A comprehensive 96-page large print perfect-bound chord dictionary for today's fiddle player. Contains basic major minor and dominant 7th chord forms plus extensions such as minor 7b5 9th 11th etc. A comprehensive 96-page large print perfect-bound chord dictionary for today’s fiddle player. Contains basic major minor and dominant 7th chord forms plus extensions such as minor 7b5 9th 11th etc.

DIN A4-130 schlager hits oldies and rarities that you will love to play and sing. Suggestions are included for dance moves for each song. All titles are easily arranged with melody line lyrics and chords. 130 schlager hits oldies and rarities that you will love to play and sing. Suggestions are included for dance moves for each song. All titles are easily arranged with melody line lyrics and chords.

For Flute/Piccolo Oboe Clarinet in Bb Bassoon and Horn in F. For Flute/Piccolo Oboe Clarinet in Bb Bassoon and Horn in F.

for SATB unaccompanied Chilcott sets the melody of this traditional American spiritual against a whispered accompaniment in the lower parts. Richly scored for voices this classic arrangement creates an atmosphere of magical stillness and emotional intensity. An a cappella arrangement of this popular spiritual for SATB voices by Bob Chilcott.

This shining choral is now available in SATB and SSA/TTB voicings. A Choral Fanfare has been newly recorded and a performance track is included on our Piano Trax CD. Accessible independent voice parts thatstack harmonically in a marcato style have made this choral a popular selection. The easy Latin Gloria and English text help make it simple to learn.

With Online Audio-This book and accompanying audio download include popular and lesser-known old-time tunes for the clawhammer banjo. This book is a followup to Dan Levenson's Old-Time Festival Tunes for Clawhammer Banjo (MB20313M) and includes 62 more tunes of varying difficulty. Old favorites as well as new additions are presented including many time-tested standards. The material is presented in standard notation and basic/advanced tablature. Suggested chords are also included to help you along the way. Fiddle players will enjoy the companion to this book Old-Time Favorites for Fiddle and Mandolin (MB30225M) which shares the same basic standard notation. Includes access to online audio. This book and accompanying audio download include popular and lesser-known old-time tunes for the clawhammer banjo. This book is a followup to Dan Levenson's Old-Time Festival Tunes for Clawhammer Banjo (MB20313M) and includes62 more tunes of varying difficulty. Old favorites as well as new additions are presented including many time-tested standards. The material is presented in standard notation and basic/advanced tablature. Suggested chords arealso included to help you along the way. Fiddle players will enjoy the companion to this book Old-Time Favorites for Fiddle and Mandolin (MB30225BCD) which shares the same basic standard notation. Includes access to onlineaudio.

I responded to this exciting but rather daunting commission by writing a very lively and I hope very accessible piece which I decided before I started composing should be full of tunes. I wrote it in memory of my dear friend Sheila MacCrindle who died in 1993... although this Partita is in her memory it never occurred to me to make it gloomy or dirge-like; that is not how I remember her.' Richard Rodney Bennett. Partita for Orchestra by Richard Rodney Bennett was commissioned by British Telecommunications plc in co-operation with the Association of British Orchestras to be performed by seventeen different orchestras between October 1995 and July 1996. Duration: c.17mins. 'I responded to this exciting but rather daunting commission by writing a very lively and I hope very accessible piece which I decided before I started composing should be full of tunes. I wrote it in memory of my dear friend Sheila MacCrindle who died in 1993... although this Partita is in her memory it never occurred to me to make it gloomy or dirge-like; that is not how I remember her.' Richard Rodney Bennett. Partita for Orchestra by Richard Rodney Bennett was commissioned by British Telecommunications plc in co-operation with the Association of British Orchestras to be performed byseventeen different orchestras between October 1995 and July 1996. Duration: c.17 mins.

Trio (Op. 10) was composed c.1940 and first published in 1943. It is scored for Clarinet Cello and Piano. One of Frankel’s earliest works it is light and pleasing showing how the composer was first influenced by jazz and classical chamber music before he later turned to larger symphonic works and started experimenting with serialism. Benjamin Frankel (1906-1973) was a British composer and musician. He is best remembered for writing over one hundred film and television scores including The Man In The White Suit and The Battle Of The Bulge but he also wrote eight symphonies and many smaller works such as his Violin Sonata and Concerto which were written for Max Rostal.

John Rutter 's Christmas Lullaby for SATB and Organ or small Orchestra. Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor Sir David Willcocks. The haunting melody of the verses and the reflective refrain of 'Ave Maria' have made this an immensely popular carol. This set contains the following string parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db.

Para Piano O Canto Y Piano. B. Calatayud.

Nico Muhly's Strange Productions for Mezzo-Soprano and Piano. Composed in 2016. Nico Muhly's Strange Productions for Mezzo-Soprano and Piano. Composed in 2016. Duration: 14 minutes

Easy Piano Pieces with Practising Tips-With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty isrelatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 4 combines works of the German Romanticism by Schumann Brahms and Theodor Kirchner. Apart from well known pieces from Schumann's 'Album for the Youth' and the easiest waltzes from opus 39 (in the easier version) by Brahms the selection contains the attractive set of variations from Schumann's first Youth Sonata Op. 118/1 and Brahms’ Saraband in A minor WoO 5/1 as well as a number of pleasant pieces by Theodor Kirchner which continue the tonal air of Schumann and Brahms in easy playable pieces. With the new Urtext Primo series the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a Piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116) Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8) works by three different composers are selected for each volume of the Urtext Primo series with the aim of offering Piano pupils (or even adults who want to resume Piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. Thepieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons but also lesser known works which are

New Edition for Cuarteto Bretón- Jesús Guridi 's Cuarteto No.2 for String Quartet. Composed in 1949.

Paperback-for SSA soprano solo and piano A gentle lilting lullaby with a rippling accompaniment of South American flavour. This setting has strong rich harmonies and a real sense of joy. A gentle lilting lullaby with a rippling accompaniment of South American flavour. This setting has strong rich harmonies and a real sense of joy.

This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet movement and changing metre create ebb and flow and harmonic and melodic interest bring a sense of peaceful expectancy.

Geda's Weavings by Sadie Harrison for string quartet. Published 2004 24' Geda's Weavings by Sadie Harrison for string quartet. Published 2004 24'

Written for guitar. Written for guitar.

Mozart's works for piano duet form the first highlight of this genre which later is only achieved by Franz Schubert. The two early sonatas from the Salzburg period which are particularly suited for music teaching in secondary schools are opposed to three effective compositions from his Viennese period. The present volume also contains the sonata KV 19d the authenticity of which is not confirmed as well as two fragmentary movements dated from Mozart's last years of life KV 357. Robert D. Levin has completed them true to style for practical use taking the limitations of the keyboards of the Mozart pianos and the composer's personal style into account unlike as in the firstedition of ca. 1860. In the appendix there are the two fantasias KV 594 and 608 originally composed for mechanical organ adapted from the earliest arrangements for piano duet published a few years after Mozart's death.In this edition the music text is published in the form of a score for the first time. Mozart 's works for Piano duet form the first highlight of this genre which later is only achieved by Franz Schubert. The two early sonatas from the Salzburg period which are particularly suited for music teaching in secondary schools are opposed to three effective compositions from his Viennese period. The present volume also contains the sonata KV 19d the authenticity of which is not confirmed as well as two fragmentary movements dated from Mozart's last years of life KV 357. Robert D. Levin has completed them true to style for practical use taking the limitations of the keyboards of the Mozart Pianos and the composer's personal style into account unlike as in the first edition of ca. 1860. In the appendix there are the two fantasias KV 594 and 608 originally composed for mechanical organ adapted from the earliest arrangements for piano duet published a few years after Mozart 's death. In this edition the music text is published in the form of a score for the first time.

An early yet significant work and true to its name it is a dramatic fantastical piece the first in a style that Frank Bridge explored later enjoying the freedom it allowed. This first of his phantasy pieces was finished in January 1906 and is for Solo Piano. An early yet significant work and true to its name it is a dramatic fantastical piece the first in a style that Frank Bridge explored later enjoying the freedom it allowed. This first of his phantasy pieces was finished in January 1906 and is for Solo Piano.

Broad harmonies and a lilting piano accompaniment bring to mind pictures of a majestic ship sailing the open sea. The Church Is an Ark also features wonderful imagery in the text. The church is an ark that carriesthe Word and all who believe the Gospel heard this ark was built by nail-scarred hands built from the wood of a cross. What a powerful thought! When the commissioning church sang this anthem at their outdoor dedicationservice a rainbow appeared in the sky. Powerful indeed!