Saxophone Solo Part-Also available for Oboe & CD. Grade V. Also available for Oboe & CD. Grade V.

In this fascinating piece we experience an exciting adventure in the jungle. The entrance into the “green hell” turns out to be very dangerous with wild monkeys and the roaring of elephants accompanying our way through the dark forest. There seems to be something lurking behind every tree and all of a sudden a horde of savage cannibals appears. A wild hunt sets off and we escape at the last second by jumping from a cliff into the savage water below. Exotic birds welcome us in a new landscape and from somewhere in the distance we can hear a bamboo flute playing. This is a journey of no return…. The effects (elephants wild monkeys exotic birds and rain) should be producedwith much creativity - individual ideas are always desirable and welcome.

The Piano accompaniment to James Curnow's arrangement of Handel's masterpiece.

Music Minus One Tuba/Bass Trombone-A superior collection of brass pieces performed by the Classic Brass Ensemble. A very broad program of material designed to test the abilities of the average through excellent tuba player. Jay McAllister tuba soloist shows you the way and then you are at stage center. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Jay McAllister tuba Accompaniment: The Chamber Brass Players: Maurice Peress trumpet James Spear trumpet Brooks Tillotson horn Alan Raph tromboneA superior collection of brass pieces performed by the Classic Brass Ensemble. A very broad program of material designed to test the abilities of the average through excellent tuba player. Jay McAllister tuba soloist shows you the way and then you are at stage center. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Jay McAllister tuba Accompaniment: The Chamber Brass Players: Maurice Peress trumpet James Spear trumpet Brooks Tillotson horn Alan Raph trombone

Music Minus One Cello-The second movement of this beautiful quintet is patterned after the Dumka traditional dance form in Dvorak's native Czech Republic. Beautiful melodies wonderful orchestration. A quintet of rare quality. In short wonderful music! Includes a complete high-quality printed music score and a compact disc voluminously indexed for ease of practice containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Accompaniment: Harriet Wingreen piano Manhattan String QuartetThe second movement of this beautiful quintet is patterned after the Dumka traditional dance form in Dvorak's native Czech Republic. Beautiful melodies wonderful orchestration. A quintet of rare quality. In short wonderful music! Includes a complete high-quality printed music score and a compact disc voluminously indexed for ease of practice containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Accompaniment: Harriet Wingreen piano Manhattan String Quartet

Music Minus One Bassoon-Stravinsky wrote this septet in 1917. As always he led the composing world with innovation and excitement. A work that is still widely performed in our time. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Harry Searing bassoon Accompaniment: Parnassus: Alice Poulson violin Glenn Rubin bass Robert Yamins clarinet Gerald Kocher trumpet Sean Mahoney trombone James Preiss percussionStravinsky wrote this septet in 1917. As always he led the composing world with innovation and excitement. A work that is still widely performed in our time. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Harry Searing bassoon Accompaniment: Parnassus: Alice Poulson violin Glenn Rubin bass Robert Yamins clarinet Gerald Kocher trumpet Sean Mahoney trombone James Preiss percussion

Studies for Two - Instrumental Theatre for Cello and Percussion was composed by Bent Lorentzen in 1967 . Studies for Two - Instrumental Theatre for Cello and Percussion was composed by Bent Lorentzen in 1967 .

Written by Ross Parker and Hughie Charles. Written by Ross Parker and Hughie Charles.

In The Lowlands is a delightful pastoral suite for Tuba with Piano accompaniment by Alan Richardson. The solo Tuba part is also included on a separate insert. ABRSM Tuba Syllabus Grade 6.

Der swingende Titel aus dem Erfolgsalbum als Einzelausgabe. Arrangiert fur Männerchor von Carsten Gerlitz. Tenor Bariton Bass und Klavier. Chorpartitur.

Vals Del Emperador for solo Piano by Johann Strauss II. Vals Del Emperador for solo Piano by Johann Strauss II.

This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord. Another theme to the piece is that of textural motion as rapid gestures and motions are a big part of the composer'sinterest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company. This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord. Another theme to the piece is that of textural motion as rapid gestures and motions are a big part ofthe composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.

A Method for the Young Beginner-Here's a delightful approach to recorder study for children. Easily learned exercises plus fully illustrated hand positions and photographs take the younger player through all the steps necessary to learn this extraordinary instrument. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel for easy removal. Performed by Berald Burakoff recorder Sonya Burakoff recorder Accompaniment: Sam Brown guitar George Duvivier bass David Spinozza guitarHere's a delightful approach to recorder study for children. Easily learned exercises plus fully illustrated hand positions and photographs take the younger player through all the steps necessary to learn this extraordinary instrument. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel for easy removal. Performed by Berald Burakoff recorder Sonya Burakoff recorder Accompaniment: Sam Brown guitar George Duvivier bass David Spinozza guitar

This was composed in 1962. The first movement is classically structured with a gracefully contoured first subject a forceful ensuing idea and a murmurously lyrical second subject; the secondmovement generates an intensity of feeling which is the greater for the very restraint of its language; and the finale effectively introduces calm moments to offset the prevailing syncopated ebullience.

An original work for any unaccompanied saxophone; composed for and dedicated to Eugene Rousseau. Grade V. An original work for any unaccompanied saxophone; composed for and dedicated to Eugene Rousseau. Grade V.

Peter Anglea sets the liturgical text from Psalm 100 for mixed chorus and piano. The energetic rhythmic texture makes the piece quite appealing to high school voices and puts the audience on their feet works well in worship or concert settings.

For SATB Choir (2 choirs or 12 solo voices). Text by William Blake For SATB Choir (2 choirs or 12 solo voices). Text by William Blake

Bachs Ave Maria- Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln fur den schonsten Tag im Leben eines Paares. Hier das Ave Maria von J.S. Bach (Charles Gounod). Die Bearbeitung fur Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16160G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

Easy Pieces-Easy pieces (about Grades 1-3 standard) A great book full of easy pieces exercises and studies for Piano. Suitable for Grades 1-3 standard.

Paperback-Vaughan Williams' hauntingly beautiful The Lark Ascending is one of his most enduringly popular works. A serene romance the work takes its title from a poem by George Meredith. The violin's magical evocation of the lark's 'chirrup whistle slur and shake' as it soars above delicate orchestral textures demonstates the composer's mastery of the pastoral idiom. This edition of the full score with the parts freshly engraved and edited and available on hire is produced in collaboration with RVW Ltd.Vaughan Williams' hauntingly beautiful The Lark Ascending is one of his most endearingly popular works. A serene romance the work takes its title from a poem by George Meredith. The violin's magical evocation of the lark's 'chirrup whistle slur and shake' as it soars above delicate orchestral textures demonstrates the composer's mastery of the pastoral idiom.This edition of the full score with the parts freshly engraved and edited and available on hire is produced in collaboration with RVW Ltd.