the Flute. This work is included in the 2018-2021 ABRSM Flute syllabus (Grade 6)

Although this tune by iconic band Queen met with a rather cool reception when it was first released in 1979 over the years it has become one of the bands most popular songs thanks in part to frequent use in advertising television and film. Featuring trademark tight harmonies and a dramatic style shift from moderate ballad to double time rock this arrangement will sound terrific even with young players.

Laurence Roman's Quintet For Strings . Composed and published in 2017 this piece is dedicated to the fond memory of Robert Kemeny. Laurence Roman's Quintet For Strings . Composed and published in 2017 this piece is dedicated to the fond memory of Robert Kemeny.

Pour Violoncelle & Piano- Four pieces written around themes from 18th century composers including Sur Un Air De Danse De Pablo Esteve set on the 2010/2011 ABRSM Cello Syllabus. Each piece and corresponding Piano accompaniment is written on aseparate loose sheet for ease of performance.

Eastern European-This collection is a treasury of melodies originating in Russia Latvia Poland Bulgaria Yugoslavia and Hungary including several from Yiddish and Klezmer sources. The solos are especially well suited to performance on the soprano recorder and they provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. Arrangements of charming Russian folk tunes include Against the Red Sun and Jump Little Rabbit. Among old favorites are March Slav and In the Field Stood a Birch. Jewish melodies include Hava Nagilah Hevenu Shalom Alechem and Varnitschkes. Although arranged primarily for soprano recorder most of thesesolos can be played on tenor or alto recorder. (On the alto use C fingerings.) A separate flute edition is available. This collection is a treasury of melodies originating in Russia Latvia Poland Bulgaria Yugoslavia and Hungary including several from Yiddish and Klezmer sources. The solos are especially well suited to performance on thesoprano recorder and they provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. Arrangements of charming Russian folk tunes include Against the Red Sun andJump Little Rabbit. Among old favorites are March Slav and In the Field Stood a Birch. Jewish melodies include Hava Nagilah Hevenu Shalom Alechem and Varnitschkes. Although arranged primarily for soprano recorder most of thesesolos can be played on tenor or alto recorder. (On the alto use C fingerings.) A separate flute edition is available.