Perhaps one of the most recognized messages in all of sacred song this testament to unbounded mercy and grace. A true Shawnee classic from a legendary arranger this simple arrangement of the classic hymn has become standardrepertoire for American churches. Reacquaint yourself with this old friend. Perfect!The traditional American melody Amazing Grace has been arranged for 2-Part Voices (SA) with Piano accompaniment by John Coates Jr.

Here's a swingin' chart in a medium fast tempo featuring the entire sax section! Mark very effectively uses the brass to compliment the sax soli sections and there are also solos for alto and tenor. Written in such a smooth style this one almost plays itself!

This book presents transcriptions of David Grisman's solos and accompaniment patterns from the CD Shady Grove. The Shady Grove recording contains some wonderful performances of old-time American music by David Grisman and Jerry Garcia two of American music's greatest players. It is a vibrant collection of wonderful traditional American songs from a great variety of genres played in a style closely based on their traditional sources. All of the solos can be played on the standard mandolin including one written for mandola and one for banjolin (mandolin-banjo). These transcriptions will provide insight into the art of accompaniment mandolin playing as well as soloing.Performance notes by the transcriber are included. This book presents transcriptions of David Grisman’s solos and accompaniment patterns from the CD Shady Grove. The Shady Grove recording contains some wonderful performances of old-time American music by David Grisman and JerryGarcia two of American music’s greatest players. It is a vibrant collection of wonderful traditional American songs from a great variety of genres played in a style closely based on their traditional sources. All of the soloscan be played on the standard mandolin including one written for mandola and one for banjolin (mandolin-banjo). These transcriptions will provide insight into the art of accompaniment mandolin playing as well as soloing.Performance notes by the transcriber are included.

Cindy Berry's signature style of worshipful choral music is evident in this statement of devotion and praise. In all I say in all I do Lord may my life bring praise and glory to You majestic holy One. Beginningin a quiet reflective style the verses grow to the majestic chorus My God and King to You I sing. To You I lift my voice to magnify Your name. Choir and congregation alike will be uplifted by the message andmusic worth repeating any season of the year. BonusTrax CD available.

This popular Marc Cohn classic recently covered by the group Lonestar pays homage to the rich musical culture of the Mississippi Delta and translates perfectly to the choral setting! Arranged by Mark Brymer for SAB Chorus and Piano. This popular Marc Cohn classic recently covered by the group Lonestar pays homage to the rich musical culture of the Mississippi Delta and translates perfectly to the choral setting! Arranged by Mark Brymer for SAB Chorus and Piano.

(The Tabernacle of God)-John Purifoy presents us with a moving and expressive interpretation of the New Jerusalem as found in Revelation 21:1-7. The dialogue between piano voices and solo violin as well as a perfect marriage of music and text arestunning! A must for your choral library. Duration: 4:25. Available separately: SATB BonusTrax CD (08748249).

Includes: American Patrol April in Paris Blue Skies Boogie Woogie Bugle Boy I Ain't Got Nobody I'm Beginning to See the Light In the Mood It Don't Mean a Thing (If It Ain't Got That Swing) Ja-Da Just a Gigolo Leap Frog Little Brown Jug Night Train Satin Doll Stompin' at the Savoy Woodchopper's Ball.Fifteen complete arrangements for the young ensemble.

This upbeat rock tune is best-known as the theme for the Hannah Montana TV series on the Disney Channel. Sure to be a huge hit with your younger audiences!

Expectans Expectavi by Charles Wood and C.H. Sorley.

This stunningly beautiful ballad from the Broadway musical Les Misérables has enjoyed renewed popularity thanks to Susan Boyle and also the TV show Glee. Robert’s arrangement makes this accessible to even very young players.

From the Disney Channel original movie High School Musical 2 . Also available for 2-Part and SAB. From the Disney Channel original movie High School Musical 2 . Also available for 2-Part and SAB.

Featuring a super-charged ShowTrax CD this seven-minute medley offers several opportunities for choreography and soloists. Includes: Downtown (Petula Clark 1965) Let It Be Me (Betty Everett 1964) and WeddingBell Blues (The 5th Dimension 1969).Available separately: SSA and ShowTrax CD. Performance Time: Approx. 7:40.

For String Quartet. Commissioned by Edinburgh Quartet with funds from the Scottish Arts Council National Lottery Fund sponsored by John E Moorhouse. First performed in Glasgow April 1999. Published in 1999. Parts. For String Quartet. Commissioned by Edinburgh Quartet with funds from the Scottish Arts Council National Lottery Fund sponsored by John E Moorhouse. First performed in Glasgow April 1999. Published in1999. Parts.

A selection of some less known folk songs volume 2. Arranged by Cecil Sharp and Ralph Vaughan Williams. Compiled by Cyril Winn. Piano edition.

A set of three movements - challenging but great fun to play and to listen to. Would make an excellent recital piece. Grades 6 to 7 standard.

Composed by Wolfgang Amadeus Mozart (1756-1791) for the piano. Edited revised and fingered by Richard Epstein.

Volume 1: Elementary-Contents: Gurlitt: Prayer Op. 130 No. 4; In the Church Op. 140 No. 12; The Fair Op. 101 No. 8; Waltz Op. 101 No. 11; A Little Dance Op. 130 No. 11; Landler Op. 130 No. 8; March of the Tin Soldiers Op. 130 No. 6;Serious Moments Op. 130 No. 23 Schumann: Humming Song Op. 68 No. 3; Melody Op. 68 No. 1; Choral Op. 68 No. 4; Sicilienne Op. 68 No. 11; Little Study Op. 68 No. 14; Knecht Ruprecht Op. 68 No. 12; Hunting Song Op. 68 No. 7 Streabbog: Distant Bells Op. 63 No. 6 Reinhold: The Brownies Op. 58 No. 8; Waltz Op. 39 No. 4 Poldini: General Boom Boom Heller: Study in G Op. 47 No. 4; Study in A Op. 47 No. 8 Kullak: The Clock Op. 62 No. 2; The Ghost in the Fireplace Op. 81 No. 10; The Nightingale Op. 81 No. 8; The Race Op. 81 No. 6 Olsen: Serenade Op. 19 No. 2 LeMoine: Nimble Little Squirrel Op. 37 No.6 Tchaikovsky: Morning Prayer Op. 39 No. 1; Neapolitan Dance Song Op. 39 No. 18; Song of the Lark Op. 39 No. 22 Rebikov: Strolling Musicians Op. 31 No. 2; Little Girl Rocking Her Dolly Op. 31 No. 7 Spindler: Trumpeter's Serenade Op. 249 No. 20 Gade: Boy's Merry-Go-Round Beethoven: Adieu to the Piano; Bagatelle Op. 33 No. 4; Six Easy Variations on a Swiss Song Field: Nocturne Burgmuller:Lullaby Op. 109 No. 7 Concone: Robin Redbreast Op. 25 No. 1. The first of three fabulous volumes of repertoire that form Selected Piano Solos By Romantic Composers as edited by Harold Bauer. From Schumann to Tchaikovsky this collection spans the great romantic composers with superb examples of their solo Piano repertoire. These 40 pieces are ideal for the intermediate - late intermediate pianist. Harold Bauer (1873 - 1951) was a noted pianist and teacher who was born in Britain and settled in the United States. In between he studied in Paris and performed all across Europe and Russia.

Morton Gould 's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall. The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.' After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

Around The World - Pupil's Book-From Panama to Polynesia Jamaica to Japan Recorder From The Beginning Around The World is a unique collection of songs and dances from 40 different countries especially arranged and graded. Ideal for recorder players ofany age.

An easily learned general-purpose piece with several God/Rock references (Rock Of Ages Built On A Rock etc.)