Itself Is All The Like It Has by Tarik O'Regan has been adapted from 'Love Reckons by Itself Alone' which was originally commissioned by ASHINAGA for the At Home in the World concerts. Scored for Unaccompanied SATB Choir the work is a setting of a poem by Emily Dickinson and lasts around 7 minutes. Itself Is All The Like It Has by Tarik O'Regan has been adapted from 'Love Reckons by Itself Alone' which was originally commissioned by ASHINAGA for the 'At Home in the World' concerts. Scored for Unaccompanied SATB Choir the work is a setting of a poem by Emily Dickinson and lasts around 7 minutes.

Adapted from an old Fench song by Robert Elkin using words by Georgina Tanner. For unison voices and piano accompaniment.

A comprehensive 96-page large print perfect-bound chord dictionary for today's rock guitarist. Contains power chord forms barre chords and essential rhythm chord forms in all keys. A comprehensive 96-page large print perfect-bound chord dictionary for today’s rock guitarist. Contains power chord forms barre chords and essential rhythm chord forms in all keys.

Volume I - Songs 1911-1919-The Peter Warlock Critical Edition series represents a treasure trove of English song. This the first volume focuses upon songs for the High Voice from the period 1911-1919. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With thirteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

for SATB and piano four-hands or orchestra This short energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope and Wilberg's use of a 7/8 time signature keeps the verses propelling forward joyously while undulating quavers shape the refrains. Mack Wilberg 's Light Dawns On A Weary World for SATB choir and Piano four-hands or Orchestra. This short energetic piece sets words by contemporary hymn-writer Mary Louise Bringle . The text is full of positivity and hope and Wilberg 's use of a 7/8 time signature keeps the verses propelling forward joyously while undulating quavers shape the refrains. Several key changes are supported by a continuously rhythmic accompaniment in the form of Piano duet or large Orchestra and an instrumental interlude precedes the third and final verse.

Work for Organ.

Spanish clarinettist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14 and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name as his compositional works though high quality were few in number. From 1849-1876 Romero was the Clarinet Professor at the Madrid Conservatory where he wrote his Complete Clarinet Method . Over 150 years later it is still in popular use by schools and conservatories all over the world. Spanish clarinettist composer and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14 and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name as his compositional works though high quality were few in number. From 1849-1876 Romero was the Clarinet Professor at the Madrid Conservatory where he wrote his Complete Clarinet Method . Over 150 years later it is still in popular use by schools and conservatories all over the world.

Three Interludes For Orchestra by Benet Casablancas was commissioned by Fundacion Autor and the Spanish Association of Symphonic Orchestras (AEOS) for its World Premiere in the 2012-2013 season. The score consists of three movements - Pastorale (Tranquillo) Scherzo (Con moto) and Memento e Corale (Lentissimo Ampio e tenuto) - and has an approximate duration of 14 minutes. The spaciousness and transparency of its textures the clearness of its harmony and a general calm and quiet tone of the first and final parts set a contrast with the vigour and rhythmical vividness of its central scherzo. During the course of the piece the shape of chamber writing coexists with the greatness of orchestral peaks. The last section embraces a lower and expressive tone which ends with a great chorale that will lead to a more contemplative coda which fades into silence. Sadness for the devastating tsunami that struck Japan on those same days was present in the mind of the author at the time of writing this movement. It shows the accused dramatic quality (especially in the third piece) which dominate the orchestral writing of the composer from Sabadell enriched by a pitch atmosphere of neo-impressionistic quality and a healthy rhythmical energy. The concert version contributed with intensity and performance depth which we hope to deepen in future performances and which motivated the greeting of Casablancas. - German Gan Audio Clasica

20 favorite Scottish and Irish tunes brilliantly arranged for fingerstyle ukulele by Rob MacKillop. Titles include such well-known session tunes as Drowsy Maggie The Kesh Jig The Connaught Man's Rambles and The Wind That Shakes The Barley. Rob is a master of the campanella style of ukulele fingering which exploits the unique tuning of the ukulele and which helps these airs jigs and reels flow across the fingerboard effortlessly at times sounding like a small Celtic harp. The audio download available online contains all 20 pieces performed by Rob MacKillop hailed in Celtic World as 'One of Scotland's finest musicians'. 20 favourite Scottish and Irish tunes brilliantly arranged for fingerstyle Ukulele by Rob MacKillop . Titles include such well-known session tunes as Drowsy Maggie The Kesh Jig The ConnaughtMan's Rambles and The Wind That Shakes The Barley . Rob is a master of the campanella style of Ukulele fingering which exploits the unique tuning of the ukulele and which helps these airs jigs and reelsflow across the fingerboard effortlessly at times sounding like a small Celtic Harp. The audio download available online contains all 20 pieces performed by Rob MacKillop hailed in Celtic World as 'One of Scotland'sfinest musicians'.

Paperback-for SATB unaccompanied With its voluptuous harmonies and sinuous part writing Pott presents a delicious setting of this beautiful and evergreen hymn text. Despite its apparent chromaticism it remains modal in flavour and very approachable. This is sensual music and would be a wonderful choice as a communion motet or wedding piece. With its voluptuous harmonies and sinuous part writing Pott presents a delicious setting of the beautiful and evergreen Ubi Caritas hymn text. Despite its apparent chromaticism it remains modal in flavour and very approachable. This is sensual music and would be a wonderful choice as a communion motet or wedding piece.

Composed in 2012 Deux Hommages was written for and is dedicated to the Raschèr Saxophone Quartet. This 12 minute piece by the Albanian-born British composer Thomas Simaku is based on the idea of a line seen and heard from different perspectives. Composed in 2012 Deux Hommages was written for and is dedicated to the Raschèr Saxophone Quartet. This 12 minute piece by the Albanian-born British composer Thomas Simaku is based on the idea of aline seen and heard from different perspectives.

James Weeks ' Softest Numbers for Violin and Piano. Composed and published 2014. Duration: 3'30 Written for the Ives Song transcription project at the Guildhall School of Music and Drama London: Ives' Cradle Song (1919) is used as source material. First performed there on 23rd November 2014 by Amarins Wierdsma (Violin) and Aaron Burrows (Piano). James Weeks ' Softest Numbers for Violin and Piano. Composed and published 2014. Duration: 3'30' Written for the Ives Song transcription project at the Guildhall School of Music and Drama London: Ives' Cradle Song (1919) is used as source material. First performed there on 23rd November 2014 by Amarins Wierdsma (Violin) and Aaron Burrows (Piano).

for SSAA double choir unaccompanied Gustav Holst 's Ave Maria for SSAA double choir unaccompanied.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ‘prima prattica’ the polyphonic style which was dominant in the period music history has labelled the ‘renaissance’. Vol. 4 of these 52 motets for voice.

George Nicholson's String Quartet No.5 . George Nicholson was born in County Durham in 1949 and studied at the University of York with David Blake and Bernard Rands receiving his doctorate in 1979. For ten years he pursued a freelance career in London before being appointed Lecturer in Music and Director of Composition at Keele University in 1988. In January 1996 he took up the post of Senior Lecturer in Composition at Sheffield University. George Nicholson's String Quartet No.5 . George Nicholson was born in County Durham in 1949 and studied at the University of York with David Blake and Bernard Rands receiving his doctorate in 1979. For ten years he pursued a freelance career in London before being appointed Lecturer in Music and Director of Composition at Keele University in 1988. In January 1996 he took up the post of Senior Lecturer in Composition at Sheffield University.

For SATTBB unaccompanied With a text by the composer this secular carol is a true celebration of all that we love about the festive season. Owain Park's arrangement presents a new take on this Christmas classic drawing on Rutter's evocative orchestral colours to create this characterful and heart-warming arrangement for a cappella voices. This arrangement of The Very Best Time of Year has been recorded by The Choir of Trinity College Cambridge conducted by Stephen Layton on the album Yulefest! (Hyperion CDA68087).

22 Classical English songs for high voice (soprano or tenor) with original piano accompaniments. The collection is devoted to the serious songs of the period composed for domestic performance. This relatively unknown repertoire is of striking variety and quality and extremely lyrical melodious and eminently singable. Twenty-five Classical English songs for high voice composed by Haydn Hook Arnold Linley Salomon and others with accompaniments Piano Harpsicord or Harp.

The Cambridge Singers Hymn Series-for SATB and harp or piano In this arrangement of the traditional Irish hymn Rutter sets the 8th-century text (in its English translation) to the Irish folk melody known as Slane the tune to which it has been sung since 1919. An alternative setting of the text to original music by John Rutter is also available from Oxford University Press. Be Thou My Vision arranged by John Rutter for SATB choir and Harp or Piano. In this arrangement of the traditional Irish hymn Rutter sets the 8th-century text (in its English translation) to the Irish folk melody known as Slane the tune to which it has been sung since 1919. An alternative setting of the text to original music by John Rutter is also available from Oxford University Press.

Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings

Written for clarinet and piano.