24 Préludes Op. 38

Whether you're a child or adult this book is appropriate for the student who has reached the intermediate level. Music Pathways offers a solid course of classical study with progressive Levels 3A through 5B. Repertoire books offer just that a wide range offerogressive original intermediate-level repertoire from the Baroque to the 20th century. At the close of each Repertoire volume there is a glossary of terms. Technique books are planned to support the needs of the respective Repertoire pieces as well as promote growth in general technical skills. Musicianship books offer the opportunity to delve into topics such as style rhythm melody harmony form andexpressive elements.

A Method for Comprehensive Technical and Musical Development

29 Works

Harold Darke's In the Bleak Midwinter originally made famous by the Choir of King's College Cambridge for SATB Choir with Organ accompaniment. Verse 1 for soprano solo and verse 3 for tenor solo.

SSATB or A solo with viols Edited by E H Fellowes. Revised by Philip Brett For supply to USA please contact ECS Publishing.

Voice Piano. Rossini G

FOR VOICES (SATB)AND STRING QUARTETScore = WH31444The vocal part of NGG may be performed separately a cappella entitledGREEN.The vocal part of NGG also makes part of another work (in preparation) also for voices and string quartet entitled NO GROUND GREEN. Set of parts for Pelle Gudmundsen-Holmgreen 's New Ground Green (2011) for Solo Voices (SATB) and String Quartet. Score: WH31444

Through Windows of Thine Age was written in gratitude and deep admiration for the Swedish Prime Minister Olof Palme one of Sweden's most creative politicians. It swings between romanticism and the wild with the Swedish national anthem present in almost every bar. Through Windows of Thine Age was written in gratitude and deep admiration for the Swedish Prime Minister Olof Palme one of Sweden's most creative politicians. It swings between romanticism and the wild with the Swedish national anthem present in almost every bar. As an international soloist and chamber musician Mats Lidström has gained a reputation for performances of great insight and virtuosity. He has been a member of the Cello faculty at the Royal Academy of Music since 1993. Other works include Suite Tintin for Cello and Piano and Rigoletto Fantasy for Cello and Orchestra. His children's story The Stamp King also comes in the form of amelodrama with the narration accompanied by Cello and Piano. His transcriptions for Cello are numerous. They include music from Bach to Cole Porter. Mats Lidström has recorded for Hyperion BIS EMI and Deutsche Grammophon.

from Symphony No. 5-Mahler G: Adagietto From Symphony No.5 (Score/Parts)

Pia Raugs Regnvejrsdag i November arrangeret for blandet kor SSATB (alt. SAATB) af Klaus Brinch . Tekst af Ebba Munk Pedersen.

A fabulous romp in pseudo big band style: Saunders at his best. Paul is an experienced musician well known throughout the London West End show scene. On the sample MP3 file on this website Hillbilly Hobos is performed by James Mainwaring on all saxes. A fabulous romp in pseudo big band style: Saunders at his best. Paul is an experienced musician well known throughout the London West End show scene. On the sample MP3 file on this website Hillbilly Hobos is performed by James Mainwaring on all saxes.

Tokuhide Niimi's Shape Of Wind for Vibraphone.

Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicated Lore Lixenberg. Text: Anon. Programme note: Three stones is written on request by Lore Lixenberg to whom the little piece is dedicated. It is three very small songs for solo voice but the singer is also - while singing - playing on traces of instruments - Antique cymbal violin and stones. The texts for all three songs are anonymous - the second song use an anonymous english love poem. In the first and the third songs the text is taken from estruscan writing on stones. What the text is about nobody knows. Enigmas written in stone! Bent Sørensen Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicated Lore Lixenberg. Text: Anon. Programme note: 'Three stones is written on request by Lore Lixenberg to whom the little piece is dedicated. It is three very small songs for solo voice but the singer is also - while singing - playing on 'traces of instruments' - Antique cymbal violin and stones. The texts for all three songs are anonymous - the second song use an anonymous english love poem. In the first and the third songs the text is taken from estruscan writing on stones. What the text is about nobody knows. Enigmas written in stone!' Bent Sørensen

7 Well Known Songs-Seven well-known songs from around the globe in Jazz Piano style arranged by Richard Kershaw in Jazz Piano style. The music is clearly written with phrasing and other marks of expression and is suitable for Grades 4-5.

Londonderry-A super arrangement for 4 bassoons of the Traditional Londonderry Air with recurring references to Elgar's Nimrod and a hidden rendition (in bassoon 4) of Auld Lang Syne. Grade: 4 - 6

Grethes Sangbog contains 47 all time favourites by the famous Danish children’s music composer Grethe Agatz arranged for Piano Voice and Guitar. This songbook features charming illustrations by Bolette Marie Madsen and comes with a CD. Grethes Sangbog contains 47 all time favourites by the famous Danish children’s music composer Grethe Agatz arranged for Piano Voice and Guitar. This songbook features charming illustrations by Bolette Marie Madsen and comes with a CD.

Best Bits-Each of the four movements of Tchaikovsky's Pathetique Symphony simplified and abridged. Arranged for Woodwind. Grade: 2 - 5

From The Carl Nielsen Edition CN 00045 Incidental Music I Tekst:Ludvig Holstein From The Carl Nielsen Edition CN 00045 Incidental Music I. Text: Ludvig Holstein

6 first steps to new piano music - In order to become familiar with a composers works its best to consider his compositions chronologically. On the one hand this helps to recognize fundamental structures and on the other to determine changes and developments. Luciano Berios 6 Encores are ideal for such an approach. The six short pieces were composed in the years between 1965 and 1990 and reflect very different moments of Berios piano music. As can be assumed from the titles: Wasserklavier Luftklavier Erdenklavier etc. the composer uses a different harmonic structure for each work and a continually changing piano technique to ensure each work has an effect of its own.Nevertheless the cyclic character of all these little pieces becomes evident especially from Berios unequivocal formal references to other piano works (e.g. Concerto per due pianoforti Points on the curve to find Echoing curves Sequenza IV). Experienced musicians appreciate the 6 Encores as the icing on the cake.