An interesting and cleverly created cooncerto that is enjoyable and easy on the ear! Composed in 1971 by Alan Ridout here are two simple movements with strings suitable for grades 5 and 8 and are set as part of the ABRSM examinations.

(after a Concerto for Flute Violin and Basso Continuo)-Guitar (part). Baston J Guitar (part). Baston J

Oboe Harp Viola or Cello (Score & parts). Yun I

SATB Choral-SATB vocal arrangement with Piano Accompaniment.

5 Songs-Medium Voice Piano. Wagner-regeny R

Carl Nielsen's Festpræludium / Festival Prelude (1900) for Piano has been expertly arranged for Orchestra by Hans Abrahamsen (2000). Commissioned by the Danish Radio and dedicated to the Danish National Symphony Orchestra for their 75th Anniversary in 2001. Carl Nielsen's Festpræludium / Festival Prelude (1900) for Piano has been expertly arranged for Orchestra by Hans Abrahamsen (2000). Commissioned by the Danish Radio and dedicated to the Danish National Symphony Orchestra for their 75th Anniversary in 2001.

10 well-known spirituals.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Laererhaefte-LærerhæfteEn lille julemusical for de mindste klasser - med hjælp fra fem voksne eller store børn. LærerhæfteEn lille julemusical for de mindste klasser - med hjælp fra fem voksne eller store børn.

For string quartet1969 Set of parts for Ole Buck's Hyperion for String Quartet (1969). Score: WH31550

Flute teaching material-Arrangements of Traditonal Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.

Clarinet. Schleiermacher

A collection of challenging and specialised studies exploring the variety of sounds and techniques of the Cello. Each study is full of unique character perfectly suited to the concert hall as well as private rehearsal. Some represent virtuosic technical displays whereas others are more lyrical and challenge the performer's interpretive skills. A collection of challenging and specialised studies exploring the variety of sounds and techniques of the Cello. Each study is full of unique character perfectly suited to the concert hall as well as private rehearsal. Some represent virtuosic technical displays whereas others are more lyrical and challenge the performer's interpretive skills.

Arranged by John Leavitt for the 1991 International Choral Symposium.

Rasmussen's Genklang is written for Grand Piano (four-hands) Prepared Piano Mistuned Piano and Celesta. This edition is the performance score. Rasmussen's Genklang is written for Grand Piano (four-hands) Prepared Piano Mistuned Piano and Celesta. This edition is the performance score.

22 melodious recorder studies for one and two descant recorders 22 melodious recorder studies for one and two descant recorders

Selected Piano Repertory and Studies- Teachers' Choice Selected Piano Repertory for Grades 4 and 5 is specially compiled to provide teachers and students with good options for the 2009-2010 ABRSM Piano examinations. A variety of interesting and appealing Piano pieces with up-to-date editorial suggestions to assist students in achieving high standards of musical and stylistic performance. Encompasses effective teaching methods traditionally used be Piano teachers. Teachers will enjoy this approach as an enriching source of reference which makes their teaching process a rewarding experience. With focus not merely on examination requirements finer details ininterpretation and performance are encouraged. This collection also aims to stimulate creativity. For those whose interest lies beyond the printed page the editorial suggestions provide the impetus to strive towards musical excellence. Enjoy high standards of music typography on professionally laid scores that are produced with modern publishing technology. Digital print quality ensures comfort in reading and learning for today's students.

Concerto For Cello And Orchestra was composed by Erik Højsgaard in 1975 (rev.1976-78). Concerto For Cello And Orchestra was composed by Erik Højsgaard in 1975 (rev.1976-78).

Tekst: Johannesevangeliet 12 35-36 Til Haderslev Domkirkes Ungdomskor Lysets Born for lige stemmer (SSA) a cappella af Soren Birch. Tekst: Johannesevangeliet 12 35-36. Til Haderslev Domkirkes Ungdomskor.

The composer writes: The piece is in three movements: the first movement present three different types of music juxtaposed meeting in the end in a chaotic brutal sound. The second movement is the longest consisting of an expressive opening and a gradual build-up of an exstatic motoric motion until a climax the opening then comes back and the music dies away. The third movement is a very short pianissimo echo. The primary focus of the piece is the element of sound. Polyphony is absent and the instruments are always packed together playing in a very narrow register merging into a dense monophonic or occasionally heterophonic sound. The harmony is based on dronesand the tonality is G# modulating only once (in the climax of the second movement) and all the motivic material is derived from a kind of G#-Phrygian scale. All in all this gives associations to the sound-world of oriental ethnic music. The composer writes: The piece is in three movements: the first movement present three different types of music juxtaposed meeting in the end in a chaotic brutal sound. The second movement is the longest consisting of an expressive opening and a gradual build-up of an exstatic motoric motion until a climax; the opening then comes back and the music dies away. The third movement is a very short pianissimo echo. The primary focus of the piece is the element of sound. Polyphony is absent and the instruments are always 'packed together' playing in a very narrow register merging into a dense monophonic or occasionally heterophonic sound. The harmony is based on dronesand the tonality is G# modulating only once (in the climax of the second movement) and all the motivic material is derived from a kind of G#-Phrygian scale. All in all this gives associations to the sound-world of oriental ethnic music.