Composed 1960. With separate Flute and Piano parts.

For Solo Soprano Saxophone-Composed in 2013 Soliloquy VI: Hommage à Lutos awski by the Albanian-born British composer Thomas Simaku is a 7 minute piece for solo soprano Saxophone. Composed in 2013 Soliloquy VI: Hommage à Lutos awski by the Albanian-born British composer Thomas Simaku is a 7 minute piece for solo soprano Saxophone.

An original setting of the text 'The Holly and the Ivy' for Mixed Voice Choir (SATB) with Piano accompaniment.

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) each volume contains works by three different composers with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. In contrast to conventional piano anthologies the pieces' range of levels ofdifficulty is relatively narrow so that the volume can be used continuously over a period of about two years. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for piano lessons. The explanations included at the end of each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.After Vol. 1 with works by Bach Handel and Scarlatti and Vol. 2 with compositions by Haydn Mozart and Cimarosa Vol. 3 contains pieces by Beethoven Schubert und Hummel including popular pieces such as Beethoven's 'Für Elise' and lesser known yet stimulating settings by Johann Nepomuk Hummel. With the new Urtext Primo series Wiener Urtext Edition intends to bridge the gap between studying a Piano method and taking additional lessons. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume in the series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relativelynarrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for Piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 1 contains b

The Vocal score for The Last Rose Of Summer originally a poem by Irish poet Thomas Moore and which has been performed by soloist Laura Wright arranged by Patrick Hawes . Duration: c. 4 mins. The Vocal score for The Last Rose Of Summer originally a poem by Irish poet Thomas Moore and which has been performed by soloist Laura Wright arranged by Patrick Hawes . Duration: c. 4 mins.

Contents: Bells œ Dances œ Games œ Music Box. A great selection of four pieces for Woodwind ensemble. Score and Parts.

for unison voices and organ Magnificat and Nunc Dimittis - the Evening Service in E flat for unison voices and organ. Presented in both standard notation and Tonic Sol fa.

Musgrave from Spring to Spring for solo Marimba.

From Puccini's Opera. Set for Voice and Piano. This work is in the key of E.

Sacred Music Part 2 Nine Anthems-Nine Anthems with Strings. Purcell Society Edition No.14.

Parademarsche fur Fustruppen-Precision marches for parade marchers

No. 2 Lieblich hat sich gesellet-TTBB (Choral Score). Reger M

Nr. 9 Chorwalzer und Nr. 7 Rondo vom goldenen Kalb-SATB Orchestra (Choral Score) (French German). Gounod C

For Voice and Piano For Voice and Piano

32 pièces faciles pour piano avec conseils d'exercice- With works by Clementi Czerny and Cramer Urtext Primo 6 contains easy piano music by three composers who all stood out as piano teachers publishing piano methods and study literature. Not only is there a selection of popular sonatinas by Muzio Clementi there are also selected pieces by Carl Czerny and repertoire by Johann Baptist Cramer (known from the studies of Cramer-Bulow) which will liven up any piano lesson.

For Baritone Voice and Piano with words by Thomas Hardy.

Three of George M. Cohan's finest songs have been arranged into a smart and fun medley by Greg Gilpin. Simple and easy-to-learn this medley is an up-beat presentation to showcase patriotism and the works of a great Americansongwriter. This choral gives you a chance for good musical teaching during rehearsals and when performed your audience will rise to their feet with pride!

A carol for Christmas Betty Roe's setting of a text by Leonard Clark is written for SATB chorus with Piano. Completed in 1978 for the Royal Choral Society. A carol for Christmas Betty Roe's setting of a text by Leonard Clark is written for SATB chorus with Piano. Completed in 1978 for the Royal Choral Society.

When music-lover Carl Zulehner from Mainz delivered the manuscript of this ‘Mozart’ mass to the publishers it was accepted published and was performed. It was later popular in the Victorian era particularly in England. However when Zulehner was challenged about its authenticity he did not come forward with Mozart’s own manuscript. It is possible that Zulehner forged the work himself.Scholars also suggest attribution to Wenzel Müller a Viennese composer of light opera. However many works have been wrongly attributed to Mozart for many reasons. This particular one enjoyed a great following and the Gloria movement is still performed frequently and to greateffect particularly by amateur choirs.

Footsteps by Owain Park was commissioned by Tenebrae with generous assistance from Arts Council England PRS for Music Foundation Santander Discovery Foundation Grant Britten-Pears Foundation and The Fidelio Charitable Trust. The work for unaccompanied mixed choirs explores the themes of travel solitude and journeying. Owain Park says: Footsteps is the result of many months of researching texts to structure a narrative that cycles the seasons through the view of a lonely traveller who is constantly being moved on before being allowed to settle finding comfort in the sky and stars above.” Footsteps by Owain Park was commissioned by Tenebrae with generous assistance from Arts Council England PRS for Music Foundation Santander Discovery Foundation Grant Britten-Pears Foundation and The Fidelio Charitable Trust. The work for unaccompanied mixed choirs explores the themes of travel solitude and journeying. Owain Park says: 'Footsteps is the result of many months of researching texts to structure a narrative that cycles the seasons through the view of a lonely traveller who is constantly being moved on before being allowed to settle finding comfort in the sky and stars above.