William Babell's Concerto in G (Op.3/4) for Descant Recorder String and Continuo. Full score parts and piano reduction included.

For SATB Choir and Organ. For SATB Choir and Organ.

Two Songs for Tenor and Piano on poems by Peter Davidson commissioned by the Scottish Parliament for their Jacobite Exhibition in October 2010. First performance: Thomas Henderson (Tenor) and Richard Bailey (Piano) at Scottish Parliament Holyrood Palace Edinburgh 26 October 2010. Published in 2010. Score and Part (extra performing score).

Pocket or Study Score. Einem G

Patrick Hawes ' Prayer To A Guardian Angel for SSAATTBarB chorus and Harp. Part for Harp. This piece incorporates words by Andrew Hawes. Patrick Hawes ' Prayer To A Guardian Angel for SSAATTBarB chorus and Harp. Part for Harp. This piece incorporates words by Andrew Hawes.

Christmas night evokes a multitude of images within every one of us: memories of sharing delicious meals with our family of magical encounters of celebrations carol singing and music. In this work Marc Jeanbourquin revisits four great ChristmasEve classics. The first chorale Adeste Fideles majestically opens this piece before taking the audience on to the famous Joy to the World . Such an arrangement would not be complete without the equally well-known Jingle Bells ina jazz version before We wish you a Merry Christmas as a fitting conclusion to the piece. With A Christmas Night you will be able to express in music the traditional Christmastime wishes to your public.

Christus Vincit is a work by Martin Baker for SATB Choir and Organ Accompaniment. The work is a setting of text from the Service for the Coronations of a Pope and it lasts around 3 minutes. Christus Vincit is a work by Martin Baker for SATB Choir and Organ Accompaniment. The work is a setting of text from the Service for the Coronations of a Pope and it lasts around 3 minutes.

A lovely lazy summer feel to this easy arrangement for Descant Recorder and Piano accompaniment. Grade: 2

A setting for the morning Eucharist for SATB choir and Organ accompaniment.

2 Oboes 2 Clarinets 2 Horns 2 Bassoons (Score). Krol B 2 Oboes 2 Clarinets 2 Horns 2 Bassoons (Score). Krol B

This anthem The Peace That Surpasseth Understanding by John Tavener was commissioned jointly by the Dean and Chapter of Westminster and the Ministry of Defence. It was first performed at a Service in Honourof the Passing of the World War One Generation in Westminster Abbey on Wednesday 11th November 2009 in the presence of Her Majesty The Queen and His Royal Highness The Duke of Edinburgh by the Choir of Westminster Abbeyconducted by James O'Donnell. COMPOSER'S NOTE In this setting of Saint Paul's great statement I have tried in a simple and primordial manner to suggest majesty solemnity and a radiance of peace andbliss. I have also given the music a ceremonial nature by inserting Allelouias' sounding from Heaven' (semi-chorus) gradually rising in pitch until they are answered by Allelouias' fromThe World' (main choir). The music forms a gradual crescendo reflecting the meaning of the words. At the musical and spiritual climax the full organ sounds four chords which represent The Four Angels beforethe Throne of God. The final chord then transforms into the sacred monosyllable OM which hums around the building representing the Peace and Beatitude of God's Presence. Duration: c. 4 minutes

Book/CD with Full Orchestra Accompaniments. With both recorded full performances and orchestra accompaniments this book presents the standard voice and piano reduction of each aria a short plot summary and translation.

For Flute And Piano-Nimrod Summertime Theme from Spartacus and The Swan.

Ballett in drei Bildern nach Aristophanes-Piano Score. Blacher B

This version for Violin with Piano reduction by Professor Issay Barmas. This version for Violin with Piano reduction by Professor Issay Barmas.

Humphrey Clucas is known for a wide range of choral and vocal music alongside a growing body of instrumental music and this beautiful and evocative song is set to words by A.E. Housman. Originally for voice and lute Evenfall also works well with piano accompaniment and the edition includes versions for high voice (A minor) and low voice (E minor). The accompaniment is simple and supportive allowing the flowing melody to soar above with a tonal and accessible style which should appeal to singers of all ages and abilities. Humphrey Clucas was born in 1941 and read English at King's College Cambridge where he was also a Choral Scholar. Having taught Englishfor twenty-seven years he subsequently became a Lay Vicar at Westminster Abbey but is now retired. As a composer he is self taught and although he is well-known for a set of Anglican Responses written as an undergraduate almost all his serious music has been written over the last twenty-five years. He has a growing reputation as a choral composer and has produced an impressive and steady stream of choral works both sacred and secular alongside much instrumental music. He has written works for Cathedrals in Chichester Guildford Salisbury and Winchester as well as for King's College Cambridge Southwell Minster and Westminster Abbey.

For Soprano and Barintone soloists SATB and junior chorus and Orchestra. English text selected by Nicholas Fisher from the New Revised Standard Version of the Old and New Testaments. John Joubert 's An English Requiem was commissioned by the Grimmitt Trust for the 2010 Gloucester Three Choirs Festival and was given its first performance at Gloucester Cathedral on 9th August 2010 with the Festival Choirs of Gloucester Hereford and Worcester Carolyn Sampson (Soprano Neal Davies (Baritone) and Philharmonia Orchestra conducted by Adrian Partington. Instrumentation: 3 Flutes (III/Piccolo) 3 Oboes (III/Cor Anglais) 3 Clarinets (III/Bass Clarinet) 3 Bassoons (III/Contrabassoon) 4 Horns in F 3 Trumpets 3 Trombones Tuba Timpani Percussion (2 Players); Bass Drum Tenor Drum Side Drum Cymbals Tam-tam Crotales Triangle Tubular Bells Harp Organ Strings For Soprano and Barintone soloists SATB and junior chorus and Orchestra. English text selected by Nicholas Fisher from the New Revised Standard Version of the Old and New Testaments. John Joubert 's An English Requiem was commissioned by the Grimmitt Trust for the 2010 Gloucester Three Choirs Festival and was given its first performance at Gloucester Cathedral on 9th August 2010 with the Festival Choirs of Gloucester Hereford and Worcester Carolyn Sampson (Soprano Neal Davies (Baritone) and Philharmonia Orchestra conducted by Adrian Partington. Instrumentation: 3 Flutes (III/Piccolo) 3 Oboes (III/Cor Anglais) 3 Clarinets (III/Bass Clarinet) 3 Bassoons (III/Contrabassoon) 4 Horns in F 3 Trumpets 3 Trombones Tuba Timpani Percussion (2 Players); Bass Drum Tenor Drum Side Drum Cymbals Tam-tam Crotales Triangle Tubular Bells Harp Organ Strings

The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus 'Confounding the doctors the poor little Child ' while the fifth carries us to Calvary and a singularly lame conclusion as Mary 'Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd singhusheenlo.' Strophically composed with small variations Warlock's tenderness seems generic.

Martin Shaw's Te Deum Laudamus In D Flat for SATB. Composed in 1932. Martin Shaw's Te Deum Laudamus In D Flat for SATB. Composed in 1932.

POD-Missa Brevis is a work by John Joubert for SATB Soli Chorus and Chamber Orchestra. This is the Vocal Score. Missa Brevis is a work by John Joubert for SATB Soli Chorus and Chamber Orchestra. This is the Vocal Score .