from Symphony No. 5-Zen On Japanese language edition of Gustav Mahler's Adagietto from Symphony No.5 for Piano Solo.

At last the second volume of Richard Graf’s guitar duets has been finished. Original pieces and arrangements written to draw out the coolest sounds a guitar can produce are provided together with a demonstration/play-along CD for practising at home. These pieces are modern in style and educational at the same time.Contents: Zawinul Josef: Mercy Mercy Mercy · Graf Richard: Let's Swing · Graf Richard: RichTwist · di Capua Eduardo Graf Richard: O sole cha cha mio · Bach Johann Sebastian: Jesu Joy of Man's Desiring (Jesus bleibet meine Freude) · Graf Richard: Deep C · Graf Richard: Heavy Stuff · Graf Richard: Cool Mac Donald · Traditional: The Wild Rover · Graf Richard: FiestaSiesta · Beethoven Ludwig van Graf Richard: Reggae for Beethoven · Graf Richard: My Dream

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

for two recorders (descant and treble)-For two recorders For two recorders

Saxophone teaching material-Part of the Trinity Performer's Series Musical Moments Tenor Saxophone Book 2 offers twelve newly-composed or arranged pieces with piano accompaniment.

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915. Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez was compositionallypreoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les Ânes ? The Donkeys ? from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres. Grovlez was quite a cosmopolitan character This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915. Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les Ânes – The Donkeys – from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres. Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing

Original Piano Melodies for the Eclectic Romantic is the melding of the influences of three generations. 'I've long been impressed by the melodic and harmonic styles of jazz icons Marian McPartland and Dave Brubeck and always believed that a well constructed harmony complements a unique melody.' - Dennis Leogrande Reeling in the horror of September 11 Dennis like all Americans sought a way to respond to the unthinkable. Words obviously fail; so did anger. Acting on the belief that the creative spirit transcends both he slowly began to record on manuscript paper theconflicting emotions he was experiencing. Two weeks later this collection was under way. Dennis Leogrande was a music educator and supervisor of music in New Jersey (USA) public schools where he has taught band and string instruments to students ages four through eighteen as well as directed bands jazz ensembles and orchestras. He holds a Masters degree in music education from New York University and a Supervisor of Music degree. In addition to his teaching Mr. Leogrande has published numerous educationall works composed music for animated films and operates a digital recording studio.

Pocket or Study Score. Faure G

One of Gilbert and Sullivan's most popular operettas has been wonderfully adapted and arranged here for a classroom cantata by M.J. Arnold. This musical is full of the same lively and colourful characters including the pirates of course! but has been carefully edited and condensed for young performers. There are two action packed acts with 16 favourite solos and choruses with dialogue and suggestions for performance.

In one movement this short lyrical piece reflects the pathos of the legend of Orpheus. Grade: 4 In one movement this short lyrical piece reflects the pathos of the legend of Orpheus. Grade: 4

Solo violin part for Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981). Solo violin part for Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981).

1847 version (volume 1). 1847 version (volume 1).

Soca Session contains nine tunes that represent the major Soca and Calypso trends and traditions and are arranged here for vocals C Bb and Eb instruments and rhythm section (piano guitar bass drums percussion). Designed for both musicians and music teachers at high schools and colleges. The tunes are of varying degrees of difficulty intended for musicians with a wide variety of experience. Soca Session contains nine tunes that represent the major Soca and Calypso trends and traditions and are arranged here for vocals C Bb and Eb instruments and rhythm section (piano guitar bass drums percussion). Designed for both musicians and music teachers at high schools and colleges. The tunes are of varying degrees of difficulty intended for musicians with a wide variety of experience.

An authoritative Eulenburg miniature score of Tchaikovsky's 1812 Overture Op.49 .

Piano. Chopin F

Island by Carl Nielsen. For Narrator and Piano. Text by Otto Lagoni. From the Carl Nielsen Edition book CN000049. Island by Carl Nielsen. For Narrator and Piano. Text by Otto Lagoni. From the Carl Nielsen Edition Book CN000049.

Guitar. Gorzanis G Guitar. Gorzanis G

Mark Glentworth 's Blues For Gilbert for Vibraphone and Piano. German language edition.

Round for Alto Saxophone Solo by Bent Lorentzen. Round for Alto Saxophone Solo by Bent Lorentzen.

für Klavier - Arbeitsausgabe mit Kommentaren von Alfred Cortot-All the corpus of Chopin’s STUDIES (Op. 10 and Op. 25) in one volume with commentary from Alfred Cortot. For each piece Cortot suggests how to solve difficulties including additional fingering.