John 15:15 Ephesians 6:18 I Thessalonians 5:17 Matthew 11:28-20 Philippians 4:6-This rousing gospel presentation is built around the hymn 'What A Friend We Have in Jesus ' and will have your choir singing from their hearts. A touch of the old gospel song 'Just a Little Talk with Jesus ' brings a sweet moment of nostalgia to this dynamic anthem. This rousing gospel presentation is built around the hymn 'What A Friend We Have in Jesus ' and will have your choir singing from their hearts. A touch of the old gospel song 'Just a Little Talk with Jesus ' brings a sweet moment of nostalgia to this dynamic anthem.

Blues & Jazz Jam Tunes-This is a collection of 48 original jazz tunes in different styles with fun melodies ideal for jamming. The pieces are in a variety of keys and are presented in standard notation and tablature. Includes access to online audio. This is a collection of 48 original jazz tunes in different styles with fun melodies ideal for jamming. The pieces are in a variety of keys and are presented in standard notation and tablature. Includes access to online audio.

from Beauty and the Beast-The ‘Transformation’ scene from Beauty and the Beast is one of the most impressive moments from the movie and a perfect example of how magical the combination of music and images can be. Marc Jeanbourquin has created a Grade 4 arrangement that is very close to the original score and sounds as if you are actually watching the movie. It is a little challenging but guaranteed to have your audience on the edge of their seats!

pour quatuor à cordes - parties séparées

Voices Rising-This beautiful classic from Stevie Wonder is here set in our Concert Pop Series. Full choral writing flexibility in tempo wonderful pop stylings and a concert climax make this another great addition to the concert pop repertoire.

Listening CD-The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned this work contains eight selections of both new and familiar carols and spirituals including Keith Getty's powerful song 'Joy Has Dawned.' The work is dynamically arranged for SATB choirs and orchestra and is filled with the joy of the season which congregations will find appealing as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned this work contains eight selections of both new and familiar carols and spirituals including Keith Getty's powerful song 'Joy Has Dawned.' The work is dynamically arranged for SATB choirs and orchestra and is filled with the joy of the season which congregations will find appealing as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!

Voices Rising-Cut from the Hunchback of Notre Dame movie we are all lucky that it was revived and placed as the final song in the Broadway stage production. Expressing Esmeralda's final hopes and wishes for the world this song will be the perfect closer for any concert.

Complete method for individual and group lessons - Score-Following the huge success of their instrumental method Look Listen & Learn Michiel Oldenkamp and Jaap Kastelein have focussed their attention on school bands and devised a completely new method that can be used in both instrumental lessons and class bands or wind ensembles. Learning Music Together is the new method for young wind players and percussionists aged eight and above. Learning Music Together has been developed in close collaboration with professionals from the class band world music schools and academies in the Netherlands and Germany. Learning Music Together combines instrumental lessons with a course for class band. The instrumental lessons offer instrument-specific items such as new notes and technical exercises while at the same time supporting the learning of the class band with a focus on rhythm melodic structure and playing music together. The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts.In addition supplementary material is available on the extensive website e.g. demo- and accompaniment tracks for all pieces additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way - a perfect combination for young musicians! Following the huge success of their instrumental method Look Listen & Learn Michiel Oldenkamp and Jaap Kastelein have focussed their attention on school bands and devised a completely new method that can be used in both instrumental lessons and class bands or wind ensembles. Learning Music Together is the new method for young wind players and percussionists aged eight and above. Learning Music Together has been developed in close collaboration with professionals from the class band world music schools and academies in the Netherlands and Germany. Learning Music Together combines instrumental lessons with a course for class band. The instrumentallessons offer instrument-specific items such as new notes and technical exercises while at the same time supporting the learning of the class band with a focus on rhythm melodic structure and playing music together. The method consists of two volumes. Volume One introduces the first instrumental notes in unison and then develops part-playing with duets. Volume Two builds on the skills taught in the first volume and introduces pieces in three parts. In addition supplementary material is available on the extensive website e.g. demo- and accompaniment tracks for all pieces additional pieces of music (well-known songs) and video tutorials. Learning Music Together is logically structured and illustrated in a child-friendly way -

Enhanced Teacher Instruction and Projectable Student Exercises with Audio

March in March-At last here is a joyful march for those who really enjoy playing marches in March! Challenges in all instrumental groups. At last here is a joyful march for those who really enjoy playing marches in March! Challenges in all instrumental groups.

23 Favorites - Easy Instrumental Duets-23 favorites from the Fab Four in easy duet arrangements for two instrumentalists are featured in this collection: All You Need Is Love - Eleanor Rigby - Here Comes the Sun - Hey Jude - I Want to Hold Your Hand - Penny Lane - Something - Yellow Submarine - Yesterday - and more. Arrangements work for two of the same instrument or can also be used with the other titles in the same instrument family from this series. 23 favorites from the Fab Four in easy duet arrangements for two instrumentalists are featured in this collection: All You Need Is Love • Eleanor Rigby • Here Comes the Sun • Hey Jude • I Want to Hold Your Hand • Penny Lane • Something • Yellow Submarine • Yesterday • and more. Arrangements work for two of the same instrument or can also be used with the other titles in the same instrument family from this series.

The Bartók Performing Editions-Instruktive Ausgaben von Béla Bártok-Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions commentaries and fingerings for the performer) of several classics of the piano repertoire altogether more than two thousand pages of music. Bartók's editing reflects contemporary ideas about performance but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.Bartók taught piano at the Music Academy in Budapest from 1907 to 1934. In his first years as a professor the Budapest music publishers Rozsnyai and Rózsavölgyi commissioned him to prepare so-called instructive editions (including suggestions commentaries and fingerings for the performer) of several classics of the piano repertoire altogether more than two thousand pages of music. Bartók's editing reflects contemporary ideas about performance but is for the most part more detailed and elaborate than in other similar instructive editions at the turn of the century.

Variations on a theme by Jean-Philippe Rameau- Tribute to a Maestro is an homage to Jean-Philippe Rameau (1683–1764) one of the most important French Baroque composers. Rameau was a hugely significant composer organist harpsichordist and music teacher: he also published several authoritative books on music theory. Jan de Haan based this tribute on a theme from ‘Les Sauvages’ (The Savages) the fourth act of Rameau’s ballet-opera Les Indes Galantes ( The Amorous Indies ). The work begins with two variations whereupon the striking theme can be heard. After a short intermezzo four more variations follow of which the last one is composed in Baroque style. Tribute to a Maestro is an homage to Jean-Philippe Rameau (1683–1764) one of the most important French Baroque composers. Rameau was a hugely significant composer organist harpsichordist and music teacher: he also published several authoritative books on music theory. Jan de Haan based this tribute on a theme from ‘Les Sauvages’ (The Savages) the fourth act of Rameau’s ballet-opera Les Indes Galantes ( The Amorous Indies ). The work begins with two variations whereupon the striking theme can be heard. After a short intermezzo four more variations follow of which the last one is composed in Baroque style. Tribute to a Maestro is an homage toJean-Philippe Rameau (1683–1764) one of the most important French Baroque composers. Rameau was a hugely significant composer organist harpsichordist and music teacher: he also published several authoritative books on music theory. Jan de Haan based this tribute on a theme from ‘Les Sauvages’ (The Savages) the fourth act of Rameau’s ballet-opera Les Indes Galantes ( The Amorous Indies ). The work begins with two variations whereupon the striking theme can be heard. After a short intermezzo four more variations follow of which the last one is composed in Baroque style.

MWV D 3 - Ballad For Chorus and Orchestra- This is the individual part for Violin 1 for Felix Mendelssohn Bartholdy's 'The First Walpurgis Night. A Poem by Goethe'. Goethe’s dramatic ballad 'The First Walpurgis Night' inspired Mendelssohn to write a magnificent and vivid portrayal of the conflict between an old heathen community and the new aspirations of Christianization between belief and superstition on both sides. In 1833 Mendelssohn had his ballad premiered but he decided to make far-reaching revisions before he finally had the work published in 1844. The Carus edition by the leading Mendelssohn scholar R. Larry Todd is based on the first printed edition of the score and thus the last authentic version ofthe work. This important choral work by Mendelssohn is now available in a modern Urtext edition with full score (in two languages) vocal score choral score and orchestral material available on sale as well as a CD recording by the Kammerchor Stuttgart conducted by Frieder Bernius (planned for autumn 2019).

SWV 453- This is the individual Organ part for Heinrich Schütz's 'Rejoice With The Wife Of Thy Youth'. This composition survives in the sources as a wedding song even though the occasion it was written for is not known. It is stylistically close to the Symphoniae sacrae I sharing its exquisite scoring with the last composition in the set (Bucinate in neomenia tuba/Jubilate Deo) with concertante instrumental parts for Cornett and Trumpet (or two Cornetts). The text taken from Proverbs has an opening verse in triple meter which recurs in the middle (shortened) and at the end of the composition in the style of a ritornello then commonly found in Italy. This verse endswith a characteristically dissonant transition for the upper instrumental parts to the final chord – as the key message of the composition.

RV 604- This is the individual Organ part for Antonio Vivaldi's 'In Exitu Israel'. One of a total of 13 psalms the present work based on psalm 113 was probably composed for the Easter Sunday in 1739. In 'In Exitu Israel' Vivaldi treats the voices homophonically (in block chords) accompanied by a String Orchestra and Basso Continuo. Although it is rather a short piece the text of psalm 113 is over twice the length of any of the other psalms set by Vivaldi but even set as a single continuous movement it still keeps the composer’s acute sensitivity regarding the emotional content of the text.

With What Child Is This-Deeply moving Child of Light speaks of the wonder of the Christ Child living among us on the earth. A sensitive and supportive piano accompaniment underlines a timeless melody and makes this a perfect option for church and community choirs or for your school Christmas program. The optional audience participation on What Child Is This adds a level of beauty and reverence. Deeply moving Child of Light speaks of the wonder of the Christ child living among us on the earth. A sensitive and supportive piano accompaniment underlines a timeless melody and makes this a perfect option for church and community choirs or for your school Christmas program. The optional audience participation on What Child Is This adds a level of beauty and reverence.

Pour tous les saxophones

with Flugelhorn

Creating Artistry-The quiet and steady piano ostinato of Perfect Day from the animated TV series The World of Peter Rabbit and Friends sets a dream-like reverie. The music moves between moments of introspection and spaciousness while the text conjures up the picturesque landscape of Beatrix Potter's home in the Lake District of the United Kingdom. The quiet and steady piano ostinato of Perfect Day from the animated TV series The World of Peter Rabbit and Friends sets a dream-like reverie. The music moves between moments of introspection and spaciousness while the text conjures up the picturesque landscape of Beatrix Potter's home in the Lake District of the United Kingdom. The quiet and steady piano ostinato of Perfect Day from the animated TV series The World of Peter Rabbit and Friends sets a dream-like reverie. The music moves between moments of introspection and spaciousness while the text conjures up the picturesque landscape of Beatrix Potter's home in the Lake District of the United Kingdom.