for SSATB unaccompanied This enchanting setting of the well-known medieval text combines expressive harmonies with gently interweaving lines for solo or soli voices. A beautifully written Advent miniature Rose of such virtue will appeal to choirs and audiences alike. This enchanting setting of the well-known medieval text combines expressive harmonies with gently interweaving lines for solo or soli voices. A beautifully written Advent miniature Rose of such virtue will appeal to choirs and audiences alike.

The well-known story of Jack and his pursuit of success and riches is retold in verse and dialogue with a rather different Giant - he is only 3 feet 8 inches tall! The show can be adapted fo any time of the year by altering thefinal song. Duration: 40 mins. You will require a license to perform this work at your school/youth theatre; please click here for more information and ourapplication form.

Bright electric and charged with energy this setting of one of the seven Advent 'O' Antiphons features Jackson's characteristic flourishes of melodic ornamentation tempered by moments of calm from the sustained lower voices and softly spoken phrases in the upper voices.

Bethlehem Tails is a nativity play with a difference. This charming entertaining and educational story tells the Christmas story from the point of view of the animals at Bethlehem and is sure to capture the imaginations of all 8to 11-year-olds. The music can be sung as a concert performance with story narrative or as a full musical play. Will suit more able young singers. Script available in student book. You will require a license toperform this work at your school/youth theatre; please click here for more information and our application form.

An excellent set of carols for young children which work well individually or as a basis for a Nativity presentation with all the traditional characters. Biblical texts are given. Suitable for children up to 8 years and forSunday Schools. Arranged for piano voice and simple percussion with Guitar chords given. The percussion parts can be given to older children or to adults but with patient help the youngest of children with aptitude will enjoymastering these parts. Duration: 25 mins . Script available in student book. You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form. Professionally recorded demonstration and backing tracks are available to purchase and download here .

for SSATB and piano or chamber orchestra This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated with simple vocal harmonizations alongside unison singing and the accompaniment creates a lush bed of sound over which the voices resonate. This gentle arrangement of Will L. Thompson 's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated with simple Vocal harmonizations alongside unison singing and the accompaniment creates a lush bed of sound over which the voices resonate.

Huit variations contrapuntiques (25') pour piano 2 mains. Par Boeuf aux éditions Leduc. Partition / Livre de chansons pour Piano

for SATTB and organ continuo Continuing the Church Music Society series of Sweelinck motets O sacrum convivium (O sacred banquet) is suitable for any Eucharist outside Lent. The middle section in triple time leads into a joyous 'Alleluia'. Continuing the Church Music Society series of Sweelinck motets O sacrum convivium (O sacred banquet) is suitable for any Eucharist outside Lent. The middle section in triple time leads into a joyous 'Alleluia'.

Louise Alenius's Laura for Piano quartet.

2 Flutes Oboe Cor Anglais 2 Bassoons. Zehm F 2 Flutes Oboe Cor Anglais 2 Bassoons. Zehm F

Ever-changing in mood and pace La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological shifts contained in the texts' metaphors through alternating fully notated and indeterminate passages.

Carl Nielsen (1865-1931) was a Danish musician often seen as his country’s greatest composer who now occupies a distinguished platform in the national and cultural heritage of his native land. The Carl Nielsen Edition is an independent project which aims to publish all of his finished works in the version last approved by the composer. Each piece has an introduction which tells the story behind the work and its place in his oeuvre and a critical commentary which gives an account of the source material and any editorial changes both given in the same volume as the music. Chamber Music 1 contains the first (chronological)half of his chamber music: Prelude Theme and Variations for Solo Violin op.48; Preludio E Presto for Solo Violin op. 52; Quartet for Two Violins Viola and Cello in G Minor op.13; Quartet for Two Violins Viola and Cello in F Minor op.5; Quartet for Two Violins Viola and Cello in E Flat Major op.14; Quartet for Two Violins Viola and Cello in F Major op. 44; Quintet for Two Violins Two Violas and Cello.

for SATB piano and optional bass and drum kit ad lib. A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide and bass and drums can join in ad lib. The bass part is available on sale (ISBN 978-0-19-335655-9). Also available in an SSA version. This is a highly effective concert setting of the Latin Missa Brevis in which Chilcott's Jazz influences come to the fore. Originally commissioned for upper voices by Cheryl Dupont and the New Orleans Children's Chorus the work embraces a variety of Jazz styles. The Kyrie has real groove the Gloria swings the Sanctus sits right back the Benedictus hums along and the Agnus Dei draws inspiration from the Blues. The voices are underpinned by a characterful Piano accompaniment which can be played as written or serve as a guide and bass and drums can join in ad lib to add the flavour of an authentic Jazz combo. This is gorgeous soulful music in an utterlyoriginal setting.

Score and parts for Brass Band to Neil Sedaka and Howard Greenfield's Amarillo . Arranged by Alan Fernie.

Snab (4'20) (6e) (livre avec cd) (collection vent de sax) pour saxophone alto et dispositif electroacoustique (livre seul). Par Georgel aux éditions Leduc. Partition / Livre de chansons pour Saxophone

Studies for Rhythm 1 - Etüden zum Rhythmus- Georges Dandelot (1895-1975) who was a pupil of Widor Roussel and Dukas achieved posterity only through his educational manuals which seem to enjoy permanent success. Some may regret the fact that his compositions have fallen into oblivion but nobody can deny his tremend­ous talent for musical instruction. When it was published in 1935 the five-volume étude Du Rythme filled a glaring gap: for the first time a progressive method - graduated with minute care - set out to inculcate pupils with this vital element of all music. Dedicated to the simplest rhythms that are the basis of all tofollow the first volume now comes with a valuable addition: an audio version attached to the score in the form of a download card enabling budding musicians to monitor for themselves whether they have correctly reproduced the rhythms of the exercises. Of course this recording can also be used to carry out rhythm dictations - modern-day technology at the service of a timeless method.

7 Songs- This fine album contains 7 songs for high voice and keyboard composed by Henry Purcell and edited by Michael Tippet and Walter Bergmann. Titles are: The Blessed Virgin's Expostulation An Epithalamium (Wedding Song) Sweeter Than Roses 'Twas Within A Furlong Of Edinborough Town Music For A While If Music Be The Food Of Love and Rondo (I Attempt From Love's Sickness To Fly).

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus' with its jubilant melismatic motif; and the solemn 'Factus est' which features aleatoric sequences set against metred music to emphasise a reflective manner of worship.

for chorus chamber choir and children's choir or large divisi chorus with orchestra and organ or brass ensemble and organ. Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings and the work is concluded with a substantial setting of the Magnificat. This magnificent work was jointly commissioned by six musical organisations from the English cathedral city of Salisbury. Showcasing Chilcott's exceptional talent for large-scale choral writing Salisbury Vespers pays homage to this most ancient of services combining settings of the traditional Vespers psalms with anonymous early texts and words from the Sarum Primer of 1516. Marian motets punctuate the psalm settings and the work concludes with a substantial setting of the Magnificat based on the plainsong melody from the same section in Monteverdi's Vespers of 1610. With driving rhythms passages of reflective contemplation and expansive powerfultextures this is a must for all lovers of Chilcott's music and is sure to become a cornerstone of the modern choral repertory. Salisbury Vespers is scored for chorus chamber choir and children's choir but can equally be performed by a large mixed chorus divided into smaller groups with sopranos and altos singing the children's part. Bob Chilcott has been involved with choral music all his life first as a chorister and then a choral scholar at King's College Cambridge. Later he sang and composed music for twelve years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.

Henry Purcell's If Music Be The Food Of Love for voice and Basso Continuo.