Rock Session by Hans Frydendall - 12 tunes for vocals C B and Eb instruments and rythm section. This book should be considered an attempt to help cover the lack of available ensemble material within therock music genre. As was the case with the three previous books in this series Salsa Session Samba Session and Blues Session the material is set up systematically to facilitate working with the songs. Rock Session by Hans Frydendall - 12 tunes for vocals C B and Eb instruments and rythm section. This book should be considered an attempt to help cover the lack of available ensemble material within therock music genre. As was the case with the three previous books in this series Salsa Session Samba Session and Blues Session the material is set up systematically to facilitate working with the songs.

Handel's most famous operatic aria Ombra Mai Fu is adroitly set for SSA voices and piano taken from the Oratorio Xerxes of 1738. An excellent spring concert or festival piece. Handel's most famous operatic aria Ombra Mai Fu is adroitly set for SSA voices and piano taken from the Oratorio Xerxes of 1738. An excellent spring concert or festival piece.

Congregational Copy-Congregational copy. Single melody line only.

Variations on the twelve bar blues. Grade: 6 - 7

Organ Solo-Spejlkabinet for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2002. Spejlkabinet for Organ solo was composed by Pelle Gudmundsen-Holmgreen in 2002.

Orchestration: fl.ob.2cl(bcl).bn.hn Three Pieces by Robert Schumann transcribed for Woodwind Sextet by Hans Abrahamsen (1998). Dedicated to Per Norgard. Parts available: WH31244A Contents I. [Sehr] Innig From DAVIDSBuNDLERTäNZE (Dances of the League of David) for piano. Opus 6 from 1837. Innig is No. 2 in the collection. II. Eusebius From CARNAVAL for Piano Opus 9 from 1834-1835. Eusebius is No. 5 of 20 numbered pieces in the collection. III. Melodie From ALBUM FuR DIE JUGEND (Album for the Young) for piano. Opus 68 from1848. Melodie is No. 1 in the collection.

An arrangement of I am but a small voice as recorded by Roger Whittaker

A marvellous arrangement of this piece for intermediate level pianists.

This is the original version of Winternacht for 7 instruments composed by Hans Abrahamsen in 1976-78. Programme Note: Winternacht was written in 1976-78 and the title was taken from a poem by the Austrian poet Georg Trakl. The four movements which are all very precise and dreamingly poetic are almost classical in terms of clarity and discipline in orchestration and form: hence the dedication of the third movement to Igor Stravinsky. However the music has a strong impressionistic quality as well: four introverted still lives of the velvety dark iceness of a silvery winter night (one can veritably sense the fairy-tale-like sleigh ride in the two outer movements). The secondmovement is dedicated to the eccentric lithographer M.C. Escher and the first and last movements are both dedicated to Georg Trakl. As in the well-known orchestral work Stratifications we can enjoy Abrahamsen's fascination with having several events occur simultaneously: a thoughtful as well as playful multilayered quality mirrors the poetic and mysterious worlds of painting literature nature and most important of all: music. Poul Ruders This is the original version of Winternacht for 7 instruments composed by Hans Abrahamsen in 1976-78. Programme Note: Winternacht was written in 1976-78 and the title was taken from a poem by the Austrian poet Georg Trakl. The four movements which are all very precise and dreamingly poetic are almost classical in terms of clarity and discipline in orchestration and form: hence the dedication of the third movement to Igor Stravinsky. However the music has a strong impressionistic quality as well: four introverted still lives of the velvety dark iceness of a silvery winter night (one can veritably sense the fairy-tale-likesleigh ride in the two outer movements). The second movement is dedicated to the eccentric lithographer M.C. Escher and the first and last movements are both dedicated to Georg Trakl. As in the well-known orchestral work Stratifications we can enjoy Abrahamsen's fascination with having several events occur simultaneously: a thoughtful as well as playful multilayered quality mirrors the poetic and mysterious worlds of painting literature nature and most important of all: music. Poul Ruders

The theme from the famous 1970's TV programme has been delightfully arranged for piano and is sure to be enjoyed by performers and audiences alike.

Organ. Beyer Fm

Variations on 12 bar blues. Grade: 6 - 7

Bass Clarinet Part-The distinctive Bass Clarinet part for Per Nørgård's Mytisk Morgen . This is a challenging piece especially for choirs and uses ambiguous tonality and other dissonance as structural devices. This work for Mixed voice Chorus and Bass Clarinet was composed in 2000. The Vocal Score is also available KP01061. The distinctive Bass Clarinet part for Per Nørgård's Mytisk Morgen . This is a challenging piece especially for choirs and uses ambiguous tonality and other dissonance as structural devices. This work for Mixed voice Chorus and Bass Clarinet was composed in 2000. The Vocal Score is also available KP01061.

The parts can be rented: hire@ewh.dk Territorial Songs (2009) for Recorder solo and Orchestra by the Faroese composer Sunleif Rasmussen . Part for solo Recorder: WH32043C The parts can be rented: hire@ewh.dk

A bigger book than book 1. Beautiful music revitalised from dark corners of Book 2 of the 48 Preludes & Fugues. Grade: 2 - 5 A bigger book than book 1. Beautiful music revitalised from dark corners of Book 2 of the 48 Preludes & Fugues. Grade: 2 - 5

The series Ensemble Dreiklang Berlin is an attractive collection of Iiterature for recorder trio. The wide range of stylistically varied pieces features arrangements and original compositions for both classical and popular music with the various instruments of the recorder family being combined in different fashions. Through this professional presentation of sophisticated Iiterature for recorder Ensemble Dreiklang Berlin has introduced a new style in recorder Iiterature which motivates and inspires young players and is also well received by the audience. Contents: Rondeau Bourrée Menuet Badinerie

Complete theoretical and practical method for organ-playing in three parts-Flor Peeters born in Belgium in 1903 is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986 Peeters gave concerts all around the world held numerous master classes and received several awards and prizes for his achievements as a composer organist and teacher.In his successful three-volume educational work 'Ars Organi' Peeters combines theoretical knowledge and practical exercises on all aspects of organplaying starting with basic information on the instrument manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation touch interpretation registration and organ specifications - a valuable compendium for every organist.

Alto Clef Version-Alto Clef Version. Versatile music and very easy wherein each of the five short pieces sounds good in two OR three OR four parts. Grade: 0 - 2

24 Progressive Studies from the composer of the famous Associated Board 'Progressive Studies' series. 24 Progressive Studies from the composer of the famous Associated Board 'Progressive Studies' series.

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled yet notated improvisation. Kapustin's monumental set of Preludes and Fugues Op.82 completed in 1997 may well be the most important work written for piano in the genre since Bach's Well-Tempered Clavier and Shostakovich's 24 Preludes and Fugues Op.87. In this sprawling collection Kapustin combines his complete mastery of jazzidioms with a thorough assimilation of contrapunctal techniques like canon imitation inversion and augmentation. Ingenuously each prelude and fugue pair share their motivic material.