Composed in 1810 the Fur Elise or Bagatelle In A minor is quite possibly the most famous of all Beethoven's works. This edition of the piece includes historical information and editorial notes by Willard A. Palmer.

pour chant & piano-This monograph collection contains art songs by Francis Poulenc for voice and piano in the original tonic key on poems by Paul Éluard. This collection in chronological order uses Poulencs original lyrics published in the Durand Salabert Eschig catalogue. Preface in English and French by Nicolas Southon. Contents: CINQ POÈMES (Peut-il se reposer Il la prend dans ses bras Plume d´eau claire Rôdeuse au front de verre Amoureuses). TEL JOUR TELLE NUIT. NEUF MÉLODIES (Bonne Journée Une ruine coquille vide Le Front comme un drapeau perdu Uneroulotte couverte en tuiles À toutes brides Une herbe pauvre Je n´ai envie que de t´aimer Figure de force brûlante et farouche Nous avons fait la nuit). MIROIRS BRÛLANTS (Tu vois le feu du soir Je nommerai ton front). CE DOUX PETIT VISAGE. MAINDOMINÉE PAR LE COEUR. LA FRAÎCHEUR ET LE FEU. SEPT MÉLODIES: (Rayon des yeux Le matin les branches attisent Tout disparut. Dans les ténèbres du jardin Unis la fraîcheur et le feu Homme au sourire tendre La Grande Rivière qui va). LE TRAVAIL DUPEINTRE. SEPT MÉLODIES (Pablo Picasso Marc Chagall Georges Braque Juan Gris Paul Klee Joan Miró Jacques Villon). UNE CHANSON DE PORCELAINE.

as performed by Mika-Self-taught singer/songwriter and pianist Mika (born 1983) lives in his own little world that obviously also appeals to other people! Two years after his international success with his first album Life in Cartoon Motion which sold more than five million copies he’s back with his second album The Boy Who Knew Too Much. From this three times Platinum release comes the song We Are Golden. Absolutely intoxicating!

Overture - flt ob 2 clr 2 hns 2 bsn.

A superb arrangement of this Negro Spiritual by Stuart Johnson. 2-Part and Piano accompaniment.

Mendelssohn’s setting of Psalm 98 was written in a few weeks to satisfy a commission in his new position as general music director of Prussia and was premiered by the Berlin Cathedral Choir on 1 January 1844. As he neither released the work forpublication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat theautograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The piano reduction is based on the first printed edition published by F. Kistner and Evers & Co. in 1851.• Urtext edition of Mendelssohn’s last orchestral psalm• Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)• Words underlaid in both German and English• Piano reduction based on the first printed edition Features of the Barenreiter Urtext edition of Mendelssohn ’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) : Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) Words underlaid in both German and English Piano reduction based on the first printed edition Full score performance material (BA9076) and vocal score (BA9076-90) available for sale Mendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.

The Thieving Magpie - Overture-In the monumental overture to the opera La Gazza Ladra (The Thieving Magpie) Gioachino Rossini employs themes from the opera itself in order to prepare the audience for the material to come. The overture contains themes that stay long in the memory of the listener as well as spectacular use of the famous Rossini crescendo. This wonderful arrangement for concert band from Franco Cesarini retains all of La Gazza Ladra ’s original charm and is ideal as a concert opener.

In Simply Rock! Rob Ares has produced a lively refreshing and modern work. This piece will hold the attention of both the musicians and the audience as the melodies are linked by a compelling accompanying motif which will encourage you to get up and dance. This work truly is a solid piece of rock !

Authentic Guitar/Bass Tab of the songs from Disturbed's album Ten Thousand Fists . Includes: Ten thousand Fists Just Stop Guarded Deify Stricken I'm Alive Sons of Plunder Overburdened Decadence Forgiven Land of Confusion Sacred Lie Pain Redefined Avarice

Tre Elisabethanske Anthems is a collection of songs by Thomas Welkes John Hilton and Christopher Tye . Danish translation by Poul Pedersen. Tre Elisabethanske Anthems is a collection of songs by Thomas Welkes John Hilton and Christopher Tye . Danish translation by Poul Pedersen.

The score for Carl Nielsen's Romance For Violin And Orchestra Op.2 as arranged by Hans Sitt. The score for Carl Nielsen's Romance For Violin And Orchestra Op.2 as arranged by Hans Sitt.

15 Progressive Duets for Clarinets-Philip Sparke’s Super Duets is the third volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first books in the series ( Starter Duets Skilful Duets ) this collection contains longer pieces that are suitable for the more advanced player. Specifically tailored for each instrument Super Duets takes the player into new keys with new technical and musical challenges and contains pieces suitable for concert or recital. The series provides invaluable additional material to complement any teaching method.The early stages of learning any instrument are undoubtedly the most important. A good teacher is of course essential but it is also vital to have stimulating study material which complements your choice of teaching method and is carefully tailored to introduce learning and playing skills in a structured manner. In writing this collection Philip Sparke worked with many instrumental teachers to discover exactly what was required for each instrument to help players develop the full range of skills whilst still having fun. Each book of this collection is specifically tailored for the developing musician and focuses on study solos and duets aimed to improve specific technical andmusical demands of the instrument.

Für Violine und Orchester Op. 64- Mendelssohn's Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the child prodigy' Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Léonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor Clive Brown is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (BA9060) (Eng/Ger) - Full score in the revised early and late (popular) versions (BA9099)

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven 's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado. Full scores study scores and complete performance material to Beethoven ’s Nine Symphonies are available for sale.

for recorder (or flute or violin) and guitar (or harp)

Critical Commentary- With final chorus 'An die Freude' (Ode to Joy) Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado. Full scores study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale. Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale Detailed Critical Commentary (English) documents all the sources and findings made by the editor.

Music by Cutting Johnson and Ferrabosco amongst others

Study Score - Hawkes Pocket Score 1204. Martinu B

Christmas Instrumental Solos-A selection of Christmas Carols and Traditional Classics with backing CD. This instrumental series is also arranged for Flute Trumpet Clarinet Alto Saxophone Tenor Saxophone Horn in F and Trombone. The instrumental parts can be used along with the CD or in any combination.

Usually referred to as a sonata 1. X. 1905 is Janacek ’s most significant piece for the Piano. The work had a tumultuous history. It originally consisted of three movements inspired by the death of a Czech labourer shot by soldiers during a demonstration in Brno. Shortly after its première in 1906 Janacek destroyed the final movement and then following a private performance in Prague the other two movements as well. It was not until the celebrations for his 70th birthday that the pianist of the première found the courage to play the piece to the composer once again from her personal copy. Janacek then decided to publish thework after all. The musical text is based on the Complete Scholarly-Critical Edition of the Works of Leos Janacek and has been given practical fingering suggestions. - Detailed new preface by Jiri Zahradka (Czech Eng. Ger.). - Tried and tested fingerings. - Bärenreiter Urtext at the forefront of Janacek scholarship.