A fascinating movement subtitled 'A Zen meditation'. Duration: 4 mins. Grade: 8 A fascinating movement subtitled 'A Zen meditation'. Duration: 4 mins. Grade: 8

Fantasy Suite-Percy Turnbull born near Newcastle Upon Tyne in 1902 had his earliest musical training as a cathedral chorister. At the RCM in the 1920s Turnbull studied with Vaughan Williams Holst and John Ireland. Turnbull was a highly accomplished pianist and spent much of his life earning his living as an accompanist performer and teacher. His understandng of the instrument and his extremely wide knowledge of the piano repertoire led him to produce highly varied and colourful output. His interests were almost entirely for miniature forms: suites preludes studies variations and character pieces. All of these pieces be they athletically virtuoso or deftly simple show a flair forthe idiom and perhaps more importantly they lend an historically significant and stylistically interesting perspective to the literature of twentieth-century British piano music.

for double SATB choir unaccompanied My prayer is a technical 'tour de force' meticulously sculpted from the distilled essence of Purcell's original and yet always recognizably Chilcott. The music is involved passionate and frequently contrapuntal. This is a beautiful and convincing work imbued with an unsettling melancholy. For SSAATTBB unaccompanied this is a beautifully expressive piece based on Psalm 102 verse 1.

for SATB and piano/orchestra Robert Lowry's text and melody is a beautifully reflective take on the well-known hymn. Simple vocal lines are enhanced by a gently flowing accompaniment rich in suspensions and harmonic interest. This part can be played on the piano or by the unusual combination of flutes cors anglais harp and strings. Mack Wilberg 's How Can I Keep From Singing? for SATB choir and Piano. Wilberg 's arrangement of Robert Lowry 's text and melody is a beautifully reflective take on the well-known hymn. Simple vocal lines are enhanced by a gently flowing accompaniment rich in suspensions and harmonic interest. This part can be played on the Piano or by the unusual combination of Flutes Cors Anglais Harp and Strings.

Classical and Flamenco Guitar Solos and Etudes provides an introduction to classical and flamenco guitar techniques through 22 pieces. These short melodic studies will increase your understanding of chord/harmonic shapes and encompass a variety of styles: vals classical etudes malagueña soleá rumba farruca and bulerías. The five main techniques in classical and flamenco guitar are: pulgar (thumb rest stroke) arpeggio picado (index and middle alternating strokes) rasgueo (strumming) and tremolo (flamenco) â' which are applied throughout this book. Includes access to online audio and video. Classical And Flamenco Guitar Solos And Etudes provides an introduction to classical and flamenco Guitar techniques through 22 pieces. These short melodic studies will increase your understanding ofchord/harmonic shapes and encompass a variety of styles: vals classical etudes malagueña solea rumba farruca and bulerías. The five main techniques in classical and flamenco guitar are: pulgar (thumbrest stroke) arpeggio picado (index and middle alternating strokes) rasgueo (strumming) and tremolo (flamenco) - which are applied throughout this book. Includes access to online audio and video.

Mmm the smell of gingerbread baking at Christmas time brings back sweet holiday memories except when you're the Gingerbread Boy and Santa's on his way for a midnight snack! Join in the antics of the Christmas toys and theGingerbread Boy in their merry Christmas Eve celebration. This light-hearted 15-minute musical for lower elementary grades features a heart-warming Christmas story plus 5 delightful original songs and opportunities to involve manystudents on stage. The Teacher's Manual contains the full script and accompanied songs along with movement staging and costume suggestions. The professionally-orchestrated ShowTrax CD adds special holiday sparkle for ashow that's sure to be a wonderful experience for students parents and teachers. Cook up some holiday magic at your school this year! Available: Teacher's Manual Singer's Edition 5-Pak Preview CD (full performance) andPerformance/Accompaniment CD. Performance Time: 15 minutes. For Gr. K-3.Mmm the smell of gingerbread baking at Christmas time brings back sweet holiday memories except when you're the Gingerbread Boy and Santa's on his way for a midnight snack! Join in the antics of the Christmas toys and theGingerbread Boy in their merry Christmas Eve celebration. This light-hearted 15-minute musical for lower elementary grades features a heart-warming Christmas story plus 5 delightful original songs and opportunities to involve manystudents on stage. The Teacher's Manual contains the full script and accompanied songs along with movement staging and costume suggestions. The professionally-orchestrated ShowTrax CD adds special holiday sparkle forashow that's sure to be a wonderful experience for students parents and teachers. Cook up some holiday magic at your school this year! Available: Teacher's Manual Singer's Edition 5-Pak Preview CD (full performance) andPerformance/Accompaniment CD. Performance Time: 15 minutes. For Gr. K-3.

Ærc Duos by James Weeks for any two bowed String Instruments. Score. aerc Duos by James Weeks for any two bowed String Instruments. Score.

On Gratitude Love And Madness- The six poems set here are all to be found in '100 Poems on the Underground'. For SATB (divisi) A Cappella.

for SATB unaccompanied This gutsy folk-inspired Advent carol is original and contemporary without losing the raw fervour of its medieval model. With its rhythm punchy and driven and its harmony strong and bare the piece demands great energy from the performers. Another classic from the legendery Bob Chilcott. Written for David Hill and The Bach Choir in celebration of the 80th birthday of Sir David Willcocks this hard and folksy song is arranged for SATB choir a cappella.

This book is for beginning and early intermediate mandolin players and no prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature and whilst writing the arrangements the author considered the small hands of children. Each tune is in the first position and there are no stretches that present inordinate technical difficulties. Every song in the book is included on the companion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.This book is for beginning and early intermediate mandolin players and no prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature and whilst writing thearrangements the author considered the small hands of children. Each tune is in the first position and there are no stretches that present inordinate technical difficulties. Every song in the book is included on thecompanion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.

The “Little Organ Book” perhaps the most celebrated collection ever of chorale preludes owes its title to J.S. Bach’s application for the post of Cantor at St Thomas’ Church in Leipzig. Lacking an academic degree Bach wanted to demonstrate his qualifications as a teacher through his compositions – including his Inventions Sinfonias and the “Well Tempered Klavier”. This also led him to append a misleading title to the most ambitious project of his time at Weimar: he called this collection of chorale preludes - originally meant to number 164 pieces - pieces for an “aspiring organist”. In fact the 44 completed compositions of the “Little Organ Book” are demanding masterpieceswhich give an impressive display of the full range of the so-called short chorale prelude. This new critical edition returns for the first time to the format of the principal sources dating from Bach’s time in that most of the pieces are reproduced on two systems rather than three. The Little Organ Book perhaps the most celebrated collection ever of chorale preludes owes its title to J.S. Bach 's application for the post of Cantor at St Thomas' Church in Leipzig. Lacking an academic degree Bach wanted to demonstrate his qualifications as a teacher through his compositions - including his Inventions Sinfonias and the Well Tempered Klavier. This also led him to append a misleading title to the most ambitious project of his time at Weimar: he called this collection of chorale preludes - originally meant to number 164 pieces - pieces for an aspiring organist. In fact the44 completed compositions of the Little Organ Book are demanding masterpieces which give an impressive display of the full range of the so-called short chorale prelude. This new critical edition returns for the first time to the format of the principal sources dating from Bach's time in that most of the pieces are reproduced on two systems rather than three.

Karol Szymanowski's Masken Op.34 is an exciting three movement work for solo Piano. Karol Szymanowski's Masken Op.34 is an exciting three movement work for solo Piano.

Paperback-for SATB and organ or orchestra Wilberg's arrangement of 'Old Hundredth' paired with William Kethe's hymn of exaltation builds from a simple opening to a rich-textured rousing conclusion. An alternative ending is included providing the option of finishing the piece more softly. An orchestral accompaniment is available on rental. Wilberg's arrangement of 'Old Hundredth' paired with William Kethe's hymn of exaltation builds from a simple opening to a rich-textured rousing conclusion. An alternative ending is included providing the option of finishing the piece more softly. An orchestral accompaniment is available on rental.

I Don't Know How To Love Him one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice the song is often rated as the high point of the musical. I Don't Know How To Love Him one of the showstoppers from 'Jesus Christ Superstar' is arranged here by Jeremy Birchall for SSA Choir with Piano Accompaniment. Composed by Andrew Lloyd Webber with lyrics by Tim Rice the song is often rated as the high point of the musical.

Betty Roe's The Venite with written for Eagle House School Sandhurst and incorporates an unusual 'echo' effect between chorus and congregation.

POD-Nico Muhlys Stabat Mater Dolorosa for Soprano Baritone and Ensemble. Parts.My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet a piece of religious music and something to go along with a bit of Birtwistle. My initial instinct was to base the piece on drones as Birtwistles musichas so very many notes but then I decided that an austere but ecstatic approach was the best to fill a coherent evening. I asked my friend Craig Lucas to paraphrase the Stabat Mater text - which describes the Virgin Mary weeping at the foot of thecross on which her son is crucified. The piece is organised by separating each phrase of the text with a moment of silence with the exception of the last three which are joined with a frenzied chorale with improvised dynamics from the Harp Windand Strings. - Nico MuhlyInstrumentation: Soprano and Baritone voice Flute Clarinet in Bb Harp Violin Viola and Violoncello. Nico Muhly 's Stabat Mater Dolorosa for Soprano Baritone and Ensemble. Parts. My Stabat Mater is a very simply-constructed piece of music. I knew I wanted to write a duet a piece of religious music and something to go along with a bit of Birtwistle. My initial instinct was to base the piece on drones as Birtwistle's music has so very many notes but then I decided that an austere but ecstatic approach was the best to fill a coherent evening. I asked my friend Craig Lucas to paraphrase the Stabat Mater text - which describes the Virgin Mary weeping at the foot of the cross on which her son is crucified. The piece is organised byseparating each phrase of the text with a moment of silence with the exception of the last three which are joined with a frenzied chorale with improvised dynamics from the Harp Wind and Strings . - Nico Muhly Instrumentation: Soprano and Baritone voice Flute Clarinet in Bb Harp Violin Viola and Violoncello.

King Arthur (Arr. Laurie)- King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers or servants shepherds and similar characters the main action mostly occurs in the spoken sections and even the two singing characters Philidel and Grimbald speak more than they sing.

Catches (Cloth Bound)-A beautifully-presented cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Paperback edition available: NOV151103. A beautifully-presented cloth-bound full score of Purcell's Catches. This new edition lays particular emphasis on accuracy and performance and includes a comprehensive commentary. Paperback edition available: NOV151103.

A Christmas carol for Soprano (Treble) and Baritone with SATB Choir. A Christmas carol for Soprano (Treble) and Baritone with SATB Choir.

For SATB Choir and Organ. For SATB Choir and Organ.