Two dances for flute and harp from Peter Maxwell Davies' ballet Caroline Mathilde . A new instrumentation restores this linked pair of dances from Davies's second full-length ballet Caroline Mathilde based on the story ofthe eighteenth-century British princess sent in marriage to Denmark to the eighteenth-century milieu of the work's setting and musical world. The period manners - a gavotte in the first dance a gigue at the start of the second -are typically overlaid with the composer's Scottishness. In general the harp has an accompanying role but it comes forward alone in the second movement which ends with bravura from both instruments. These two dances were firstperformed in September 1993 at the Northlands Festival by David Nicholson and Eluned Pierce. Score and flute part. Duration c. 5mins. Harp part edited by Elune Pierce.

This collection contains all the pieces formerly contained in Microjazz Piano Duets 2 and More Microjazz Piano Duets 2 with some brand new pieces too! Christopher Norton's acclaimed Microjazz has won worldwide popularity with teachers and players alike for its stimulating blend of contemporary popular genres and classical values. Easy duets in popular styles such as jazz blues rock 'n' roll and reggae - this collection contains all the pieces formerly contained in Microjazz Duets 2 and More Microjazz Duets 2 and brand new pieces too!

Guy Weitz (1883-1970). Grand Choeur - Voluntary On A Fifth Mode Gregorian Theme Composed In 1959. Guy Weitz (1883-1970). Grand Choeur - Voluntary on a fifth mode Gregorian theme composed in 1959.

Includes part for flute and keyboard. RV433 Includes part for flute and keyboard. RV433

Piano. Bortkiewicz S

Christmas scene-In terra pax Christmas Scene for soprano & baritone soli chorus & orchestra (1954/6). The text conflates Robert Bridges’s poem Noel: Christmas Eve (1913) and Luke 2: 8-14. Finzi suggested that the Nativity ‘becomes a vision seen by a wanderer on a dark and frosty Christmas Eve in our own familiar landscape’.In terra pax is a masterpiece in miniature Finzi’s pacifism at its heart and his belief that men and women of goodwill should live harmoniously. Weaving through the music are three ideas: the pealing of the bells with their joyous message a phrase from the carol The First Nowell and the alleluia refrain from the hymn Lasst uns erfreuen. In Terra Pax is a Christmas Scene for Soprano and Baritone Soli SATB Chorus Harp or Piano Cymbals and Strings. The words are taken from The Gospel according to St. Luke and Robert Bridges. This is the Vocal Score edition of the work and has a Piano reduction of the original Instrumenal Score.

Hawkes Pocket Scores HPS 1261-Study Score - Hawkes Pocket Score 1261. Rorem N

Frédéric Devreese is one of Belgium�s most well-known composers. His international reputation is based on his varied repertoire including film music orchestral pieces and piano concertos. Frédéric Devreese has transcribed many of his orchestral works for wind band. He is now adapting his film score from the renowned film �Benvenuta� by Belgian filmmaker André Delvaux (1926-2002) and is compiling a magnificent suite. The �Benvenuta� suite is the first of a series of prestigious Frédéric Devreese transcriptions which will appear at BERIATO.

1.Ce Peu...; 2.Compagnons du Silence; 3.Ce Bruit de Mer

Piano. Dvorak A

How practical! Mozart's 'Requiem' is now appearing in this handy soft-cover and affordable full score to complement the substantial linen-bound complete edition volume. The tried and tested musical text of the 'Requiem' remains the same whilst the Foreword has been revised and supplemented by an English translation. - The tried-and-tested content of the complete edition volume now in a soft-cover score - Foreword in German and now also in English

Cello Piano. Galliard Je

Prelude A 2 Voix is the first part of Arthur Honegger's Trois Contrepoints for Oboe and Cello. Prelude A 2 Voix is the first part of Arthur Honegger's Trois Contrepoints for Oboe and Cello.

No. 1 The Little Horses-SATB. Copland A

Easy Jazzy arrangements of famous themes making the world of Opera both fun and appealing with some ingenious flourishes of Jazz and Pop. 12 of the finest melodies from the world of Opera have been given a unique twist with elements of Jazz and Pop music added to create opportunities for improvisation. The perfect choice for lovers of the classical/pop crossover the backing tracks have been performed by real musicians to ensure that your own performances really sparkle! Each piece includes a lively description of the Opera itself as well as written example improvisations. Once you've mastered the written versions the chord symbols have also been provided so that youcan create your own jazzy interpretations. Paino accompaniments are also included as PDF files on the enhanced CD.

The series „a due“ comprises easy literature for two identical instruments and is addressed to instrumentalists with low experience but enthusiasm which builds up by the two equitable voices. This seri

Firm friendship was the inspiration for the composer whilst writing Friends Forever. Flowing melodic lines create a warm relaxed atmosphere.

Doloroso e Contemplativo- Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost which was commissioned by Musica Reservata VOF Belgium and is dedicated to the famous clarinet soloist Eddy Vanoosthuyse. A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas and then with longer melodic lines. The orchestra delivers the dialogue withthe soloist and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music the atmosphere from the beginning is restored and the soloist finishes on the same note that he started the piece on. The concerto is also available as a piano reduction.

Acis and Galatea HWV 49a 1st version Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid's Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) (BA4068) the masque Acis and Galatea HWV 49a (1718) (BA4039) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) (BA10700). This species of stage work was related to the early eighteenth-century English masque by virtue of its choral numbers and straightforward formal design and to the Italian serenata due to its use of one voice to a part in the choruses. In the England of Handel's dayit was given a multitude of generic names: besides masques such works were often called little operas English operas or pastoral operas (the term serenata had not yet entered English parlance). Handel himself did not specify the genre of Acis and Galatea in his autograph score and probably as a result uncertainty arose among copyists printers and performers as to the work's proper designation for it has come down to us with a confusing array of generic titles. Handel wrote the piece for James Brydges (1674-1744) Earl of Carnarvon and later Duke of Chandos at whose country estate in Cannons the composer spent the years 1717 and 1718. - Urtext of the Halle handel Edition - Full score (BA4039) and vocal score (BA4039-90) available for sale - performance material (BA4039-72) available for sale

En 1980 le pianiste et compositeur italien Gian Piero Reverberi fonde l’ensemble Rondò Veneziano. Le style musical directement inspiré de la musique baroque et associé à des instruments modernes (batterie guitare basse synthé) séduit immédiatement. Concerto est basée tant pour la forme que pour l’harmonisation sur les principes du concerto baroque italien. L’adjonction d’un rythme emprunté à la musique pop apporte une touche énergique et dansante. Gerd Huber a réalisé cet arrangement original qui conserve le charme authentiquement vénitien du Rondò Veneziano.