Complete Edition. Paperbound with critical report.

Vocal Score-Nico Muhly 's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Vocal Score. Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello. Rebecca Tavener in the March 2015 issue of Organist's Review states that Muhly has done more than merely set the text...it is an intriguing fresh response. Nico Muhly 's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Vocal Score. Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello. Rebecca Tavener in the March 2015 issue of Organist's Review states that Muhly 'has done more than merely set the text...it is an intriguing fresh response.'

Thea Musgrave's Postcards From Spain is a fascinating travelogue of Spain without being overly Spanish from the tranquility of sunlight reflecting off still pools to the dramatic song of the Cantaor and his Flamenco guitarist. This little collection of five serenades for solo guitar has been editred by Michael Lorimer is a real treat for guitarists and listeners.

On The Underground (or 'A Medieval Summer') is based upon texts from Poems On The Underground and was commissioned by the Ionian Singers with funds from The Holst Foundation. Written by Thea Musgrave for unaccompanied SATB chorus.

The great D major sonata for two pianos K. 448 is – of course – the absolute showpiece of this Urtext edition. The first movement opens like an operatic overture with timpani and trumpets the Andante is a single grand melody shared between the two pianos and the sublime rondo finale comes across like a piano concerto without orchestra. But another important work can be found in this Henle edition too: the earnest C minor fugue for two pianos K. 426 reminiscent of Handel’s or Bach’s great art here in its original form from 1783. Mozart published it soon after in a four-part version for string quartet adding a beautiful freshly composed Adagio introduction. This in turn has been rescored in our edition for two pianos by the brilliant musician Franz Beyer who also has completed a performable version of Mozart’s two-piano “Larghetto and Allegro” in E-flat major (a work not included in Köchel’s catalogue) from the surviving fragments. Two copies are required for performance of all the works in this volume.

Baritone Voice-Four Traditional Songs is a setting of four heartbreaking and poignant folk songs by virtuoso contemporary composer Nico Muhly . Composed in 2011 the songs deal with themes of death murder and unimaginable events that are emotively arranged for Baritone Voice and Piano. Commissioned by Carnegie Hall in New York City and Wigmore Hall in London this work was first performed at those renowned venues in 2011 and 2012 respectively. Muhly states that he drew inspiration from old English folksongs and would spend time imagining stylised yet subtle musical settings with accompaniments. The result of this intensive period of listening is Four Traditional Songs whichlasts around 15 minutes and carries that incredible sense of sad balladry that counters the occasionally jaunty melodies. This edition is for Baritone Voice. Please click here to purchase the Countertenor version . Four Traditional Songs is a setting of four heartbreaking and poignant folk songs by virtuoso contemporary composer Nico Muhly . Composed in 2011 the songs deal with themes of death murder and unimaginable events that are emotively arranged for Baritone Voice and Piano. Commissioned by Carnegie Hall in New York City and Wigmore Hall in London this work was first performed at those renowned venues in 2011 and 2012 respectively. Muhly states that he drew inspiration from old English folksongs and would spend time imagining stylised yet subtle musical settings with accompaniments. The result of this intensive periodof listening is Four Traditional Songs which lasts around 15 minutes and carries that incredible sense of sad balladry that counters the occasionally jaunty melodies. This edition is for Baritone Voice. Please click here to purchase the Countertenor version .

Transcribed for guitar by Jose De Azpiazu. No. 1 from Sonatas De El Escorial . Transcribed for guitar by Jose De Azpiazu. No. 1 from Sonatas De El Escorial .

Two character pieces for Cor Anglais with Piano accompaniment based on characters from Shakepeare plays - Ophelia from King Lear and Puck from A Midsummer Nights Dream . Useful for concerts festivals and auditions. Duration: 5 mins Grade: 5 - 6

The Second Violin part of J.S. Bach’s wonderful composition arranged for String Orchestra by Christopher Bunting and is suitable for String Quintet.

For Voice and Piano. Version with full Piano Accompaniment. For Voice and Piano. Version with full Piano Accompaniment.

Duet No.1: Chorale Pointing Downwards is a work by contemporary composer Nico Muhly for Viola and Cello. The piece received its premiere at the Tenri Cultural Institute in New York in February 2004. Muhly himself writes of the work that it's the first in a series of short string pieces that serve simultaneous purposes as harmonic and technical studies for both composer and performers. Duet No.1 is constructed around a cycle of fourteen chords repeated almost without cessation. This drone-like cycle is subject to a few rhythmic alterations as well as two interruptions keeping things dynamic and exciting. The middle of the piece becomes in Muhly 's words a sort offervent perpetual-motion perseverance in an attempt to combine harmonic beauty with what sounds like a musical exercise. Duet No.1: Chorale Pointing Downwards is a work by contemporary composer Nico Muhly for Viola and Cello. The piece received its premiere at the Tenri Cultural Institute in New York in February 2004. Muhly himself writes of the work that it's the first in a series of short string pieces that serve simultaneous purposes as harmonic and technical studies for both composer and performers. Duet No.1 is constructed around a cycle of fourteen chords repeated almost without cessation. This drone-like cycle is subject to a few rhythmic alterations as well as two interruptions keeping thingsdynamic and exciting. The middle of the piece becomes in Muhly 's words 'a sort of fervent perpetual-motion perseverance' in an attempt to combine harmonic beauty with what sounds like a musical exercise.

for baritone solo SATB & organ Gabriel Fauré 's Libera Me for Baritone solo SATB choir and Organ.

Score and parts edition of Carl Stamitz' Quartet For Woodwinds Number 2 from the Opus 8 group.

A user-friendly photo chord guide designed specifically for the left-handed bass guitarist showing basic chord tones for major minor dominant 7th sus 7 minor 7 major 7 diminished augmented sixth minor 6th 7#5 and 7b5 chords. The arpeggios for each of the above chord forms are pictured on the fretboard and given in notation and diagram form in all twelve keys! A user-friendly photo chord guide showing basic chord tones for major minor dominant 7th sus 7 minor 7 major 7 diminished augmented sixth minor 6th 7#5 and 7b5 chords. The arpeggios for each of the above chord formsare pictured on the fretboard and given in notation and diagram form in all twelve keys!

Jesus Guridi (1886-1961) was a Spanish composer and organist who championed the continued use and preservation of Basque folk music. He is best remembered for his superb orchestral works such as Basque Melodies which were often transcribed for the Piano. Guridi wrote 7 pieces for the Harp of which Viejo Zortzico is certainly the most popular today. Composed in 1949 and premiered in 1950 it wasn’t published until 1960. Simply entitled Old Zortzico it is inspired by the traditional Basque dance of the same name a popular reel in 5/8 time. Jesus Guridi (1886-1961) was a Spanish composer and organist who championed the continued use and preservation of Basque folk music. He is best remembered for his superb orchestral works such as Basque Melodies which were often transcribed for the Piano. Guridi wrote 7 pieces for the Harp of which Viejo Zortzico is certainly the most popular today. Composed in 1949 and premiered in 1950 it wasn't published until 1960. Simply entitled Old Zortzico it is inspired by the traditional Basque dance of the same name a popular reel in 5/8 time.

No.2 of Three Upper-voice Carols-For Upper voices and piano or harp this arrangement of the popular tradtional song can be performed with either a piano or harp. The Harp part is also available through Musicroom. (Item code R2657). For Upper voices and piano or harp this arrangement of the popular tradtional song can be performed with either a piano or harp. The Harp part is also available through Musicroom. (Item code R2657).

Arranged for Guitar by Jose de Azpiazu. Arranged for Guitar by Jose de Azpiazu.

Johann Sebastian Bach 's French Suite No.5 G BWV 816 for solo Piano.

Easy Piano Pieces from Bach to Schönberg-The Wiener Urtext Album is an album of selected easy piano pieces from various Wiener Urtext editions. The album contains well-known and lesser known original compositions from Bach to Schoenberg which are intended to diversify second and third-year piano lessons. The pupil shall get accustomed to original urtext compositions as early as possible and at the same time be encouraged to creative playing. Valuable help is provided by the short index of composers at the end of the volume containing links to Internet pages on the composers which shall encourage the pupil to hunt up further information. As in other Wiener Urtext editions this volume too contains the obligatoryfacsimile page. Compared with modern notation it can get both teachers and pupils onto fascinating expeditions. The Wiener Urtext Album is an album of selected easy Piano pieces from various Wiener Urtext editions. The album contains well-known and lesser known original compositions from Bach to Schoenberg which are intended to diversify second and third-year Piano lessons. The pupil shall get accustomed to original Urtext compositions as early as possible and at the same time be encouraged to play creatively. Valuable help is provided by the short index of composers at the end of the volume containing links to Internet pages on the composers which shall encourage the pupil to hunt up further information. As in other Wiener Urtext editions this volume toocontains the obligatory facsimile page. Compared with modern notation it can get both teachers and pupils onto fascinating expeditions.

for SA Men accompanied and unaccompanied This collection of nine of John Rutter's finest and most popular anthems scored for SA Men has been carefully compiled to be both accessible to a wide range of choirs and appropriate to the needs of today's liturgy. For SA Men accompanied and unaccompanied This collection of nine of John Rutter's finest and most popular anthems scored for SA Men has been carefully compiled to be both accessible to a wide range of choirs and appropriate to the needs of today's liturgy.