Johann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo the violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph one cannot rule out the possibility that this copy might be traced backto another original manuscript by Bach. At any rate some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance thus showing how absurd many a performance instruction of established interpretive editions is. Johann Sebastian Bach 's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo the Violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Kothen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph one cannot rule out thepossibility that this copy might be traced back to another original manuscript by Bach . At any rate some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation Dagmar Gluxam explains the relationship between the musical-rhetorical contents of Bach 's musical text and their adequate performance thus showing how absurd many a performance instruction of established interpretive editions is.

This welcome original setting of the much-loved 15th-century Coventry carol text features a compelling interplay between choir and organ and a contrast of full and a cappella textures. Archer fully exploits the text's dramatic potential and has created a pleasing and useful addition to the carol repertory.

The first movement of Mozart's second clarinet quintet-A very exciting edition to the clarinet repertoire. The first movement of Mozart's projected Second Clarinet Quintet! The 'fragment' that is the basis of this work had been known about for many years and was always considered a trial run for the great K581. But recent dating has shown the two pages of manuscript date from after the Clarinet Quintet. The distinguished Mozart scholar Timothy Jones has proved this to be the beginning of a response to the popularity of K581. It was only as a result of his early death that the work remained incomplete. Tim has completed the work using his deep knowledge of late Mozart and we have now a very important new addition to the clarinetquintet. Mozart 's Sonata Allegro For Clarinet And String Quartet is certainly an exciting addition to the Clarinet repertoire. The first movement of Mozart 's projected Second Clarinet Quintet the 'fragment' that is the basis of this work had been known about for many years and was always considered a trial run for the great K581; however recent dating has shown the two pages of manuscript date from after the Clarinet Quintet. The distinguished Mozart scholar Timothy Jones has proved this to be the beginning of a response to the popularity of K581. It was only as a result of his early death that the workremained incomplete. Jones has completed the work using his deep knowledge of late Mozart and we have now a very important new addition to the Clarinet Quintet repertoire.

(from Annie Get Your Gun). Only Irving Berlin could write a showstopper like this one! Arranged in a contemporary show style with easy-to-learn parts and fast-moving lyrics you will set the mood for a dynamic show. Great opener! Available: SATB SAB 2-Part ShowTrax CD. Performance Time: Approx. 2:45. (from Annie Get Your Gun). Only Irving Berlin could write a showstopper like this one! Arranged in a contemporary show style with easy-to-learn parts and fast-moving lyrics you will set the mood for a dynamic show. Great opener! Available: SATB SAB 2-Part ShowTrax CD. Performance Time: Approx. 2:45.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represents a treasure trove of English song. This the third volume focuses upon songs for the High Voice from the period 1921-1922. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fifteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

For Alto Saxophone and Piano.

This volume contains the Sonatas Op. 78 –111. This new edition is based on all the sources dateable to the composer’s lifetime supplemented by significant information taken from early reprints with a minimum of editorial intervention modelled on Beethoven’s contemporary practice. As well as new information regarding articulation phrasing and dynamic markings the edition presents new research regarding variants of the musical text and offers alternative readings in places where Beethoven’s definite intention is not entirely clear. This is intended as an incentive for the player to explore and analyse this material the final playing version of which is by no means asfixed and settled as tradition will have it. This volume contains the Sonatas Op. 78 -111 . This new edition is based on all the sources dateable to the composer's lifetime supplemented by significant information taken from early reprints with a minimum of editorial intervention modelled on Beethoven 's contemporary practice. As well as new information regarding articulation phrasing and dynamic markings the edition presents new research regarding variants of the musical text and offers alternative readings in places where Beethoven 's definite intention is not entirely clear. This is intended as an incentive for the player to explore and analysethis material the final playing version of which is by no means as fixed and settled as tradition will have it.

Novello Voices Choral Suite. Arranged by Barrie Carson Turner for SATB with piano accompaniment. The suite comprises: 'One More Angel In Heaven' 'Close Every Door' 'Benjamin Calypso' 'Joseph's Dreams' and 'Any Dream Will Do'. Music by Andrew Lloyd Webber lyrics by Tim Rice.

Rejoice in the Savior's birth with dancing and pipes! This spirited Christmas anthem from the team of Williams and Paige will make both singers and congregation want to move with the spirit and shout for joy! A lively excitinginvitation to celebrate A Christmas Madrigal will make a great processional or festive call to worship.

This setting of the hallelujah chorus was written to celebrate the Handel Tercentenary. For SATB and Keyboard. With fond yet suitably rousing words by Helen Dymond.

for SSAATT(or Bar)BB and organ A traditional carol for SSAATT(or Baritone)BB and organ.

Written for orchestra.

The first two sets (each of three pieces) of Miniature Pastorals were written in 1917 and 1921. The pieces which form the third set were also written in 1921 but remained unpublished until 1978. This edition presents all three sets together. Between them the nine pieces represent a simplification of Bridge's later style and are sure to be enjoyed by both Pianists and audiences. The first two sets (each of three pieces) of Miniature Pastorals were written in 1917 and 1921. The pieces which form the third set were also written in 1921 but remained unpublished until 1978. This edition presents all three sets together. Between them the nine pieces represent a simplification of Bridge's later style and are sure to be enjoyed by both Pianists and audiences.

Conteniendo un extracto del arte flamenco con variaciones tonos principales de acompanamiento estudios y explicaciones detalladas de los cantes. Conteniendo un extracto del arte flamenco con variaciones tonos principales de acompanamiento estudios y explicaciones detalladas de los cantes.

The sheet music of Nico Muhly 's work Recordare Domine for unaccompanied SATB (Soprano/Alto/Tenor/Bass) Chorus. Originally commissioned by The Tallis Scholars from the Lincoln Center of the Performing Arts and Lafayette College the composition had its world premiere on the 15th November 2013. The piece is a unique setting of a Bible verse from Lamentations and is as haunting as it is beautiful. Nico Muhly is a world-renowned contemporary composer who works in a dizzying number of genres. He has composed works for popular cinema Piano small ensemble Orchestra and Chorus. This piece is for an unaccompanied four-part chorus consisting of a Soprano Alto Tenor and Bass and lasts about 5 minutes. Our Recordare Domine sheet music is the most accurate transcription available of this contemporary choral piece by versatile and virtuouso composer Nico Muhly . The sheet music of Nico Muhly 's work Recordare Domine for unaccompanied SATB (Soprano/Alto/Tenor/Bass) Chorus. Originally commissioned by The Tallis Scholars from the Lincoln Center of the Performing Arts and Lafayette College the composition had its world premiere on the 15th November 2013. The piece is a unique setting of a Bible verse from Lamentations and is as haunting as it is beautiful. Nico Muhly is a world-renowned contemporary composer who works in a dizzying number of genres. He has composed works for popular cinema Piano small ensemble Orchestra andChorus. This piece is for an unaccompanied four-part chorus consisting of a Soprano Alto Tenor and Bass and lasts about 5 minutes. Our Recordare Domine sheet music is the most accurate transcription available of this contemporary choral piece by versatile and virtuouso composer Nico Muhly .

An hommage to Alfred Cottin.

The words for this cycle are drawn from poems by Philip Larkin. There are three lyrics about the natural world and two typically down-beat townscapes framed and linked with a setting of the visionary final lines fo the title poem. The whole suggests a musical form as close to a Baroque cantata as to later song cycles.

A superb collection for violin (with piano acompaniment) by celebrated Spanish composers. Includes the music of Albeniz Granados Mompou and Turina.

Written for Mark Blatchly and the tenors and basses of the Charterhouse special choir.