Mendelssohn particularly loved Shakespeare’s Midsummer Night’s Dream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complement Shakespeare’s own drama. Mendelssohn’s music for this play is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.In spite of its title You Spotted Snakes is a lively lullabye sung to Titania in Act II. It is during this sleep thatOberon enchants Titania and all the rest of the action unfolds. You Spotted Snakes is scored for solo Voices SA with Voices SSAA and Piano accompaniment.

A fabulous musical for schools by Betty Roe based on text by Alison Taylor. This score contains all the music for each of the songs from the production wonderfully arranged for Voice and Piano with chord symbols and additional Recorder Percussion and Guitar backing on some of the tracks. We meet and interact with a host of colourful characters and their antics from Lee street and this warm quirky and humorous classroom musical is a spectacular show that is sure to delight your performers as much as the audience! A fabulous musical for schools by Betty Roe based on text by Alison Taylor. This score contains all the music for each of the songs from the production wonderfully arranged for Voice and Piano with chord symbols and additional Recorder Percussion and Guitar backing on some of the tracks. We meet and interact with a host of colourful characters and their antics from Lee street and this warm quirky and humorous classroom musical is a spectacular show that is sure to delight your performers as much as the audience!

Wilder's Sonata No.3 arranged for Horn and Piano Accompaniment.

This revised edition is based on the personal score of Oscar Espla in which he noted both deletions of bars as well as thinning out of chords especially in the last movement. Suitable for intermediate to advanced violinists this edition includes both score and part. This revised edition is based on the personal score of Oscar Espla in which he noted both deletions of bars as well as thinning out of chords especially in the last movement. Suitable for intermediate to advanced violinists this edition includes both score and part.

Henry Purcell's From Hardy Climes (A Royal Welcome Song) From the Purcell Society Edition Volume 15: Royal Welcome Songs Part I. Edited by Bruce Wood (2000).

Franz Schubert 's Impromptu A-flat D 935 Ab Op. Post. 142/2 D 935 .

A choral suite by Betty Roe for a full choir of mixed voices with settings of poems by Herrick Emerson Walter de la Mare and Marvell. Originally written as a complete suite for St. Cecilia's Day celebrations but can be performed at any time and the pieces can sung separately or together as a set. A choral suite by Betty Roe for a full choir of mixed voices with settings of poems by Herrick Emerson Walter de la Mare and Marvell. Originally written as a complete suite for St. Cecilia's Day celebrations but can be performed at any time and the pieces can sung separately or together as a set.

Contents: O strength and stay œ Sun of my soul œ And now another day is gone œ Through the day thy love has spared us œ Round me falls the night œ Hark! Hark my soul.

Killer Turnarounds presents a wealth of concise information about playing over the last two measures of jazz tunes. Commonly called the turnaround these two measures can be difficult to accurately play over for beginning jazzimprovisers. This method systematically breaks down the harmonic structures frequently found at the end of tunes and provides melodic ideas as well as harmonic ideas that will help improvisers sound like seasoned professionals.Presented in standard notation and tab.

James Weeks' Inscription was published in 2017 and is arranged for SATB quartet and String quartet. in memoriam Aldo Clementi Inscription was first performed by EXAUDI and Endymion at the Purcell Room London on 21 September 2011 conducted by the composer. The score was subsequently revised in 2012.

Three songs for soprano and orchestra to poems by George Herbert and Henry King.

The text adapted by composer Allan Naplan is a lullaby written by the Belorussian Yiddish poet David Einhorn. On the eve of World War II more than half of the sixteen million Jews of the world spoke Yiddish. With the onset ofthe Holocaust however the expansion of the language and culture came to an abrupt end. In recent years the language is once again being studied spoken and sung. Beautiful work for SSA Voices Piano and optional Cello.Duration: ca. 5:00.SS/A . Naplan Ae

Whythorne's Shadow-Arranged for Piano Duet by John Mitchell.

Peter Jenkyns' Bessie The Black Cat is a song for Unison Voices with Piano accompaniment and is ideal for School choirs and assembly use.

Unison with optional descant and piano or orchestra Orchestral material is available on hire. The orchestral accompaniment for this version is not compatible with that for the SATB and SSAA versions. Unison with optional descant and piano or orchestra Orchestral material is available on hire. The orchestral accompaniment for this version is not compatible with that for the SATB and SSAA versions.

A selection of 52 of the finest modern worship songs. These arrangements have been commissioned with an eye to full participation by both choirs and congregations with instrumentalists and soloists too where available.

Peter Dickinsons Lullaby from The Unicorns for solo Piano. For Mark Bebbington. Peter Dickinson 's Lullaby from 'The Unicorns' for solo Piano. For Mark Bebbington.

for SA unaccompanied A short and easy canonic setting. An unaccompanied choral work by the popular and successful composer Andrew Carter. For SA upper voices and based on an Old Gaelic blessing this is an uncomplicated and wonderful original piece suitable for any aspiring or established choir.

Luis Tinoco's Short Cuts . Composed and published in 2004 this work has been arranged for Saxophone quartet and Percussion with a duration of approximately 8 minutes. Luis Tinoco's Short Cuts . Composed and published in 2004 this work has been arranged for Saxophone quartet and Percussion with a duration of approximately 8 minutes.

This book serves as a follow-up to Ben Monder Compositions with an emphasis on the compositions found on the 2013 recording Hydra as well as some older pieces that didn't make it into the first book. They are scored for solo guitar guitar trio guitar and voice duo and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic technical and textural elements of the guitar. These pieces will present an array of challenges to the performer including unusual techniques and alternate tunings. This book serves as a follow-up to Ben Monder Compositions with an emphasis on the compositions found on the 2013 recording Hydra as well as some older pieces that didn't make it into the firstbook. They are scored for solo Guitar Guitar trio Guitar and Voice duo and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic technical and textural elements of the Guitar. These pieces will present an array of challenges to the performer including unusual techniques and alternate tunings.