Halleluja! Gott Zu Loben Bleibe Meine Seelenfreud

Op. 85

Die Leichtesten Klavierwerke Von Joseph Haydn

Gegenwartsmusik als Forschung und Experiment

Based On The Kyrie Of The So-Called Moonlight Sonata

The Vocal Library Low Voice-These wonderfully complex sophisticated and stylish art music arrangements by composer Richard Walters of classic songs by Richard Rodgers Cole Porter and George Gershwin are designed to flatter a classical singer and pianist and have been widely performed in North America and Europe by professionals and advanced students. As one performer put it the arrangements are so rich they become art songs on their own. Originally published in1992 as book/cassette packages (now out of print) this reprinted edition makes these distinctive arrangements once again available. CONTENTS: Rodgers songs: The Sweetest Sounds I Have Dreamed You're Nearer. Porter songs: I Amin Love I Concentrate on You I Hate You Darling. Gershwin songs: They Can't Take That Away from Me Nice Work If You Can Get It A Foggy Day/Love Walked In Love Is Here to Stay. Ten songs by George Gershwin Cole Porter and Richard Rodgers arranged for concert performance by Richard Walters. Includes Cole Porter's 'I am in love' and Gershwin's 'Love is here to stay'.

for Digital Keyboard Orchestra-These arrangements from Dennis Alexander's Five-Star Solos collections provide young pianists with an opportunity to create exciting and entertaining performances with other players as a digital keyboard orchestra. Each arrangement has five or six separate parts with each part having an assigned general MIDI sound. The arrangements are presented in score format with each player's part on a single staff and parts can be doubled or tripled for larger ensemble groups. Titles: A Bit Bewildered! - Jamaican Festival - The Lonely Fawn - Mystical Dance - Tahiti Tango. These arrangements from Dennis Alexander's Five-Star Solos collections provide young pianists with an opportunity to create exciting and entertaining performances with other players as a digital keyboard orchestra. Each arrangement has five or six separate parts with each part having an assigned general MIDI sound. The arrangements are presented in score format with each player's part on a single staff and parts can be doubled or tripled for larger ensemble groups. Titles: A Bit Bewildered! - Jamaican Festival - The Lonely Fawn - Mystical Dance - Tahiti Tango.

New Compositions For Mixed Choir a Cappella - Contains 20 Pieces

A Mysterious Musical for 2-Part Voices-Who or what is that shadowy figure playing the piano in the school music room after dark? Several students and Deputy Barney set out to solve this musical mystery with surprising results. Featuring six songs with clever texts set to musical classics by Chopin Dvorák Sousa and others. This Alfred favorite is newly updated with a fresh engraving and a stellar recording! Recommended for grades three and up. Approximately 30 minutes. Who or what is that shadowy figure playing the piano in the school music room after dark? Several students and Deputy Barney set out to solve this musical mystery with surprising results. Featuring six songs with clever texts set to musical classics by Chopin Dvorák Sousa and others. This Alfred favorite is newly updated with a fresh engraving and a stellar recording! Recommended for grades three and up. Approximately 30 minutes.

Discovery Level 2

(Crazy Little Thing Called Love with It's Still Rock and Roll to Me)-Written by Freddie Mercury this infectious rock-shuffle style is mashed up with the Billy Joel classic It's Still Rock and Roll To Me and combined we have a great time. There is room to feature a talented soloist and the choral writing is strong. Written by Freddie Mercury this infectious rock-shuffle style is mashed up with the Billy Joel classic It's Still Rock and Roll To Me and combined we have a great time. There is room to feature a talented soloist and the choral writing is strong.

for choir and fixed media-Isthmus denotes a narrow strip of land with sea on either side forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus my birthplace and in the USA my recently adopted homeland. Having lived in a small partitioned island for my formative years and in England for eleven years water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border a violent and absolute interruption of a continuum. While in the USA or indeed in a now connected Europe it is possible to travel on land for days without having to encounter a border in the countries where I lived for most of my life that was not possible. As an artist this notion of establishing boundaries and consciously trying to break them is very close to me as my music deals both with modernity but also with tradition and similarly with metaphor and reality. As a Cypriot the sea the world of antiquity the mysteries of the oracles the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus different layers of history are frequently superimposed on a single building that might still preserve its Roman Byzantine Venetian and Ottoman features in its layers of stone and architecture. Similarly ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus therefore can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus in this short piece I connect these experiences with the purpose of creating a distinct and unique sonic context connecting technology and tradition the pastoral with the urban the musical with the extra-musical and the abstract with the concrete. For example the choir does not always sing in the traditional sense but the singers imitate various natural sounds such as water air crickets or birds to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York communicated within clearly defined singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic articulating an imaginary language but also literal with a setting of the poem “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers i

The Spectre's Bride H 214 I A- The present volume of the Bohuslav Martinu Complete Edition (BMCE) contains two vocal-instrumental works. The “Field Mass” (1939) with a text by Jirí Mucha incorporating bible and liturgy quotes was created in reaction to the outbreak of the Second World War and intended for outdoor performances. The cantata “The Spectre’s Bride” with a text by Karel Jaromír Erben was composed in 1932 as part of the ballet “Špalícek” (meaning “chapbook”): the composer later took out the cantata making it into a stand-alone concert piece. The autograph scores served as primary sources for both works. The edition of the “Field Mass” (including its performance materials) also contains theoriginal version of the ending with a quote from the Czech medieval hymn “Jezu Kriste štedry kneže” (“Jesu Christ bountiful priest”) and a number of contemporary translations.

Op. 48 6

(Soundtrack Highlights)-The third and final installment of the popular “How to Train Your Dragon” movie franchise again features an outstanding score by John Powell. The Hidden World uses a hint of the familiar earlier themes along with bold and dramatic new material. Based primarily on John Powell’s own concert suite here is a well-paced and effective medley for band.

Full Score-A work for solo piano ensemble and electronics as premiered by Huw Watkins Ryan Wigglesworth and the London Sinfonietta at LSO/St Luke’s in 2009 as part of a BBC Invitation Concert.

This collection features three instrumental pieces from Ola Gjeilo's Winter Songs CD (Decca Classics 2017) plus a piano version of Across the Vast Eternal Sky - here all scored for solo piano.