Contents: Bristol Fair Old Oxford Trip to Scarborough Trip to Bath Tyrone Castle The Girls of Blarney The Rakes of Mallow The Humours of Kilkenny The East Neuk o' Fife Pentland Hills The Peterhead Polka The Souters of Selkirk Llancesau Trefaldwyn Pibddawns Gwyr Gwercsam Glân Bargoed Ty Coch Caerdydd.Contents: Bristol Fair Old Oxford Trip to Scarborough Trip to Bath Tyrone Castle The Girls of Blarney The Rakes of Mallow The Humours of Kilkenny The East Neuk o' Fife Pentland Hills The Peterhead Polka The Souters of Selkirk Llancesau Trefaldwyn Pibddawns Gwyr Gwercsam Glân Bargoed Ty Coch Caerdydd.

Tarik O' Regan 'S Corsair For Amplified Oud And Orchestra. Based On Themes From 'Acallam Na Senórach' And 'Chaâbi'. Tarik O' Regan 's Corsair for amplified Oud and Orchestra. Based on themes from 'Acallam na Senórach' and 'Chaâbi'.

Volume Vi - Songs 1923-1926-The Peter Warlock Critical Edition series represents a treasure trove of English song. This the sixth volume focuses upon songs for the Medium Voice from the period 1923-1926. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fourteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

A collection of early to middle grade student pieces selected from the works of W.A.Mozart compiled edited and arranged for the Viola by Alan Arnold. A collection of early to middle grade student pieces selected from the works of W.A.Mozart compiled edited and arranged for the Viola by Alan Arnold.

The Great Performer's Edition version of J.S. Bach's Concerto in A Minor (BWV 1056) transcribed for Flute and Piano by James Galway with a piano reduction by Phillip Moll.

For most of the recorded history of jazz the piano has been the main and usually the only comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book they are isolated for study in particular sections. The book and accompanying audio cover voice leading multi-use voicings voicing variations passing chords harmonized scales intervallic comping rhythm and studies (blues standard modern and modal). Includes access to online audio. For most of the recorded history of Jazz the Piano has been the main and usually the only comping instrument. This text will help Guitarists get a handle on the most important job they have when playing in a small group:comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book they are isolated for study in particular sections. Thebook and accompanying audio cover voice leading multi-use voicings voicing variations passing chords harmonized scales intervallic comping rhythm and studies (blues standard modern and modal). Includes access to onlineaudio.

3-5 Octaves of Handbells Level 4-A clever introduction tells right away the three tunes included: O Come Little Children œ The First Noel œ Ding Dong Merrily on High. The First Noel is scored for optional flute or violin.

50 easy anthems The Oxford Easy Anthem Book includes 50 anthems for SATB chorus and Organ accompaniment.

Samuel Lifschey's first book concentrates soley on the First Position and is intended for both Violinists who wish to alo study the Viola and for players who are starting from scratch. The exercises are carefully graded to ensure steady progress through the basics of Viola technique.

Michael Cox offers a setting of the often-quoted St. Patrick's Breastplate with beautiful legato lines and a charming broken chord accompaniment support. The linear quality of the part writing makes it easy to achieve a richsonorous quality with your choir. This is a beautiful final statement for any worship event. Delightful!

I Dreamed A Dream is one of the most successful musical numbers of all time having transformed its popularity from the stage into a global chart topper for the numerous artists who have covered and performed it. Taken from ‘Les Misérables’ the song is a lament sung by the anguished Fantine who thinks back to happier days and wonders at the path her life has taken. Arranged for SSA chorus with Piano accompaniment this is an excellent piece for choirs looking for a well-known emotional highlight for their repertoire or climax to a choral pop concert programme.

Ken Kolodner's book presents transcriptions with detailed bowings in tandem with three recorded versions of 35 Appalachian fiddle tunes ranging from some very common and easy tunes (for more beginning players) but also quite a few less typically played tunes. All transcriptions are based on festival versions of the tunes meaning the versions are those most commonly encountered at jams and festivals. The book includes a clearly written description of old time style focusing on default bowing systems designed to develop rhythmic bowing. Ideas presented include Nashville shuffle 3-1 bowing bow rocking ghost bows anticipations left-hand ornamentation drones chording dissonances altered tunings the concept of swing tips on learning by ear and more. The tunes are played three times each for nearly 150 minutes of recording: (1.) very slowly and simply: (2.) at a modest tempo but with double-stops drones and other ornaments: and (3.) up-to-tempo. While this effort was designed for fiddlers the recordings should serve as an excellent source for non-fiddlers at all levels who desire to build their repertoire and practice learning tunes by ear. The book and accompanying online audio are appropriate for any level of player. The difficulty of the tunes ranges from simple to relatively complex. Similarly the bowing techniques include the simplest ideas to relatively difficult. The three recorded speeds make the learning and processing of the tunes appropriate for all levels of players wishing to improve their ear training. Includes access to online audio.Simple and highly accessible transcriptions with detailed bowings of 35 festival versions of Appalachian fiddle tunes. All tunes are recorded three times to accommodate players at all levels of experience.Includes comprehensive and practical discussion of old-time bowings and style and how to learn by ear.Strong focus on developing default bowings to get the characteristic groove of old-time.Designed for all levels of players and non-fiddlers who desire to improve their learning by ear and/or increase their repertoire. This book presents transcriptions with detailed bowings in tandem with three recorded festival versions (played very slowly at a modest tempo and up-to-tempo) of 35 Appalachian Fiddle tunes. A clearly written description ofold-time style focuses on developing a rhythmic bow by presenting default bowing systems (Nashville shuffle 3-1 bowing bow rocking ghost bows) and other techniques and topics such as anticipations left-hand ornamentation drones chording dissonances altered tunings the concept of swing tips on learning by ear and more. This book and accompanying online audio are designed to be accessible and appropriate for all levels ofplayers.

for SATB unaccompanied This simple well-crafted motet is bright optimistic and compelling. Skempton employs artful homophony and sensitive word-setting and the repetitions of the opening refrain build towards an effective central climax. This simple well-crafted motet is bright optimistic and compelling. Skempton employs artful homophony and sensitive word-setting and the repetitions of the opening refrain build towards an effective central climax.

Uses: Christmas Eve Christmas Concert Scripture: Luke 2:1-14 This serenely beautiful Christmas tableau is adroitly composed with sensitivity to choirs of all levels of accomplishment. Filled with impressions of delicatebeauty this remarkable melody floats like a whispered prayer above an expressive piano part. This sacred nocturne is perfect for Christmas Eve service or seasonal concert presentations.

Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . An arrangement for 2 Pianos of the second Piano Concerto by Edward Macdowell. Please note: two scores needed to perform.

Very short work for clarinet written to celebrate the 60th birthday of Elliott Schwarz.

The extraordinary popularity of the first two books of Lyric Pieces (opp. 12 and 38) was interpreted differently by Grieg and his publisher. Whereas Grieg would have liked to call his third book “Spring Songs ” so as to counteract the impression of a serial publication the publisher recommended keeping the Lyric Pieces “brand name” – and he got what he wanted. Huge and long-lasting success quickly followed: some 20 years later the publisher proudly reported to Grieg that his Lyric Pieces especially opp. 12 and 43 were selling “like hot cakes”.

Weary With Toil I Haste Me To My Bed is a work by Pawe ukaszewski for Unaccompanied SSATBB Choir. A setting of William Shakespeare's Sonnet 27 a full performance lasts around 4 minutes. Weary With Toil I Haste Me To My Bed is a work by Pawe ukaszewski for Unaccompanied SSATBB Choir. A setting of William Shakespeare's Sonnet 27 a full performance lasts around 4 minutes. A review in the July/August issue of Choir and Organ magazine stated that 'the composer manages to allow the sonnet to unfold as a single utterance with minimal repetition...resulting in one of [ ukaszewski's] most imaginative choral scores.

Since The Duke Is Return'd is a work by Henry Purcell a catch for three voices. The piece lasts around 2 minutes. This piece is number 31 from 'Catches' edited by Ian Spink [Purcell Society Edition Vol. 22A]. Since The Duke Is Return'd is a work by Henry Purcell a catch for three voices. The piece lasts around 2 minutes. This piece is number 31 from 'Catches' edited by Ian Spink (Purcell Society Edition Vol. 22A).

Easy to Play Country Guitar is a collection of strumming fingerpicking and flatpicking songs and solos for the guitarist wanting to easily play country and bluegrass favorites. In notation and tablature. Chord diagrams areincluded.