A historically significant major work containing over 140 songs from 44 countries (417 pages!) in their original languages with singable English translations. Arranged for voice and piano with guitar chords. Historical photos and anecdotal commentary are included. A historically significant major work containing over 140 songs from 44 countries (417 pages!) in their original languages with singable English translations. Arranged for voice and piano with guitar chords. Historical photosand anecdotal commentary are included.

Riduzioni canto-pianoforte e CD con basi orchestrali-Cantolopera is a publishing project devoted to students professionals and enthusiasts who wish to approch the great vocal repertoire for practicing performing or simply singing opera arias sacred pieces songs standards. The editions include a vocal score and one or more CD containing orchestral accompaniment performed by Compagnia d’Opera Italiana with its orchestra of over 130 instrumentalists. Each volume also contains the texts to be sung in both Italian and English accompanied by a note on their context.Cantolopera is a publishing project devoted to students professionals and enthusiasts who wish to approch the great vocal repertoire for practicing performing or simply singing opera arias sacred pieces songs standards. The editions include a vocal s

Paperback-for TTBB (and two soloists) unaccompanied This is a stirring arrangement of the gospel classic for unaccompanied male voices with two idiomatic solos. Jefferson's characterful arrangement of the familiar melody features swing rhythms jazz harmonies and scat-style accompaniments. This is a stirring arrangement of the gospel classic I Am On The Battlefield For My Lord for unaccompanied male voices with two idiomatic solos arranged by Robert L. Jefferson . The popular text uses the imagery of combat to express faithfulness to God and Jefferson 's characterful arrangement of the familiar melody features swing rhythms jazz harmonies and scat-style accompaniments.

for SSAA piano and optional bass and drum kit Commissioned by the Nidaros Cathedral Girls' Choir this jazzy setting of the Missa Brevis will be welcomed by all upper-voice choirs who enjoyed A Little Jazz Mass. The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by the NidarosCathedral Girls' Choir of Trondheim Norway.

20 Popular Brass Duets-A most useful album of duets for any two bass clef brass instruments. Includes: Jamaica Farewell La Donna è Mobile (Verdi) Can-Can (Offenbach) Men of Harlech American Patrol Drunken Sailor Yellow Bird The British Grenadier and more.

for SATB and organ or piano Originally published as the fifth movement in the large-scale work The Gift of Life this is a pleasingly optimistic anthem in Rutter's gloriously uplifting style. Originally published as the fifth movement in the large-scale work The Gift of Life this is a pleasingly optimistic anthem in Rutter's gloriously uplifting style.

Nadia Boulanger's Three Pieces for Viola and Piano Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years Mademoiselle made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of these times. Was Nadia Boulanger wrong to let teaching musictake precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist. Nadia Boulanger's Three Pieces for Viola and Piano transcribed from the original for Cello. Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ her skill as a conductor (of vocal ensemble and orchestra) and most of all her incredible charisma as a teacher. For nearly sixty years 'Mademoiselle' made the most of her famous Wednesdays bringing rigour and passion to the training of several generations of musicians: among so many others Aaron Copland Leonard Bernstein Igor Markevitch Michel Legrand Witold Lutoslawski Astor Piazzolla Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of thesetimes. Was Nadia Boulanger wrong to let teaching music take precedence over her composing as Gabriel Fauré the great master she venerated believed? The publication of Three Pieces for Viola and Piano raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first in E flat minor brings a moderate tempo to a melancholy cantilena with Romantic accents while the second in A minor exudes warmth and tenderness. The third piece (C sharp minor) most likely originally titled Danse espagnole heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.

'50s-'60s chart hits the '80s with a hot a cappella rendition of The Nylons! Irresistible energy and drive make this an audience favorite! Available: TTBB a cappella. Performance Time: Approx. 2:30.

A collection of inspiring and enjoyable studies for players of intermediate standard. Many of the studies are short which helps students to concentrate fully throughout therefore achieving a better result. The pieces are set in chronological order and feature composers such as Frederick The Great Johann Joachim Quantz and Paul Hippolyte Camus . Some have not been published for many years. The collection also includes quite a few duets plus interesting facts and information about the composers. Grade: 5-7A collection of inspiring and enjoyable studies for players of intermediate standard. Many of the studies are short which helps students to concentrate fully throughout therefore achieving a better result. The pieces are set in chronological order and feature composers such as Frederick The Great Johann Joachim Quantz and Paul Hippolyte Camus . Some have not been published for many years. The collection also includes quite a few duets plus interesting facts and information about the composers. Grade: 5-7

for violin and piano Violin and piano reduction of Walton's Violin Concerto based on the edition published in the Walton Edition Violin and Cello Concertos volume. Orchestral material is available on hire. Violin and piano reduction of Walton's Violin Concerto based on the edition published in the Walton Edition Violin and Cello Concertos volume. Commissioned by Jascha Heifetz the work was completed in 1939 and premiered by Heifetz later that year. Walton revised the concerto in 1943 and it is this version which is presented in the current edition.

Medieval Mandolin Voume 2 by Allan Alexander.These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no Tick Tick before the pieces instead there are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Often when I play the lute they ask me if it's a mandolin. I play lute guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense but these are great pieces. Many have variations to make them longer. Medieval Mandolin Voume 2 by Allan Alexander.These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces instead there are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Often when I play the lute they ask me if it's a mandolin. I play lute guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense but these are great pieces. Many have variations to make them longer.

9 anthems for mixed voices-for SATB and organ or orchestra or unaccompanied This anthology of 9 mixed-voice anthems combines new material written specially for the collection with established favourites from the Oxford catalogue. Mack Wilberg Anthems contains an attractive selection of pieces suitable for a variety of liturgical seasons. Mack Wilberg Anthems: 9 Anthems For Mixed Voices is for SATB and Organ or Orchestra or unaccompanied. This anthology of 9 mixed-voice anthems combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. Containing both accompanied and A Cappella pieces and with festive anthems (with Keyboard or Orchestral accompaniment) alongside short gentle blessings Mack Wilberg Anthems: 9 Anthems For Mixed Voices contains an attractive selection of pieces suitable for a variety of liturgical seasons and will appeal to allmixed-voice church choirs.

for SSATB and organ This attractive and uplifting anthem sets the text of the Eastertide Vidi aquam antiphon. Different sections are set to contrasting musical ideas including extended melismatic upper-voice passages and mainly homophonic full-choir sections. Equally suited to services and concerts. This attractive and uplifting anthem sets the text of the Eastertide Vidi aquam antiphon. Different parts of the text are treated to contrasting musical ideas including extended melismatic upper-voice passages and mainly homophonic full-choir sections and the undulating organ part represents the flowing water of the text. A welcome addition to a service or concert programme for all fans of Gabriel Jackson's music. Commissioned by the Friends of Lincoln Cathedral for their 75th anniversary and first performed by the Choir of Lincoln Cathedral with Charles Harrison (organ) directed by Aric Prentice on 25 June 2011.

The theme from the film El Super this Caribbean-style music is now available for solo piano. New York Rush is the orchestral theme from the award-winning film 'El Super' (1979). The score was recorded in 1981 (KIM Records/K-716). In this solo Piano transcription by the composer all essentialmusical elements are faithfully recreated. The rhythm of the work is a basso ostinato of Caribbean flavour heard throughout. Harmonically an almost exclusive use of the diminished seventh chord with an unresolved appoggiatura isemployed. The melody is a blues counterpointed by restless melodic segments of Latin origins and different timbres.

Full score for John Rutter 's lively and joyful arrangement of this popular Christmas-themed African-American spiritual. Full score for John Rutter 's lively and joyful arrangement of this popular Christmas-themed African-American spiritual.

Ballade for Flute and Orchestra by Frank Martin. Piano reduction by Gerhard Braun. Published by Universal Edition (UE18034). This Ballade written in 1939 has become an integral part of the modern Flute repertoire showcasing Frank Martin's style of mixing various contemporary compositional trends.

Written for a male voice choir with words by Rudyard Kipling taken from Puck of Pook's Hill .

I have a young sister-for SATB and piano or orchestra Orchestral material is available on hire. Riddle Song is written for SATB and piano or orchestra from the Rutter choral cycle Fancies . The piece is the setting of an anonymous 15th century text with a piano reduction of the orchestral arrangement provided as accompaniment. This work is part of the Oxford Choral Songs series (X230).

for SATB and organ This lovely anthem sets a biblical text to a warm and flowing tune. Suitable for use in wedding ceremonies and throughout the church year this anthem will appeal to all fans of Rutter's music. This lovely anthem sets a biblical text to a warm and flowing tune. Suitable for use in wedding ceremonies and throughout the church year this anthem will appeal to all fans of Rutter's music.

for SATB and piano or small orchestra John Rutter's arrangement of this popular Christmas-themed African-American spiritual is lively and joyful with a hillbilly flavour and a hint of bluegrass fiddle. Conductor's scores and instrumental parts are available on sale and on hire/rental. John Rutter 's arrangement of this popular Christmas-themed African-American spiritual is lively and joyful with a hillbilly flavour and a hint of bluegrass fiddle.