In March 1848 Liszt took up residence in Weimar with his new partner Princess Carolyne Sayn-Wittgenstein thus entering a more settled period. Not least encouraged by his partner he turned his back on his career as a virtuoso and started concentrating on composing- in summer 1848 he finished work on the studies known today as Il lamento La leggierezza and Un sospiro. Unlike Liszt’s early studies that concentrated more on piano technique the new concert studies are dominated by poetic ideas and tonal concept. They are often played in recitals and number amongst the compulsory pieces at music conservatories and piano competitions.A set of three piano studies composed by Franz Liszt in 1848. Similar to Chopin’s Etudes they address some basic problems of piano technique within a poetic context. Available here is a highly authoritative Urtextedition of Liszt’s Trois Etudes de Concert as edited by Rena Charnin Mueller and Wiltrud Haug-Freienstein with original fingering by the composer.

This collection of 39 rounds and canons features a range of material from the oldest-known round: Sumer Is Icumen In to the famous Pachelbel Canon as well as six original canons by Gail Smith. The short canons composed by Konrad Kunz are ideal for sight reading. There is one in every major and minor key in a 5-finger position. For the more advanced pianist there are amazing canonic piano solos by Bach Schumann and Clementi. The right hand melody becomes the left hand melody in a very magical way melting into the most beautiful harmony imaginable. There's a canon to go around for pianists with any amount of experience! This collection of 39 rounds and canons features a range of material from the oldest-known round; 'Sumer Is Icumen In' to the famous Pachelbel Canon as well as six original canons by Gail Smith. The short canons composed byKonrad Kunz are ideal for sight reading. There is one in every major and minor key in a 5-finger position. For the more advanced pianist there are amazing canonic Piano solos by Bach Schumann and Clementi. The right hand melodybecomes the left hand melody in a very magical way melting into the most beautiful harmony imaginable. There's a canon to go 'around' for pianists with any amount of experience!

This timeless arrangement of Skylark a standard of the golden age of American song is rich mellow and mellifluous. Soaring lines for flute depict the eponymous songbird and the classic Hoagy Carmichael tune is shared between solo voice and choir the latter also often providing the cushion of evocative harmonies synonymous with the spiritual. John Rutter's timeless arrangement of Skylark a standard of the golden age of American song is rich mellow and mellifluous. Soaring lines for flute depict the eponymous songbird and the classic Hoagy Carmichael tune is shared between solo voice and choir the latter also often providing the cushion of evocative harmonies synonymous with the spiritual.

An Old Fashioned Love Song was composed by Paul Williams for the band Three Dog Night whose classic pop-rock sound suited this simple song of love and the emotional power of music. Arranged for SATB choir with Piano Accompaniment. There have been innumerable love songs written about love over the ages none more old fashioned than An Old Fashioned Love Song . An homage to all of those timeless tunes of romance and longing this itself has become a stalwart of the genre. Originally written for The Carpenters Williams was inspired by their unique blend of 'old fashioned love songs'. Arranged herefor SATB choir the subtle harmonies and smooth soulful sound of the catchy chorus will create a performance your choir can be proud of.

Chaconne For Jonathan Harvey by Ed Hughes in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music with funds from the PRS for Music Foundation. First performed by Michael Waldron on 15 April 2013 St Pancras Church London as part of choral evensong and broadcast live on BBC Radio 3. Chaconne For Jonathan Harvey by Ed Hughes in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music with funds from the PRS for Music Foundation. First performed by Michael Waldron on 15 April 2013 St Pancras Church London as part of choral evensong and broadcast live on BBC Radio 3.

No. 2- Music's Empire consists of four pieces of which this is the second. Music is a positive and bright piece and is a setting of a poem by Ralph Waldo Emerson. The work was written for St. Cecilia's Day celebrations but is suitable for performance at any time of year.

for children's choir mixed choir and orchestra or tubular bells and organ A dark and beautiful yet also extremely approachable work in three movements. The first two are darker in character: evening hymns that ask for protection and comfort through the night. The music lightens for the final hymn a song for the morning that looks forward to a new beginning. Bob Chilcott 's Canticles Of Light for children's choir mixed choir and Orchestra or Tubular Bells and Organ. A dark and beautiful yet also extremely approachable work in three movements. The first two are darker in character: evening hymns that ask for protection and comfort through the night. The music lightens for the final hymn a song for the morning that looks forward to a new beginning.

Reduction for Harp and Piano written in 1952 for the distinguished harpist Nicanor Zabaleta. This is the fifth of Rodrigo's eleven concertos. This is a cornerstone of the modern harp repertoire and one of the composer's most attractive works. Reduction for Harp and Piano written in 1952 for the distinguished harpist Nicanor Zabaleta. This is the fifth of Rodrigo's eleven concertos. This is a cornerstone of the modern harp repertoire and one of the composer's most attractive works.

Praeludium On The Name George Frideric Handel was commissioned by the Royal Society of Musicians of Great Britain (of which Handel was a founder member in 1738) and first performed by the Navarra String Quartet as part of the RSM’s Jacqueline du Pré Charity Concert at London’s Wigmore Hall on 3rd March 2015. Praeludium On The Name George Frideric Handel was commissioned by the Royal Society of Musicians of Great Britain (of which Handel was a founder member in 1738) and first performed by the Navarra String Quartet as part of the RSM’s Jacqueline du Pré Charity Concert at London’s Wigmore Hall on 3rd March 2015.

Credo De La Misa 'Papae Marcelli' by Giovanni Palestrina for six voices.

A concise incredibly useful scale regimen that enhances left and right hand technique helps master the fingerboard and paves the way for improvisation. Also a helpful aid to sight reading. Comprehensive 96-page pocket/case-size edition that can go anywhere. A concise incredibly useful scale regimen that enhances left and right hand technique helps master the fingerboard and paves the way for improvisation. Also a helpful aid to sight reading. Comprehensive 96-page pocket/case-sizeedition that can go anywhere.

Choral cantata No. 3 for Good Friday-A/T[S] SOLO/SATB/VLN/OB/ORG B. Reger M

20 cafe-style tunes from the repertoire of Dan Daddy Squeeze Newton. Musette waltzes swing tangoes polkas and cumbias great for intermediate or advanced players. Includes access to online audio with fully-orchestrated arrangements. Suitable for intermediate-advanced level Accordion players this collection contains 20 'cafe-style' tunes from the pen of Dan 'Daddy Squeeze' Newton . Musette waltzes swing tangoes polkas and cumbias are allfeatured. More Cafe Accordion includes access to online audio tracks with fully-orchestrated arrangements.

The Beach Boys ' 1964 hit I Get Around arranged for SATB Choir with Piano accompaniment by Thomas Lydon . The Beach Boys ' 1964 hit I Get Around arranged for SATB Choir with Piano accompaniment by Thomas Lydon .

Philip Herbert is a British composer based in Leicester. This delightful and wistful piece started life as a dance project with choreographer Henry Oguike and was first performed in its entirety in 2013 in Leicester as part of Black History Month. This slightly abridged version gives the Oboe a singing line of great beauty. Herbert himself notes that he combines 'hypnotic and expressive melismas in the melodic line supported by the accompaniment supplied by the Piano which draws on the influence of minimalism and chordal figuration that is to be found in some of the keyboard preludes of J.S. Bach'. The E flat section in the middle provides some contrast and thedelicately ornamented ending brings the piece to a calm conclusion. The metronome mark should be carefully noted so that the piece floats and flows nicely without getting stuck and indulgent. Philip Herbert is a British composer based in Leicester. This delightful and wistful piece started life as a dance project with choreographer Henry Oguike and was first performed in its entirety in 2013 in Leicester as part of Black History Month. This slightly abridged version gives the Oboe a singing line of great beauty. Herbert himself notes that he combines 'hypnotic and expressive melismas in the melodic line supported by the accompaniment supplied by the Piano which draws on the influence of minimalism and chordal figuration that is to be found in some of the keyboard preludes of J.S. Bach'. The E flat section in the middle providessome contrast and the delicately ornamented ending brings the piece to a calm conclusion. The metronome mark should be carefully noted so that the piece floats and flows nicely without getting stuck and indulgent.

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010. The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James's Church Piccadilly on Thursday 19 May 2011. 1. Ritual/Pastorale 2. Fertility Dance 3. Ghost Dance/Song 4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma -Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herman Cortés - an event that was to eventually lead to the demise of the Aztec civilisation. Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life. I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work. Edward Gregson

Published in response to many requests for a book containing imaginative and singable descants this indispensable collection contains 34 set to the most popular of all hymn tunes. Many of the arrangements are by Christopher Robinson who has assembled the collection together with settings by Barry Rose Ralph Allwood Sidney Campbell George Guest and Herbert Howells; most are published for the first time. The descants cover all the main seasons of the church year as well as plenty of general hymns. The full music edition is essential as it includes music parts with varied harmonies melody and descant lines. The smaller book contains thedescant lines only. Suitable for use by church cathedral or school choirs.

for soprano solo SATB and organ. This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished adoring and humbling. This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished adoring and humbling. The beautiful soprano solo soars over the SATB voices and organ accompaniment in 'Christ my Beloved' and 'Jesus my Leman' while the unaccompanied choir take centre stage for 'Miserere my Maker' and 'Away vain world'.

The Cambridge Singers Hymn Series-for SATB and piano or harp In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing ye heavens (COLCD 126). We Plough The Fields And Scatter arranged by John Rutter for SATB choir and Piano or Harp. In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing Ye Heavens (COLCD 126).

The study score for Reflexionem by Patrick Hawes.