No. 3 Das Lied vom Kummer-TTBB (Choral Score). Steffen W

Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Vocal Score and lasts around 24 minutes. Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Vocal Score and lasts around 24 minutes.

Jo Kondo 's Two Pieces for SATB Chorus. Commissioned by Tokyo Philharmonic Choir Two Pieces was composed in 1981. The work was first performed by Tokyo Philharmonic Choir conducted by Nobuaki Tanaka in Tokyo 1982. Jo Kondo 's Two Pieces for SATB Chorus. Commissioned by Tokyo Philharmonic Choir Two Pieces was composed in 1981. The work was first performed by Tokyo Philharmonic Choir conducted by Nobuaki Tanaka in Tokyo 1982.

The 2nd Violin part for Sir Edward Elgar's setting of The Snow Op.26 No.1 for Chorus Violins and Piano.

for SATB (with divisions) unaccompanied Robert Lucas Pearsall 's In Dulci Jubilo for SATB choir (with divisions) unaccompanied.

Play Like a Legend: Doc Watson features transcriptions of his great guitar flatpicking recordings from the early 1960s until the 1990s. In addition detailed explanations of special techniques such as Carter Plus soloing using three note patterns (3NPs) and numerous crosspicking patterns are included. Exercises are designed to isolate specific licks and patterns making them easier to learn. Moveable phrases and licks are identified so that players can introduce Doc's unique sound into their own playing. Includes access to online audio. Play Like a Legend: Doc Watson features transcriptions of his great guitar flatpicking recordings from the early 1960s until the 1990s. In addition detailed explanations of special techniques such as CarterPlus soloing using three note patterns (3NPs) and numerous crosspicking patterns are included. Exercises are designed to isolate specific licks and patterns making them easier to learn. Moveable phrases and licks are identifiedso that players can introduce Doc's unique sound into their own playing. Accompanying audio is included.

Full score for John Rutter 's tender Christmas song. With a simple appealing melody and a flowing accompaniment The Colors Of Christmas evokes a touching sense of longing for the joys of the festive season. Full score for John Rutter 's tender Christmas song. With a simple appealing melody and a flowing accompaniment The Colors Of Christmas evokes a touching sense of longing for the joys of the festive season.

Using words by H. Whitehall. For piano and unison voice.

A superb collection of Irish ballads in four volumes each containing 40 songs arranged with melody line lyrics and chords. Illustrated with black & white photographs and sketches.

Three of George M. Cohan's finest songs have been arranged into a smart and fun medley by Greg Gilpin. Simple and easy-to-learn this medley is an up-beat presentation to showcase patriotism and the works of a great Americansongwriter. This choral gives you a chance for good musical teaching during rehearsals and when performed your audience will rise to their feet with pride!

Jazz Play-Along Volume 105-For use with all Bb Eb and C instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY each tune includes a split track with: Melody cue with proper style and inflection Professional rhythm tracks Choruses for soloing Removable bass part Removable piano part FOR PERFORMANCE each tune also has: An additional full stereo accompaniment track (no melody) Additional choruses for soloing. 10 songs: Black Coffee ? Caldonia (What Makes Your Big Head So Hard?) ? Do You Know What It Means to Miss New Orleans ? Fever ? Harlem Nocturne ? Hot Toddy ? The ?In? Crowd ? Is You Is or Is You Ain't (Ma' Baby) ? When the Sun Comes Out ? You Are My Sunshine For use with all Bb Eb and C instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY each tune includes a split track with: Melody cue with proper style and inflection Professional rhythm tracks Choruses for soloing Removable bass part Removable piano part FOR PERFORMANCE each tune also has: An additional full stereo accompaniment track (no melody) Additionalchoruses for soloing. 10 songs: Black Coffee • Caldonia (What Makes Your Big Head So Hard?) • Do You Know What It Means to Miss New Orleans • Fever • Harlem Nocturne • Hot Toddy • The “In” Crowd • Is You Is or Is You Ain't (Ma' Baby) • When the Sun Comes Out • You Are My Sunshine

I Stood On The River Of Jordan. Arranged by Moses Hogan for SATB a cappella. I Stood On The River Of Jordan. Arranged by Moses Hogan for SATB a cappella.

This book provides a clear and concise way to increase your guitar chord vocabulary across the entire fretboard. The book outlines a movable chord system which allows you to both understand chord construction and provides the necessary tools to create chords on-the-fly in a playing situation. This book provides a clear and concise way to increase your guitar chord vocabulary across the entire fretboard. The book outlines a movable chord system which allows you to both understand chord construction and provides thenecessary tools to create chords 'on-the-fly' in a playing situation.

Carefully paced and skillfully scored for younger players here is the dynamic music from Star Wars: The Force Awakens. Familiar old themes are blended with exciting and powerful new material. Carefully paced and skillfully scored for younger players here is the dynamic music from Star Wars: The Force Awakens. Familiar old themes are blended with exciting and powerful new material. Includes Main Title Rey's Theme March of the Resistance The Jedi Steps and Finale.

In 1735 Johann Sebastian Bach published his French Overture BWV 831 together with the famous Italian Concerto as the second part of his “Clavier-Übung”. The designation Ouvertüre (Overture) can be somewhat misleading since this work consists not just of an opening movement but also of a full-fledged partita with 11 movements: Ouvertüre Courante Gavotte I & II Passepied I & II Sarabande Bourrée I & II Gigue and Echo. In terms of melodic richness and rhythmic play it is on a par with its sister-pieces from Part 1 of the “Clavier Übung“ the 6 Partitas BWV 825-830. J. S. Bach 's French Overture In B Minor BWV 831 was published along with the Italian Concerto as the second half of the Clavier-Übung II in 1735. This suite in B minor was originally scored fortwo-manual Harpsichord and is the longest Keyboard suite ever composed by Bach with eleven movements. An earlier version of this work exists in the key of C minor (BWV 831a); the work was transposed into B minorto complete the cycle of tonalities in Parts One and Two of the Clavier-Übung. The term overture refers to the fact that this suite starts with an overture movement replacing the allemande found in Bach 's otherKeyboard suites. There are optional dance movements both before and after the Sarabande and another unusual aspect of this work is the inclusion of an extra movement after the Gigue. This is an 'echo' a piece meant to exploit theterraced loud and soft dynamics of the two-manual Harpsichord. Other movements also have dynamic indications (piano and forte) which are not often found in Keyboard suites of the Baroque period. This Henle Urtext Editiondoes not include fingering.

The echo portion of the piece can be performed by a small group quartet brass or simply the keyboard. The text and music beautifully reflect the celebrative nature of Easter. Available: SATB.

Long known for his effective writing for school groups James Curnow's newest opus features strong diatonic lines rhythmic backgrounds and interesting parts for all players in a one-tempo setting.

Optional three-part split in parts

Inspired by John 12:15 Fear Not Ye People of Zion is a bright celebration for Palm Sunday which will joyfully set the mood for the day. Generous use of unison and two-part writing mixed with four-part phrases many usingsoprano divisi combine for an easy-to-learn yet very effective piece. Its ability to be played on piano or organ makes it suitable for churches with varied accompaniment options. Jon Paige has adeptly captured the feeling ofanticipation at the prospect of the approaching Messiah Your King is coming today. Lift high your glad hosannas rejoice forever give praise. Exciting.

Arrangement for Piano Fourhands-In the 19th century arrangements for piano four-hands were usually versions which people played at home if the works could not be heard in concert. In cases such as these Brahms did not however just make functional versions but creatively transcribed his works for the piano. As the composer he allowed himself greater freedom than arrangers for publishers did. In this form his arrangements greatly contributed to the success of his works in musical life in the 19th century. It is on account of their creativity that Brahms’ arrangements have attracted new interest in musical circles over the last few decades. Our Urtext edition of the Symphonies nos. 1 and 2 for piano four handsoffers a scholarly musical text following the recently published volume in the Brahms Complete Edition.? In the 19th century arrangements for Piano four-hands were usually versions which people played at home if the works could not be heard in concert. In cases such as these Brahms did not however just make functional versions butcreatively transcribed his works for the piano. As the composer he allowed himself greater freedom than arrangers for publishers did. In this form his arrangements greatly contributed to the success of his works in musical life inthe 19th century. It is on account of their creativity that Brahms’ arrangements have attracted new interest in musical circles over the last few decades. This Urtext edition of the Symphonies nos. 1 and 2 for piano four handsoffers a scholarly musical text following the recently published volume in the Brahms Complete Edition.