Sonatine for Wind Quintet was composed by Anders Koppel in 2002. Dedicated to the Danish Wind Quintet. Programme note: My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the classical tradition and gesture - the transformations in the first movement everything kept in place in a tight classical form. The wind quintet’s many commedia dell’arte masks are presented with humour and the work recalls works from musical history where composers have been inspired by spontaneous popular gaiety. Anders Koppel 2003 Sonatine for Wind Quintet was composed by Anders Koppel in 2002. Dedicated to the Danish Wind Quintet. Programme note: My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the classical tradition and gesture - the transformations in the first movement everything kept in place in a tight classical form. The wind quintet’s many commedia dell’arte masks are presented with humour and the work recalls works from musical history where composers have been inspired by spontaneous popular gaiety. Anders Koppel 2003

Player's Score-Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. English version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 German version: KP0193602 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen based on Pergolesi's La Serva Padrona by Claudio Monteverdi. English version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 German version: KP0193602 For permission to perform this opera please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html

Michio Kitazume's Side By Side for Percussion.

Sonatas Part 1-Piano. Scriabin A

For Violin I Violin II Viola Violoncel og Klaver-Parts for Niels Viggo Bentzon's Kvintet For Violin I Violin II Viola Violoncel og Klaver Opus 196 . Parts for Niels Viggo Bentzon's Kvintet For Violin I Violin II Viola Violoncel og Klaver Opus 196 .

The renowned author and performer has condensed his experiences as apioneering teacher of this historical brass instrument at the famous Schola Cantorum Basiliensis in 3 volumes. Primarily intended for players of natural and Baroque trumpets the book is nevertheless indispensable for players of modern instruments who wish to interpret music of the Baroque in an informed and appropriate manner. A variety of exercises examples from the repertoire and from 19th–century tutors combine to offer a systematic course of instruction to help solve technical and musical problems especially those inherent in ensemble playing.

Following on from P'zazz! offering a variety of styles and tempos with some slightly more challenging pieces for the more advanced player. Grade: 4 - 6

Flexible Duets & Trio'S- The second volume in the Baroque Saxes series contains a three part sonata by the celebrated composer Giuseppe Tartini in a flexible arrangement for Saxophone duet or trio. The pieces in this book are suitable for saxophonists at an early-intermediate level. Instrumentation: Sop/Alto Alto/Tenor [opt. Bari/Bsn].

Uberort Af Byens Travlhed for blandet kor SAB a cappella. Tekst af Lars Busk Sorensen.

Three Mozart Favourites. Eine Kleine Nachtmusik (1st Movement) Andante Cantabile (from Piano Sonata in C K.330O and Symphony No.40 in G Minor (1st Movement). Grade: 5

Piano. Grieg E

Guitar. Mattheson J Guitar. Mattheson J

Undskyld Jeg Forstyrrer by the Danish composer Karsten Fundal scored for String Ensemble. Undskyld Jeg Forstyrrer - Film Music by the Danish composer Karsten Fundal scored for String Ensemble. Parts are available on hire: hire@ewh.dk

Ophelias - Death By Water Singing (2006-2007) - Chamber Opera in 13 Scenes. Libretto by Cecilie Loveid. Commissioned by Opera Vest (Den Nye Opera) Bergen. Piano reduction available: WH31030 Parts are available on hire: hire@ewh.dk Programme Note: The Danish chronicler Saxo's Amled myth lies behind the famous Hamlet by Shakespeare the story about a hero avenging the murder of his father the king. Saxo depicts Amled as mad - but is Shakespeare's Hamlet mad or is he playing a role? To test Hamlet a 'date' is arranged with Ophelia. Hellstenius has chosen to viewthings from her perspective and the opera begins at the moment when she drowns herself in the stream. We look back at her experiences - falling in love with the unstable Prince Hamlet; her anticipation of becoming a queen; their rendezvous in the forest her ensuing pregnancy and his betrayal.

Anders Koppel 's Andorinha/ The Swallow . This is a Piano reduction of the original work for Flute and Chamber Orchestra. Anders Koppel 's Andorinha/ The Swallow . This is a Piano reduction of the original work for Flute and Chamber Orchestra.

La Folia Op.5/12 for Alto Recorder and Keyboard by Arcangelo Corelli

Jill Gallina. A classic musical featuring mixed-up but happy animals who make the wrong sounds - cows that meow lions that crow monkeys that bray and more! A Professor of Linguistics tries to straighten them out with hilarious results. The show teaches the important lesson that ‘different is special’ and features six songs for unison voices including: ‘The Strangest Zoo You Ever Knew’ ‘Horrible Sounds’ ‘Practice Makes Perfect’ and ‘Different Is Special’.Jill Gallina. A classic musical featuring mixed-up but happy animals who make the wrong sounds - cows that meow lions that crow monkeys that bray and more! A Professor of Linguistics tries to straighten them out with hilarious results. The show teaches the important lesson that ‘different is special’ and features six songs for unison voices including: ‘The Strangest Zoo You Ever Knew’ ‘Horrible Sounds’ ‘Practice Makes Perfect’ and ‘Different Is Special’.

Gaspar Cassado 's Serenade for Cello (or Violin) and Piano.

For Seks Instrumenter /For Six Instruments by Karsten Fundal composed in 1996/97. Manuscript copy. Printed parts available: WH31704A

Triplis+ consists of seven songs based on computer-manipulated text fragments from Wilhelm Müller’s ’Die schöne Müllerin’. The seven songs should be played without interruption:I) Warum nicht?II)Nicht so...III)AngstIV) Wohin?V) HeimatVI) StilleVII)Ruhig. The score of TRIPLIS+ has a long history. The whole project began as a piece for piano and mezzo DUALIS (1987) to which I added percussion instruments to the vocal and piano parts which was deeply unsatisfying. (I also suggested certain ways of making different versions of the piece a so-called ’open score’ but this was even worse...) From the ruins of this piece I carved out a new DUALIS (1991) using the same material but with no percussion instruments added and in the form of a traditional ’frozen’ score.In 1993 I was asked to include a separate percussion part for a trio-version of my first undertakings of DUALIS. In close collaboration with the Cikada Trio I created a new version TRIPLIS (1993) which then in turn was taken as a point of departure for an extended version of the piece called TRIPLIS+ (1996-99). In this ’version integrale’ I - due to the requirements of the commission - added an ensemble of 8 instruments sometimes elaborating material from the mezzo-line sometimes contradicting or commenting upon it. The piano has a special role in both TRIPLIS+ and TRIPLIS: functioning as a kind of ’libro’ the piano textures which have the feel of an accompanying part are played ad lib throughout the work. In this way the pianist can change the actual dramatical flow of the piece.The first performance of TRIPLIS+ took place in the Bjergsted Music Centre in Stavanger Norway in April 1999 with the commissioner Stavanger Contemporary Music Ensemble under direction of the composer. The score is dedicated to B. Asbjorn Schaathun TRIPLIS+ (1996-98). For mezzo-soprano percussion electric organ alto flute coranglais clarinet violin viola cello double-bass and piano. Programme note Triplis+ consists of seven songs based on computer-manipulated text fragments from Wilhelm Muller's 'Die schone Mullerin'. The seven songs should be played without interruption:I) Warum nicht?II)Nicht so...III)AngstIV) Wohin?V) HeimatVI) StilleVII)Ruhig. The score of TRIPLIS+ has a long history. The whole project began as a piece for piano and mezzo DUALIS (1987) to which I added percussion instruments to the vocal and piano parts which was deeply unsatisfying. (I also suggested certain ways of making different versions of the piece a so-called 'open score' but this was even worse...) From the ruins of this piece I carved out a new DUALIS (1991) using the same material but with no percussion instruments added and in the form of a traditional 'frozen' score.In 1993 I was asked to include a separate percussion part for a trio-version of m