Ten tunes with CD backing tracks to play along with. Recorded by Piano Bass Drums Perc Trp Tbn and Saxes.

An African Prayer and Blessings. Included in the Choirbook for The Queen published to celebrate the Diamond Jubilee of Her Majesty The Queen in 2012. The original concept for this project emerged in 2004 from asuggestion made by Robert Ponsonby to mark the Diamond Jubilee of Her Majesty The Queen in 2012 with a festival' of new anthems to be sung in beautiful places of worship by the best choirs throughout the UK.

Laurence Roman's Quintet For Strings . Composed and published in 2017 this piece is dedicated to the fond memory of Robert Kemeny. Laurence Roman's Quintet For Strings . Composed and published in 2017 this piece is dedicated to the fond memory of Robert Kemeny.

Aulis Sallinen ’s String Quartet No 6 was commissioned by the Kimito Island Music Festival. The first performance took place on 8th of July 2014 in Kimito Church the opening concert in the Kimito Island Music Festival 2014. The performers were: Katinka Korkeala and Sonja Korkeala - Violins Hariolf Schlichtig - Viola Samuli Peltonen - Cello Aulis Sallinen ’s String Quartet No 6 was commissioned by the Kimito Island Music Festival. The first performance took place on 8th of July 2014 in Kimito Church the opening concert in the Kimito Island Music Festival 2014. The performers were: Katinka Korkeala and Sonja Korkeala - Violins Hariolf Schlichtig - Viola Samuli Peltonen - Cello

The edition is part of the Trinity syllabus 2007 (grade 6 & 7)

BWV63-English text only.

for tenor solo and SATB unaccompanied David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant for tenor soloist with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow compounded by unusual and changing metres. David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant for tenor soloist with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow compounded by unusual and changing metres.

For Double Chorus (SSA + SATB) and Percussion (2 players)-Percussion Parts for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also Available: NOV162404: Full scoreNOV162404-02: Vocal score Percussion Parts for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also Available: NOV162404: Full scoreNOV162404-02: Vocal score

For Voice and Piano For Voice and Piano

for unison upper voices SATB and piano The music is shared at first between the upper-voice and mixed choirs before they come together the one a delicious countermelody to the other. The music is quite simply beautiful in keeping with the words and possesses that elusive quality of seeming to have always existed. The upper-voice part is available separately. A carol scored for Upper Voice Choir SATB and Piano by Bob Chilcott . The music is shared at first between the upper-voice and mixed choirs before they come together the one a delicious countermelody to the other. The music is quite simply beautiful in keeping with the words and possesses that elusive quality of seeming to have always existed.

Commissioned by the Harrogate International Festival. Written for and dedicated to Alexander Baillie. Duration 21 minutes. Includes score and part.

Ave Maria Gratia Plena by Josquin Des Prés for SATB choir.

A selection of light-hearted and decidedly tongue-in-cheek settings by Jeremiah Clarke all written for voice with piano accompaniment and presented in the original keys.

Serenade In E Op.22 by Antonín Dvorák. Set of string parts - 4 violin 1 3 violin 2 2 viola 2 cello 1 double bass - string orchestra.

A delightful and extensive collection of dearly loved and time honored hymns and gospel tunes creatively arranged to be enjoyed and successfully played at any skill level. The tunes are written out in music notation and in standard dulcimer tablature that is clear and easy to read. Chord symbols are included for accompanying instruments as well as the lyrics for singing along. The thoughtful and intentional use of the Ionian (DAA ) Mixolydian (DAD) and Reverse Ionian (DGD) tunings will encourage flexibility and expand the use and understanding of different melodic modes and accompanying chord shapes.- Dearly loved and time honored hymns and gospel tunes- Creativelyarranged to be enjoyed and successfully played at any skill level- Written in music notation as well as in standard dulcimer tablature - Includes tunes in DAA DAD and DGD to expand the use and understanding of different tunings and modes- Includes lyrics for singing along. A delightful and extensive collection of dearly loved and time honored hymns and gospel tunes creatively arranged to be enjoyed and successfully played at any skill level. The tunes are written out in music notation and instandard dulcimer tablature that is clear and easy to read. Chord symbols are included for accompanying instruments as well as the lyrics for singing along. The thoughtful and intentional use of the Ionian (DAA ) Mixolydian(DAD) and Reverse Ionian (DGD) tunings will encourage flexibility and expand the use and understanding of different melodic modes and accompanying chord shapes. •

A passacaglia written by Johann Halvorsen based on a bass line by George Frideric Handel.

Trumpet Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus on the first period of Coltrane 's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane 's bebop style of improvising the authors discuss the use of guide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane 's style grouped by the harmony over which they can be used. The accompanyingplay-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. By combining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane . Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus onthe first period of Coltrane 's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane 's bebop style of improvising the authors discuss theuse of guide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane 's style grouped by the harmony over whichthey can be used. The accompanying play-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. Bycombining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into yourvocabulary and you will be able to create your own lines in the style of John Coltrane .

Arrangement for Viola and Piano by Alan Arnold. Arrangement for Viola and Piano by Alan Arnold.

Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm calm atmosphere and must be one of the high points of this composer's output. This is the score for this work.

for SATB congregation (opt.) organ/brass Praise To The Lord The Almighty arranged by John Rutter for SATB choir congregation (opt.) and Organ/Brass.