Opera Buffo-Libretto (German). Offenbach J Libretto (German). Offenbach J

Version for SATB Choir and Organ.

This work was commissioned by St Dunstan's College South-East London for the celebration of its centenary in 1988. It is an anthem and uses a setting of Psalm 100. The work has three main sections (fast-slow-fast) and is essentially jubilant in nature. After a brief instrumental introduction the choir enters using as its text the first two verses of the Psalm. This reaches a climax on the word singing after which the music subsides into the serene key of C major for female voices only to sing a reflective tune on the words Know ye surrounded by various counter melodies on solo horn and trumpet. Male voices then take over this tune (inverted) and the final comment isleft to unaccompanied choir leaving sopranos on a held low D. At this point the last section begins. The mood is set by Organ and Percussion the style takes off its hat to minimalism with multi-layered textures underpinning the choral unison on the word Enter. Eventually the tonality heads towards G major and a reprise of the opening music with a coda full of energetic exuberance.

Piano. Staempfli E

POD-Only selected works by this publisher are included in the catalogue. Gracious Spirit Holy Ghost is a work by Keith Roberts for Upper Voices and Organ Accompaniment that sets a poem by Christopher Wordsworth lasting around 2 and a half minutes.

The edition is part of the Trinity syllabus 2007 (grades 3 4 5)

Anthem for the Coronation of King George III taking the text of Psalm 122 for SATB Choir with optional Organ Accompaniment. Edited by Robert J. Bruce. With editorial notes.

The edition is part of the Trinity syllabus 2007 (grade 6)

Arranged for Piano Vocal and Guitar Gary Barlow: Since I Saw You Last (PVG) features sheet music for all 12 songs from Gary Barlow 's solo album. This songbook includes Jump Face To Face Small Town Girls 6th Avenue and more.

The famous duet from Judas Maccabaeus for two voices and piano. In Handel's score there is no direction for the kind of voices that are to sing this duet but it is generally performed by two treble voices SS or SA.

Op.2 Nos. 3a and 3b. For flt/ob/vln/treble viol with basso continuo

Of Noblest Cities is intended for a choir of between 12 and about 40 voices although it may also be given by just six singers one to a part (SSATBB). The piece can be performed unaccompanied if no suitable organ is available simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses however the barlines are only there to help the singers to keep together and forconvenience in rehearsal: singers should observe their own strong beats which fall in different places for each part and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / . The words are a beautiful Victorian translation of a Latin hymn by Prudentius which meditates on the story of the three wise men. Each verse is set to the same melody in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony. An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. Jeremy Thurlow is a composer writer and pianist. His music has been described as ‘seductive innovative full of freshness’ by Henri Dutilleux. It has been performed by the BBC Philharmonic the Fitzwilliam String Quartet Rolf Hind the BBC Singers Endymion Carmen Elektra Peter Sheppard Skaerved Matthew Schellhorn and Sequitur (New York) among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in