J.S. Bach's Sheep May Safely Graze arranged for solo Piano by Frank Walsh. J.S. Bach's Sheep May Safely Graze arranged for solo Piano by Frank Walsh.

Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Anders Koppel in 2012 for the celebration of Her Majesty Queen Margrethe II of Denmark's 40th anniversary. Text by Niels Brunse.Commissioned by Wonderful Copenhagen. Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Anders Koppel in 2012 for the celebration of Her Majesty Queen Margrethe II of Denmark's 40th anniversary. Text by Niels Brunse. Commissioned by Wonderful Copenhagen. Score: WH31446

Soldiers' March Hunting Song First Loss and The Jolly Farmer. Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

New and proven piano editons from Bach to Satie; available at affordable prices with introductions in English French and German.

Trombone in bass OR treble clef catered for: two parts included. A Musical Who's Who of the animal world. Twelve captivating pieces including 'Conger R'eel!' 'Giraffe To Do It?' and 'The Oranga Tanga!' Treble & bass clef parts included. Grade: 3 - 5+

Pocket or Study Score

The Golden Age Of The Flutists Vol. 2 is a collection of pieces arranged by Marcel Moyse for Flute and Piano.

Singspiel-The vocal score to Eric L. Withams' marvellous work The Gorgon's Head .

The Wings Of Spring for Cello solo was composed by Bent Sørensen in 2010. Dedicated to Jakob Kullberg. The Wings Of Spring for Cello solo was composed by Bent Sorensen in 2010. Dedicated to Jakob Kullberg.

This a suite from Antonio Bibalo's ballet PinnochioOrchestration: 3.3.3.3/4.3.3.1/timp.perc/hp/pf/man/strParts are for hire: hire@ewh.dk This is a Suite for Orchestra from Antonio Bibalo 's Ballet Pinnochio (1992). Parts are for hire: hire@ewh.dk

Notkea Keaton (The Ghost Of Buster) Op. 86a for Orchestra (2008). Commissoned by the Tampere Philharmonic Orchestra. Orch. parts for hire: hire@ewh.dk

Preface / Programme Note (UK-TEXT TO FOLLOW)Slagtøjssolisten er den gennemgående skikkelse og hovedperson i musikkens”tre scener”.Begrebet ”scene” kan forstås flertydigt både som det fysiske sted platformen hvor man optræder og spiller musik og drama – og som betegnelsen for defortællende forløb og afsnit i en dramatisk forestilling.Mine musikalske ”scener” udfolder sig i tre forskellige sceniskefremtrædelsesformer og ensembler. Den første scene er præget af diskrete ogmelodiske slagtøjsinstrumenter vibrafon og marimba med modspil fra de trestrygere.I den anden scene er spotlightet på slagtøjssolisten alene vi møder hovedpersonen/solisten i en monolog fremførthovedsageligt på ”syngende sav” der skal trakteresmed den yderste mikrotonale præcision. Vi hører også solisten spille på Kalimba ligeledes et folkeligt instrument men nu med afrikansk baggrund – i modsætningtil den hjemlige gårdsangers ”musikalske sav” – et ofte hørt lydbillede frakomponistens barndom på Nørrebro.I den tredje scene er det en blæsertrio der indledningsvis spiller op til slagtøjetsforskellige kraftfulde trommer. Efter en tromme-kadence sætter alle syv musikereind sammen for første og eneste gang. Værket afsluttes med en kort slagtøjssolo.I en ”programmatisk tolkning” kan de tre scener ses som repræsenterende tretilbagevendende stadier:det indadvendt/drømmendedet udadvendt/agerendedet daglige drama mellem os alle.Per Nørgård februar 2010 Three Scenes for Percussion and Six Instruments (2009) by Per Norgard. Preface / Programme Note Slagtojssolisten er den gennemgaende skikkelse og hovedperson i musikkens tre scener. Begrebet scene kan forstas flertydigt bade som det fysiske sted platformen hvor man optraeder og spiller musik og drama - og som betegnelsen for defortaellende forlob og afsnit i en dramatisk forestilling. Mine musikalske scener udfolder sig i tre forskellige sceniskefremtraedelsesformer og ensembler. Den forstescene er praeget af diskrete ogmelodiske slagtojsinstrumenter vibrafon og marimba med modspil fra de trestrygere. I den anden scene er spotlightet pa slagtojssolisten alene vi moder hovedpersonen/solisten i en monolog fremfort hovedsageligt pa syngende sav der skal trakteresmed den yderste mikrotonale praecision. Vi horer ogsa solisten spille pa Kalimba ligeledes et folkeligt instrument men nu med afrikansk baggrund - i modsaetningtil den hjemlige gardsangers musikalske sav - et ofte hort lydbillede frakomponistens barndom pa Norrebro. I den tredje scene er det en blaesertrio der indledningsvis spiller op til slagtojetsforskellige kraftfulde trommer. Efter en tromme-kadence saetter

Popular classics jazz and novelty solos waltzes marches and polkas and favourite songs. Compiled and arranged by Denes Agay. Suitable for pianists from grade 3 standard. Popular classics jazz and novelty solos waltzes marches and polkas and favourite songs. Compiled and arranged by Denes Agay. Suitable for pianists from grade 3 standard.

Horisonter - 10 Viser og Sange is a collection of songs composed by Finn Jørgensen with lyrics by Poul Feldvoss. Horisonter - 10 Viser og Sange is a collection of songs composed by Finn Jørgensen with lyrics by Poul Feldvoss.

These range from the melodic and harmonic subtlety of Erich Korngold at a mere 11 years of age the jazz sounds of Wilhelm Grosz a versatile musical talent of the 1920s to the Hollywood sound of the Russian-born Louis Gruenberg. The sound of strings in a new era. For Cello (Violin) and Piano

Julens Klare Bud was composed by Danish conductor composer and teacher Michael Bojesen . Julens Klare Bud for SA Choir and Piano was composed by Danish conductor and composer Michael Bojesen .

0+bfl.0.0+bcl.0+cbn/1010/2perc/hp.gtr/str(1.1.1.1.1). The scores can be rented: hire@ewh.dk Play for 14 Instruments by Pelle Gudmundsen-Holmgree n (2010). Dedicated to The London Sinfonietta. Parts are available on hire: hire@ewh.dk

This delightful aria from Mozarts The Magic Flute has been arranged for three flutes by Ber Joosen.

Grand Prix - Sangbogen is the first book to be dedicated to the world's biggest music competition the Grand Prix - also known as the Eurovision. Edited and written by Jakob Faurholt Finn Gravesen and Henrik Smith-Sivertsen this book is packed with photos anecdotes and information about the artists who have taken part in the competition over the years with facts about the individual songs that they performed. This book includes 96 of the greatest hits performed in the contest such as Dansevise The Ship Will Sail In The Night The Wings Of Love We Paint The Town Red Hold Me Now Congratulations and Save Your Kisses For Me arranged in a melody line lyrics and chords formatfor you to learn and play along to at home. Grand Prix - Sangbogen is the first book to be dedicated to the world's biggest music competition the Grand Prix - also known as the Eurovision. Edited and written by Jakob Faurholt Finn Gravesen and Henrik Smith-Sivertsen this book is packed with photos anecdotes and information about the artists who have taken part in the competition over the years with facts about the individual songs that they performed. This book includes 96 of the greatest hits performed in the contest such as Dansevise The Ship Will Sail In The Night The Wings Of Love We Paint The Town Red Hold Me Now Congratulations and Save Your Kisses For Me arranged in a melody line lyrics and chords format for you to learn and play along to at home.

The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders . Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns's famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take - and live with the consequences. Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another. The second movement CORTèGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging. This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge. The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahmss SYMPHONY NO. 4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for