testo cantato francese-italiano (introduzione italiano-tedesco) - 2 voll.

Ed. critica delle opere di A. Vivaldi - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score just published in this catalog. La Griselda was composed and performed in Venice in the spring of 1735 for the occasion of the Ascensiontide fair (Sensa). The taskof adapting the libretto by Apostolo Zeno to the particular exigencies of the production was assigned to a young writer of comedies attached to the company led by Giuseppe Imer: Carlo Goldoni. The latter immortalized in his Mémoires hismeeting with Vivaldi and the composer’s inseparable prima donna the contralto Anna Giraud confessing to having been forced against his will to “assassinate” Zeno’s drama at the composer’s whim. La Griselda was favourably received bythe audience at the San Samuele theatre remained the sole opera by Vivaldi to be staged at a theatre owned by the powerful Grimani family. The present edition includes a synthetic introduction of the historical context the description of the mainsource employed and a choice of the critical Notes to the musical text.

Ed. Critica Di C. Toscani - Reduction for voice and Piano by Antonio Frigé-The present reduction derives from the critical edition of the score also published in this catalog on Novembre 2012 (NR 139699). The critical edition returns the text of the Stabat mater thanks to a study of a particular scientifi c authority andphilological rigor: as main source the edition is based on the autograph score (now kept in the Archives of the Abbey of Montecassino) and on a number of manuscript sources selected (among the many existing) for their greater guarantee of fi delityto the original. The present edition includes a synthetic introduction of the historical context the description of the main sources employed and a choice of the critical Notes to the musical text.

A cura di D. Lawton - Riduzione per canto e pianoforte-Ricordi the well-known printer of classical opera presents the works of the great opera composers in its CRITICAL EDITION · PRACTICAL SERIES. These revised definitive scores are produced by using all the currently available sources ranging from the original autographs to printed editions in line with strict philological and critical criteria. Each edition has a brief introduction providing the historical context for the opera in question. This series combines the rigour of a critical approach and a practical easy-to-follow editorial lay-out.

Volume 08

(Versione Italiana)

Modulations Marches Harmoniques - Textes

Soli-Choeur - Satbb

Collection Vent De Sax

Ed. by Federico Maria Sardelli

a cura di Antonio Valentino-The fifty small compositions in this anthology follow on from the first volume and are especially aimed towards the younger beginner pianist. The anthology contains a varied collection of pieces including less well-known compositions that have been chosen to stimulate the student's interest in the early stages of learning the piano.

raccolte ed elaborate da A. Parisotti

raccolte ed elaborate da A. Parisotti

raccolte ed elaborate da A. Parisotti

Trascrizione Per Organo A Quattro Mani

Chamber arias for medium voice and piano or harp-Gaspare Spontini composer and conductor was celebrated for his operas in the late 1700s and early 1800s although he also composed several pieces of vocal chamber music at the same time.The chamber repertoire was composed with the amateur performer in mind: the tessitura of his melodies falls mostly within the medium/high range and does not call for any special techniques. This does not however diminish the artistic value of hischamber music; indeed it is a body of work of great interest and beauty. Each piece was written for a single voice accompanied by the piano or the harp - the two instruments most commonly found in salons of the time - and in a variety of forms:bagatelle barcarole chansonnette romance stances stances élégiaques élégie strophes Lied romanze ariette melodici accenti duetti and duetti notturni.In addition to a selection of compositions for medium-range voices - proposed here in the original tonic key - this book also includes the most celebrated and significant of Spontini’s compositions.

Piano reduction for Violin and Piano by Maurizio Carnelli

Sacred Masterpieces for Soprano Vol. 3-CANTOLOPERA is a publishing project that offers a completely new way of approaching the great vocal repertoire. CANTOLOPERA is made up of various series: the Favourite Opera Collection dedicated to operatic works organized by voice category; theComposers Collection devoted to individual composers; and the Songs Collection consisting of lyric songs romanzas an d traditional songs. The editions include a vocal score and one or more CDs containing for each number a complete versionand the respective orchestral accompaniment over which students enthusiasts and professionals can practise. Each volume also contains the texts to be sung in both ltalian and English accompanied by a note on their context as well as informationon the performers and the Compagnia d Opera Italiana with its orchestra of over 130 instrumentalists.

Riduzioni canto-pianoforte e CD con basi orchestrali-Cantolopera is a publishing project devoted to students professionals and enthusiasts who wish to approch the great vocal repertoire for practicing performing or simply singing opera arias sacred pieces songs standards. The editions include a vocal score and one or more CD containing orchestral accompaniment performed by Compagnia d’Opera Italiana with its orchestra of over 130 instrumentalists. Each volume also contains the texts to be sung in both Italian and English accompanied by a note on their context.

Opern-Arien-Four comprehensive anthologies of Mozarts opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well asItalian French and German.