(1973). Six highly amusing cat songs inspired by Mehitabel New York alley-cat creation of Archie the typing cockroach. Grade: Medium (1973). Six highly amusing cat songs inspired by Mehitabel New York alley-cat creation of Archie the typing cockroach. Grade: Medium

For flute viola and double bass. Composed 1982. Ole Buck's Gurre Trio for Flute Viola and Double Bass. Composed in 1982. Manuscript copy. Gurre Trio 2: WH32735

Niccolo Paganini's Terzetto for Violin Cello and Guitar. Volume 4 of the Erwin Schwarz-Reiflingen arrangements series.

A favourite with the ABRSM Get Set Jazz! is an exciting new series of jazz blues and pop sketches for Piano or Keyboard with downloadable MP3 tracks exploring a wide variety of traditional and modern styles. Catchy melodies arranged in the most comfortable keys will guarantee maximum inspiration for any student wishing to develop a natural confidence in both swing and straight syncopation. Every piece has been meticulously scored with detailed phrasing and fingering suggestions.A favourite with the ABRSM Get Set Jazz! is an exciting new series of jazz blues and pop sketches for Piano or Keyboard with downloadable MP3 tracks exploring a wide variety of traditional and modern styles. Catchy melodies arranged in the most comfortable keys will guarantee maximum inspiration for any student wishing to develop a natural confidence in both swing and straight syncopation. Every piece has been meticulously scored with detailed phrasing and fingering suggestions.

Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument’s romantic past – for example treating it as a percussion instrument rather than exploiting its expressive ‘singing’ potential. The piano’s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen’s studies 5 – 7: but in the first four studies Abrahamsen allows the piano to ‘recollect’ its past: especially what the composer calls ‘the golden German romantic time full of expression night timelessness dream and the irrational’. Accordingly these first four studies were given German – one might specifically say Schumanesque - titles: Traumlied (‘Dreamsong’) Sturm (‘Storm’) Arabeske (‘Arabesque’) and Ende (‘End’). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler’s Sixth Symphony and Alban Berg’s Three Pieces for Orchestra. The results are not so much ‘arrangements’ of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles: or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject over and over again ‘investigating it in many different ways from the small black-and-white sketch to the huge painting. For me it is the same. I have been haunted by these pieces for years and have been challenged to re-investigate the material to understand why.’ Listeners with some knowledge of the great works of the post-Wagnerian orchestral repertoire from Bruckner to early Schoenberg and Anton Webern will certainly find echoes of that ‘golden German romantic time’ in Abrahamsen’s Four Pieces for Orchestra. But they are only echoes – like the fleeting memories of feelings or scents encountered in dreams or as déjà-vu. There remains the distance of the modern observer – the distance which (in the words of the poet Thomas Campbell) ‘lends enchantment to the view’. One may sense Abrahamsen’s own enchantment with the romantic masterpieces he evokes over and over again in this music but at the same time there is the pathos of distance – of contemplating the works of the past from a very d

From The Carl Nielsen Edition CN 00045 Incidental Music I Text: L.G. Nielsen From The Carl Nielsen Edition CN 00045 Incidental Music I Text: L.G. Nielsen.

Four exciting adventure pieces: - Song of the Adventurers Mist at Dawn Spear Dance and White Water. Grade: 4 - 5 Four exciting adventure pieces: - Song of the Adventurers Mist at Dawn Spear Dance and White Water. Grade: 4 - 5

Michael Haydn's Quartet in D for Flute Violin Viola and Cello.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Organ. Klebe G

Velkommen Igen Guds Engle Små by the Danish composer C. E. F. Weyse arranged for SSA Choir by Henrik Schiøtz . Velkommen Igen Guds Engle Små by the Danish composer C. E. F. Weyse arranged for SSA Choir by Henrik Schiøtz .

Giuseppe Sammartini who was considered to be one of the most important composers of instrumental music of his time maintained in this concerto a conventional framework; however he used the instrumental possibilities - particularly in the dialogue between the solo instrument and the orchestra - with imagination and in an unusual way. The movements: Allegro - Siciliano - Allegro assai

I had a call from an English pianist who was going to do a series of recitals in Mexico. He asked me if I had an original ragtime composition. I said I will write one for you in the next couple of days. So Brittania Rag started as a solo piano piece then I converted it to a piano duet and then to the saxophone quartet that you see here. I had a call from an English pianist who was going to do a series of recitals in Mexico. He asked me if I had an original ragtime composition. I said I will write one for you in the next couple of days. So Brittania Rag started as a solo piano piece then I converted it to a piano duet and then to the saxophone quartet that you see here.

Bas Sleutel In C-Bass Clef Version. Versatile music and VERY EASY wherein each of the five short pieces sounds good in two OR three OR four parts. Grade: 0 - 4

Key Stages 2 And 3- Flexible three-part arrangements for a group of descant treble and/or tenor recorders with optional piano accompaniment. Grade: 1 - 3

This third volume of Jigs Reels And Fancy Feels is divided into three sections with tunes equally suitable for fiddle or accordion. Chord symbols are included.

Korsang i Danmark 1 Hefte 2 - Oplysningtiden. Fra J.E. Hartmann over J.A.P. Schultz til og med F.L.æ Kunzen. For 3-5- st. blandet kor a cappella. Redigeret af Harald B. Emborg og Finn Høffding under medvirken af Danske Folkekor/Gunnar Kragelund og Dansk Korforening/Knud Vad. Korsang i Danmark 1 Hefte 2 - Oplysningtiden. Fra J.E. Hartmann over J.A.P. Schultz til og med F.L.ae Kunzen. For 3-5- st. blandet kor a cappella. Redigeret af Harald B. Emborg og Finn Hoffding under medvirken af Danske Folkekor/Gunnar Kragelund og Dansk Korforening/Knud Vad.

Bb Clarinets In 4 Parts-Alan Bullard wrote these two short pieces in 1992 for massed clarinets in a pupils' concert but they are equally suited to a quartet of clarinets. The Fanfare gives an opportunity for all players to move together in precise rhythm: the Canon gives scope for rhythmic independence but with musical material that all players can learn together. The lowest part of the Fanfare and the optional two-part canon do not go above the break and the pieces are suitable for beginners to intermediate players. AB This music was previously published by Harlequin Music.

6 Sonatas- J. J. Quantz wrote his Fantasias and Caprices for his Flute student Frederick the Great. The well-known Recorder teacher Gudrun Heyens (Fun and Games with the Recorder) has combined the best pieces of this collection into cycles resulting in larger units and rewarding concert pieces.

Carl Nielsen's Symphonic Suite Op. 8 for Piano solo dating from 1894. Carl Nielsen's Symphonic Suite Op. 8 for Piano solo dating from 1894.