From the songwriting team who brought us Dear Evan Hansen and La La Land the movie musical The Greatest Showman is based on the true story of P. T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful anthem from the film is a dynamic showcase for the concert stage.

Parts for 2 trumpets in Bb and 2 trombones. Commissioned by The Worshipful Company of Musicians for the 90th Birthday of HRH The Prince Philip Duke of Edinburgh.

Luís Tinoco’s Ends Meet was commissioned by the Câmara Municipal De Matosinhos and was first performed by Pedro Carneiro and the ensemble ‘Stroma’ at the NewZealand Arts Festival at Wellington Town Hall on the 12th of March 2002. This transcription for String ensemble was first performed by Pedro Carneiro and the Orquestra Clássica Da Madeira at the Teatro Municipal Baltazar Dias Funchal on the 5th of April 2014. Luís Tinoco’s Ends Meet was commissioned by the Câmara Municipal De Matosinhos and was first performed by Pedro Carneiro and the ensemble ‘Stroma’ at the NewZealand Arts Festival at Wellington Town Hall on the 12th of March 2002. This transcription for String ensemble was first performed by Pedro Carneiro and the Orquestra Clássica Da Madeira at the Teatro Municipal Baltazar Dias Funchal on the 5th of April 2014.

Zu Gedichten aus Mitte des Lebens-TTBB (Choral Score). Wellesz E

Thomas Hewitt Jones ' Carnival . Composed 2010. Written for Martin Neary President of the Organists Charitable Trust. These five short works are all extracted from the excellent Little Organ Book from the Organists Charitable Trust edited by Martin Neary and first published by Novello in 2010. This is a wonderful resource of 11 mainly new works by British composers all of moderate difficulty and well-defined character. Iain Farrington's Bluesday is full of delicious harmonies with a bold climax framed by a gentle beginning and ending. David Bednall's Fanfare is a joyful work that would bea good recital opener or festival voluntary with a chance to unleash the big reeds. The simplicity of the title of Howells's Cradle Song belies a richness and warmth that make this a moving miniature. John Rutter's evening prelude from 1979 on the plainsong hymn Te lucis ante terminum is tender and clear with some surprisingly plangent harmonies. Thomas Hewitt Jones's Carnival is an outburst of festivity and bravura. All these pieces are very much worth playing though organists interested in more than two of them would be better served purchasing a copy of the original anthology which is still very well priced (Little Organ Book Novello 9781849386814 £9.95). - Sunday by Sunday

A work for Solo Guitar which has been edited and fingered by John W. Duarte.

Full score for Cuarteto En Re Mayor para Arco Y Guitarra by Rafael Rodriguez Albert. Full score for Cuarteto En Re Mayor para Arco Y Guitarra by Rafael Rodriguez Albert.

Miguel Yuste's (1870–1947) Spanish clarinet piece demonstrates a skilled clarinetist's ability to assemble scales arpeggios and arching legato melodies into competition test pieces for the instrument that actually sound like music. Miguel Yuste's (1870–1947) Spanish clarinet piece demonstrates a skilled clarinetist's ability to assemble scales arpeggios and arching legato melodies into competition test pieces for the instrument that actually sound like music.

Paul Robinson 's The Triadic Riddles Of Water And Ice for three voices (SSA). Duration: 2 minutes Composed: 1998 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The Anglo Saxon riddles are perhaps more familiar to us than the source from which this riddle is taken (Symphosius). I have always sought opportunities to set Latin and given the international character of the summer school for which it was written Latin was a useful lingua franca. First performed in July 1998 by Trio Mediaeval on the Hilliard Summer School at St. Johns College Cambridge. Paul Robinson 's The Triadic Riddles Of Water And Ice for three voices (SSA). Duration: 2 minutes Composed: 1998 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The Anglo Saxon riddles are perhaps more familiar to us than the source from which this riddle is taken (Symphosius). I have always sought opportunities to set Latin and given the international character of the summer school for which it was written Latin was a useful lingua franca. First performed in July 1998 by Trio Mediaeval on the Hilliard Summer School at St. Johns College Cambridge.

Charles Koechlin's Au Loin Op.20 is a chant for Cor Anglais and Piano.

A Tear- A beautiful and poignant lament which is ideally suited to the double bass. Originally for cello this new edition returns to the cello version [Theme & Variations] adding an extended (but optional) piano introduction and demonstrates the dark and soulful colours of the solo double bass. Long flowing phrases allow the intermediate bassist to demonstrate both musical and technical accomplishment in an accessible range of the instrument. The soulful and wistful melody transcribes beautifully for double bass allowing the instrument to display its bel canto and lyrical capabilities. A three bar section towards the end of the piece is playable as written or anocatve higher giving bassists the opportunity to play high harmonics within a beautiful and evocative melody. This is an ideal study or recital work with its supportive and pulsing accompaniment and has been one of Recital Music's bestsellers since it was published. Une Larme is also available for solo double bass and string orchestra accompaniment - please contact the publishers for further details. Grade 7 - Trinity-Guildhall / ABRSM / LCM / MTB Exams (www.mtbexams.com)

Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes. Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.

Composer Herbert Howells is most widely known for the church music he wrote toward the later part of his career though his secular works are undoing a much-deserved revaluation. But this work for baritone Voice Violin Cello and Organ dates from a much earlier stage of his life. Howells had suffered severe ill health in 1917 just at the time Babylon was written and had withdrawn from his first appointment at Salisbury Cathedral. It was also the time he wrote his Elegy full of loss and transience composed in memory of a friend killed in the First World War.The dramatic even operatic scale of emotion in By the Waters of Babylon brings the anguish of the piece right tothe fore. It is definitely a Howells composition underpinned by solid structure and displaying chromatic sensuousness. The words are one of the great lamentations and Howells has enhanced their effect in this mighty work.

For 2 Trumpets and 2 Trombones. Commissioned by The Worshipful Company of Musicians for the 90th Birthday of HRH The Prince Philip Duke of Edinburgh. First performed 28th June 2011 Fishmongers' Hall London.

John Denver became a star as a bright-eyed clear-voiced singer-songwriter in glasses and a cowboy hat. His love for the environment and his then wife Annie Martell inspired the romantic and wildly successful Annie’s Song which is said to have been written in ten minutes on a ski lift. Here it has been arranged for female SSA choir with piano accompaniment by Frank Metis.

Sonata for Violoncello And Piano. Includes score and part.

Chris Adams and Michael Sullivan. The story of city youngsters evacuated in war-torn 1939. Historical background appropriate to History Key Stage 2 is provided between the scenes by means of dialogue statistics and 11 songs some with two parts. Score contains parts for recorders and tuned percussion.

Seven pieces for Violin and Piano by Frank Bridge orginally composed for the amateur market of his day but since rediscovered as expressive and highly characteristic concert pieces. Seven pieces for Violin and Piano by Frank Bridge orginally composed for the amateur market of his day but since rediscovered as expressive and highly characteristic concert pieces.

Born in 1956 in Moscow guitarist Nikita Koshkin is one of Russia's leading composers teachers and concert artists. This collection includes works from throughout his 30-year career as a composer including his three-movement Hispanic Suite one of his earliest compositions. The other compositions included in this volume are: Pan Tristan Playing the Lute Romance and a five-movement suite called The Ballads: Suite for Solo Guitar. Koshkin uses dropped-D tuning in several of these pieces and favors rhythmic variety and stylistic diversity. These intermediate to advanced compositions appear in standard notation only with suggested left-hand fingering and generousperformance notes. A collection of guitar solos by Nikita Koshkin.

Vocal Score.