Full Score-Full orchestra score. Full orchestra score for Per Norgard's Symphony No. 5 (1987-90 rev.1991). Manuscript copy. Programme note: My 5th Symphony was commissioned by the Danish Radio Symphony Orchestra and premiered on December 6th 1990 by and dedicated to the Danish Radio Symphony Orchestra and conductor Esa-Pekka Salonen. After the premiere in 1990 I decided to revise the beginning (and only the beginning) of the work. The first pages of the score were discarded and about 20 seconds of new music was written in the summer of 1991. The new and final versionwas premiered on 1st of May 1992. The symphony progresses without pauses between movements often in several layers of tempo with mutual golden sectionproportions. The listeners experience of form in the work will therefore depend on the directions of his own attention. But so far as overall divisions are concerned four sections (perhaps five) - running into each other - can be traced: an expansive cascading introduction a kind of scherzo an chaconne-like adagio and a kind of finale again with the phenomenon of cascades as a main idea. However as the course is from time to time thrown into chaos by convulsive twitching and crises other experiences of form are opened out within a spectrum from wild to cautious from dramatic to contemplative in a universe of tempi which can suggest the title of a book of poems by the Danish Michael Strunge (1958-1986): Velocity of life. A listener described the symphony as a walk with a fire-breathing dragon and a reviewer described it with words like a pacifist in times of war. Anyway words and programme note are - as Carl Nielsen said about titles - only road signs for personal experiences in the area of music itself. Per Norgard

Unaccompanied. Unaccompanied.

Scoop- Von Peermusic gibt es Arrangements beruhmter Klassiker diverser Genres fur Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern fur Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier der Standardsatz plus Ergänzerstimmen. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass;Klavier (Akkordbezifferung und Text) Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello. Hier der Doppelband mit My Old Love (Lamprecht) und Scoop (Czettel).

The ‘In’ Crowd was first written in 1964 by Billy Page and arranged by his brother Gene Page an influential composer and arranger who had worked with artists such as Lionel Richie The Jackson Five and Elton John. The song was originally performed by Dobie Gray on his album ‘Dobie Gray Sings for 'In' Crowders That 'Go Go'’ and reached No. 13 in the US and No. 25 in the UK charts. An instrumental version of the tune was recorded later that same year by The Ramsey Lewis Trio. Their jazzy take was even more successful reaching No 5 in the US charts. This arrangement for Piano Voice and Guitar of the fun-loving ‘60s song is as much fun to perform as it is to listen to and willhave audiences tapping their feet right from the first few notes. The ‘In’ Crowd was first written in 1964 by Billy Page and arranged by his brother Gene Page an influential composer and arranger who had worked with artists such as Lionel Richie The Jackson Fiveand Elton John. The song was originally performed by Dobie Gray on his album ‘Dobie Gray Sings for 'In' Crowders That 'Go Go'’ and reached No. 13 in the US and No. 25 in the UK charts. An instrumental version of the tune wasrecorded later that same year by The Ramsey Lewis Trio. Their jazzy take was even more successful reaching No 5 in the US charts. This arrangement for Piano Voice and Guitar of the fun-loving ‘60s song is as much fun toperform as it is to listen to and will have audiences tapping their feet right from the first few notes.

Rondo Romantica est une évocation de l’Italie de la période dite “rococo”. Dans cette pièce colorée Otto M. Schwarz décrit l’atmosphère insouciante de l’époque. Mais l’œuvre comporte également des éléments actuels représentés par la percussion.

Trois petits airs pop pour une suite divertissante riche en couleurs sonores et variée dans les styles. Sunny Day (pop) • Tragic Story (ballade) • Dalton Ska (ska)

The miniature score of Suck's trio No.1 for Oboe Violin and Cello.

Parts for Horn In F and Tenor Horn in E flat.

Martino Bitti wrote numerous sonatas for violin and basso continuo as well as pieces for flute and oboe and several compositions for harpsichord. This C minor oboe sonata in four movements appears to have been preserved solely in manuscript form and appears here in print for the first time.The edition is part of the ABRSM syllabus (grade 6)

Jan Van der Roost was commissioned to write this hymn by the “International Association for Human Rights” in Frankfurt. The commission specified that the instrumentation of this simple hymn should be so that it can be performed by a variety of combinations of players. The piece starts with an “intrada” for brass ensemble based on the first bars of the hymn but is “ad libitum” and can therefore be omitted. The coda can also be left out depending on the available instrumentation. The piece should be played “legato” to accentuate its hymn-like character.

Ten well-known songs in melody line arrangements with specially recorded backing tracks. On the CD: Hear full performance versions of the music on tracks 2 – 11. The flute part is then omitted from tracks12 – 21 so you can play along with the recorded accompaniments. In the Music Book are top line arrangements for all ten pieces plus a flute fingering guide.

Glenn Miller était un musicien arrangeur compositeur et chef de big band américain de la période du swing. En tête du classement des meilleures ventes entre 1939 et 1943 il était à la tête de l’un des big bands les plus connus. Naohiro Iwai a arrangé cinq de ses chansons pour orchestre d’harmonie : Little Brown Jug In the Mood Tuxedo Junction American Patrol et Moonlight Serenade . Votre public chauffera l’atmosphère en écoutant cet arrangement captivant.

(This Train is Bound for Glory) Trombone Ensemble Feature-This infectious arrangement uses the old spiritual This Train is Bound for Glory as a boogie style feature with the trombone section as soloists. The train can hardly stay on the rails because the coaches can’t stop dancing! Along the way see how many other famous train references you can hear. A fantastic piece that’s great fun to play.

This is one of Handel's most well known and love choral works. Here Andre Thomas provides a practical modern edition making the piece more useable for our choirs and audiences. The long introduction has been shortened and the keyboard part is a reduction of the orchestration(not a continuo part). This edition can be performed with piano two oboes and bassoon. This is a great festival piece for high school voices.

Separate Large Size Piano Score-Larger-size score formatted for clarity and ease of page turns for the pianist. This is the same piano part in HMC2355a.

Prelude And Ant Fugue With A Crab Canon for Ensemble was composed by Per Nørgård in 1982. Programme Note: The work was commissioned by Nieuve Ensemble (New Ensemble) in Holland and was premiered in December 82 in Amsterdam. As the title suggests the work refers to the baroque genre prelude and fugue but seen through the 20.th century consciousness: The prelude is based - bar for bar - on the famous Bach-prelude in C major from the Well Temperated Piano I which is reflected as in a prism where the 5 inherent parts are magnified or transposed to other octaves or its basic rhytm of 8:5:3 is widered to bigger stretches (or reduced to smaller) keeping its golden section - proportion.The Crab Canon as well as the fugue is inspired by Escher the Dutch aartist creating the Illusionary Realism (with wrong but convincing perspectives etc.) in the way that a real fugue never is undertaken but a rush of parts is always interlocking - and in a big hurry. After a slower cadenza-like section the work closes with a combinatioin of the Bach-prelude-ending and the Fugue theme. Per Nørgård Prelude And Ant Fugue With A Crab Canon for Ensemble was composed by Per Nørgård in 1982. Programme Note: The work was commissioned by Nieuve Ensemble (New Ensemble) in Holland and was premiered in December 82 in Amsterdam. As the title suggests the work refers to the baroque genre prelude and fugue but seen through the 20.th century consciousness: The prelude is based - bar for bar - on the famous Bach-prelude in C major from the Well Temperated Piano I which is reflected as in a prism where the 5 inherent parts are magnified or transposed to other octaves or its basic rhytm of 8:5:3 is widered to bigger stretches (orreduced to smaller) keeping its golden section - proportion. The Crab Canon as well as the fugue is inspired by Escher the Dutch aartist creating the Illusionary Realism (with wrong but convincing perspectives etc.) in the way that a real fugue never is undertaken but a rush of parts is always interlocking - and in a big hurry. After a slower cadenza-like section the work closes with a combinatioin of the Bach-prelude-ending and the Fugue theme. Per Nørgård

This is the essential pocket-sized collection of Cat Stevens hits. Presented in chord songbook format this book includes complete lyrics and guitar chords for over 140 memorable classics. Don't miss this portable easy-to-carry format with all of your favourite Cat Stevens songs!

Joseph Bodin de Boismortier 's Trio Sonata In F Major for 2 Oboes (Flutes Violins) and Basso Continuo.

A Collection of 32 Fun-to-Play Familiar Melodies for the beginning Instrumentalist- Tons Of Tunes From The Classics is an enjoyable collection of 32 fun-to-play and familiar melodies for the beginning instrumentalist. This version has been arranged by Amy Adam for Trumpet. Includes Play along CD of backing and demonstration tracks.

Le compositeur-interprète britannique Peter Skellern (1947) a débuté sa carrière artistique comme chef d’un chœur d’église. Après avoir reçu une solide formation au Collège de Musique Guildhall à Londres il travaille plusieurs années durant comme compositeur à la BBC. Il collabore également avec Andrew Lloyd Webber l’un des plus brillants compositeurs de comédies musicales. Peter Skellern a essentiellement composé des chansons d’amour lyriques dont la plus célèbre est You’re a Lady . Wim Stalman a réalisé un arrangement particulièrement brillant et fidèle à la version originale.