The edition is part of the Trinity syllabus 2007 (grade 7). This concerto originally composed by Domenico Cimarosa for Oboe and Strings has been arranged for oboe or clarinet and piano reduction by Arthur Benjamin. The piece is in four contrasting movements and parts are provided for both Clarinet and Oboe as well as the full Piano accompaniment.

A lively movement marked 'Sonata' and two gentle pieces. Grade: 4-6

A Christmas Suite est une œuvre élégante et festive du compositeur néerlandais Jan de Haan né en 1951 à Warns aux Pays-Bas. Noël jour de joie et d’allégresse. Noël jour de fête pour les Hommes. Noël en musique annonce avec solennité la naissance du divin Enfant.

The piano pieces opp. 116-119 were written in 1892/93 and are the last collections of pieces which Brahms wrote for the instrument. Particularly noteworthy is his use of the 'small form' accompanied by a heightened increase in musical expression compared to his earlier works. Clara Schumann probably the secret dedicatee of the Piano pieces wrote in her diary in November 1892: 'a true source of enjoyment everything poetry passion fantasy intimacy full of the most marvellous sound effects [...] In these pieces I finally feel musical life drawn into my soul again and play once more with true devotion.' A renewed critical evaluation of all known sources hasresulted in small deviations from previous readings. Johannes Brahms's most frequently performed piano pieces nowavailable in high quality Bärenreiter Urtext editions Evaluation of all available sources Reflecting the latest state of research Available separately: Three Intermezzi Op.117 (BA9629) Piano Pieces Op.118 (BA9630) Piano Pieces Op.119 (BA9631)

Electric Light Orchestra (ELO) est un groupe de rock originaire de Birmingham qui a connu ses heures de gloire dans les années 1970 décennie ouverte à de nombreuses expérimentations. Celles d'ELO ont séduit par leur inventivité s’appuyant sur une rencontre subtile entre rock musique classique et pop. Emmené par son leader Jeff Lynne le groupe a connu de nombreux succès tels que l’incontournable Mr. Blue Sky . L’arrangement de Gilbert Tinner est aussi lumineux que le titre original.

for xylophone and piano

Audio-visual music theatre work-Libretto. Reich S

15 Progressive Duets for Flutes-Philip Sparke’s Super Duets is the third volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first books in the series ( Starter Duets Skilful Duets ) this collection contains longer pieces that are suitable for the more advanced player. Specifically tailored for each instrument Super Duets takes the player into new keys with new technical and musical challenges and contains pieces suitable for concert or recital. The series provides invaluable additional material to complement any teaching method.The early stages of learning any instrument are undoubtedly the most important. A good teacher is of course essential but it is also vital to have stimulating study material which complements your choice of teaching method and is carefully tailored to introduce learning and playing skills in a structured manner. In writing this collection Philip Sparke worked with many instrumental teachers to discover exactly what was required for each instrument to help players develop the full range of skills whilst still having fun. Each book of this collection is specifically tailored for the developing musician and focuses on study solos and duets aimed to improve specific technical andmusical demands of the instrument.

The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart’s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation “Missa longa” was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature. The name “Credo Mass” is taken from the acclamations of “Credo” that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the “New Mozart Edition” Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for sale Arrangement for soloists choir & organ (BA7520) for sale

for flute (concertante) bows and snare drum

Aaron Copland composed the Danzon Cubano in the fall of 1942 as a birthday piece to celebrate the 20th anniversary of the League of Composers. In its original form for two pianos it was first played by Leonard Bernstein and the composer at the Town Hall testimonial Salute to the League of Composers in December 1942 and was later recorded by Copland and Leo Smit for Concert Hall Society Records. This new version for solo piano has been arranged by Leo Smit.Copland has scored the work for orchestra and the premiere of this version took place in 1946 by the Baltimore Symphony Orchestra Reginald Stewart conducting.The composer has written:The danzon is a well known dance form inCuba and other Latin American countries. It is not a fast dance however and should not be confused with the rhumba or conga. It fulfills a fuction rather similar to the waltz in our own dance providing contrast for the more animated numbers. Its special charm is a certain naive sophistication alternating in mood between passages of thythmic precision and a kind of non-sentimental sweetness.The Danzon Cubanon is based on melodic and rhythmic fragments heard by the composert during several visits to Cuba. The danzon is normally constructed in two halves which are thematically independent. This is in no sense intended to be an authentic danzon but only on American tourist's impression of an absorbing Cuban dance form. A Piano solo transposition of Copland's lively and exotic dance. Composed in 1942 to celebrate the 20th anniversary of the League Of Composers. Inspired by rhythmic and melodic fragments heard by Copland during his visits to Latin American countries.

(1872)-This overture called Sinfonia is without doubt one of the best original works for concert band to emerge from the 19th century. It is characterised by its fluid spontaneity as well as its rich texture. This arrangement off ers bands the opportunity to perform a work of high artistic value which otherwise would be forgotten.

Youth choirs and adults alike with love this energetic 'swing style' setting of the popular traditional spiritual Elijah Rock by Dave and Jean Perry. Lots of unison singing and call-and-response make this easy to teach while colorful blues harmonies scat singing and finger snaps add to the fun! Also included are musical references to 'Joshua Fit the Battle of Jericho' and 'Rock-A My Soul.' The easy brass and rhythm parts are a great addition. Suitable for worship throughout the year especially Lent Reformation and Transfiguration also great for school concerts. Available in 2 voicings.

Grønne Sange Op. 7 for Male Choir TTBB by Bernhard Lewkovitch (1951). Lyrics by Ole Sarvig. Grønne Sange Op. 7 for Male Choir TTBB by Bernhard Lewkovitch (1951). Lyrics by Ole Sarvig.

Piano Duet arrangement of the main themes from Weber's final opera. Piano Duet arrangement of the main themes from Weber's final opera.

Hawkes Pocket Scores HPS 709-Study Score - Hawkes Pocket Score 709. Strawinsky I

Francis Jackson's Rejoice In The Lord arranged for SATB.

All of the ultimate secret agent's greatest theme tunes arranged for intermediate Tenor Saxophone. Includes the themes and songs from 20 Bond films as well as the classic 'James Bond Theme'. The pieces may either be performed as solos with the CD of recorded accompaniments or as an ensemble with the other members of this set.

(Earliest Works)- One of Bernstein's earliest works composed while he was a student at the Curtis Institute for violin and piano.

New findings in Beethoven’s first Piano concerto. The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven’s works now turns his focus on the piano concertos. In the Piano Concerto No.1 in C major Op.15 Del Mar has found no fewer than 17 corrections in Beethoven’s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor. This new critical edition sets the highestscholarly standards without losing sight of the needs of modern performers. - Urtext edition reflecting the latest musicological research - Includes Beethoven’s cadenzas - Piano reduction with a separate solo Piano part - Performance material and piano reduction available for sale