With a childlike innocence this new setting of a beloved Phillippians text is delightful. The SAB voicing is highly singable and the piano accompaniment beautifully supports the creative vocal scoring. Add the optional fluteand triangle accompaniment to create a fresh touch. Available: SAB.

Score and Parts-Grades 4-5.

Well-Tempered Clavier II without fingering-The basis for the musical text of this edition without fingerings was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with fingerings (HN 16) and as study editions without fingerings (HN 9016).?The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are available as Henle Urtexteditions without fingerings and as study editions. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007).

Clarinet Quintet in A major K. 581-Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler the clarinetist in the Royal-Imperial Court Orchestra in Vienna prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets” which was written two years before his death. Like almost all his works for the clarinet this Quintet was probably intended originally for the basset clarinet. However it survives only in two posthumous prints both of which call for a standard clarinet. These prints form the basis of our edition. As an added bonus the appendix contains a fragmentary Allegro in Bbmajor for the same combination of instruments.? Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler the clarinetist in the Royal-Imperial Court Orchestra in Vienna prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets” which was written two years before his death. Like almost all his works for the Clarinet this Quintet wasprobably intended originally for the Basset Clarinet. However it survives only in two posthumous prints both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus the appendixcontains a fragmentary Allegro in Bb major for the same combination of instruments.

Vier Duette Goldberg-Variationen-The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I which appeared in print in 1731 contains the six Partitas Parts II–IV were issued in 1735 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and in a way serve as a kind of echo of French and Italian orchestral music of the time here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung next to important works for the organ however since they are conceived for two parts they are idealfor piano or harpsichord. Bach Ital Conc Fr Ovrtr Pf W/O Fingr

In 1836 Chopin introduced the term ballad into piano music with the publication of his Ballad op. 23 although up to then it had only been used in literature and in vocal music. Indeed all four of Chopin’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work reaching a powerful climax at the end. Following the Préludes we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus- the detailed version can be downloaded from the Internet.? In 1836 Chopin introduced the term 'ballad' into Piano music with the publication of his Ballad op. 23 although up to then it had only been used in literature and in vocal music. Indeed all four of Chopin ’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work reaching a powerful climax at the end. Following the 'Préludes' we have now thoroughlyre-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded from the Internet.

This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards to pop/rock favorites Motown masterpieces and movie music to traditional tunes country numbers and classical pieces. Notationstyles include: note-for-note transcriptions (Blue on Black Give Me One Reason Sweet Child O' Mine Wild Thing); Easy Guitar with Notes & TAB (Building a Mystery Circle of Life Day Tripper Fur Elise Misty Torn Walk This Way); Easy Guitar (Boot Scootin' Boogie I Shot the Sheriff My Favorite Things Unchained Melody); Chord Melody Guitar (Alman Bourrée Estudio); Fingerstyle Guitar (Amazing Grace Greensleeves My Heart Will Go On); and Guitar Riffs (Angie Brown Eyed Girl Here Comes the Sun Layla My Girl); and more!This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards to pop/rock favorites Motown masterpieces and movie music to traditional tunes country numbers and classical pieces. Notation styles include: note-for-note transcriptions (Blue on Black · Give Me One Reason · Sweet Child O' Mine · Wild Thing); Easy Guitar with Notes & TAB (Building a Mystery · Circle of Life · Day Tripper · Für Elise · Misty · Torn · Walk This Way); Easy Guitar (Boot Scootin' Boogie · I Shot the Sheriff · My Favorite Things · Unchained Melody); Chord Melody Guitar (Alman · Bourrée · Estudio); Fingerstyle Guitar (Amazing Grace · Greensleeves · My Heart Will GoOn); and Guitar Riffs (Angie · Brown Eyed Girl · Here Comes the Sun · Layla · My Girl); and more!

2-Part Choral Arrangement For Unison Voices or Solo Voice and Piano.

With a bright samba beat and smooth voicing Sing Noel! is a delight to sing. Great for use as a call to worship or Christmas anthem. The optional percussion will add excitement and interest. The upbeat ending puts a final touchof joy on this easily-learned highly effective anthem. Available: SATB SAB 2-Part.With a bright samba beat and smooth voicing Sing Noel! is a delight to sing. Great for use as a call to worship or Christmas anthem. The optional percussion will add excitement and interest. The upbeat ending puts a final touch of joy on this easily-learned highly effective anthem. Available: SATB SAB 2-Part.

In the last years of his life Schubert increasingly succeeded in finding publishers for his works. His Impromptus and Moments musicaux for example appeared in print in 1827 and 1828. Probably to pick up on the success of these editions he wrote three further pieces in May 1828 though no less outstanding than their predecessors they were not printed until Brahms’edition of 1868 which is perhaps one reason – a completely unjustifiable one –why they are still not very well known today.

from Early America-Music performed by bands of the Civil War era often included familiar airs and patriotic tunes. Included in this rousing medley is an early treatment of The Star-Spangled Banner (which wasn't recognized as the official national anthem until 1931). Also included is Yankee Doodle Washington's March and Columbia the Gem of the Ocean.

This book of twenty compositions spans approximately a 20-year period of writing. They can all be found on one or another of Ben's four solo releases: Flux Dust Excavation and Oceana. It reflects a broad sample of work involving the exploration of various harmonic technical and textural elements of the guitar. There are 6 solo pieces as well as pieces for trio and quartet with voice being the 4th instrument. The pieces were chosen for the particular technical challenges they present to the performer. Some unusual fingering techniques are employed as well as alternate tunings. Standard notation only.This book of twenty compositions spans an approximately 20-year period of writing. They can all be found on one or another of Ben’s four solo releases: Flux Dust Excavation and Oceana. It reflects a broad sample of workinvolving the exploration of various harmonic technical and textural elements of the guitar. There are 6 solo pieces as well as pieces for trio and quartet with voice being the 4th instrument. The pieces were chosen for theparticular technical challenges they present to the performer. Some unusual fingering techniques are employed as well as alternate tunings. Standard notation only.

Eli Villanueva is quickly becoming a respected name in the musical circles of Los Angeles first as a soloist but now as a composer. His artistic setting of the familiar Latin text Laudate Dominum (Praise yethe Lord) from Psalm 150 displays a classical approach with subtle contemporary harmonies. Excellent for sacred use it will also complement any fine academic program. Available: SATB a cappella.

“I’ve had to turn out a serenade on short order”: these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when he pulled this wind piece out of his hat. Yet the results are far removed from the detached courtly style of the serenade: the work one of the jewels of the wind repertoire opens full of earnestness and profundity in the gloomy key of c minor. The high opinion Mozart had of this octet is evident in the fact that he later arranged it for string quintet. “I’ve had to turn out a serenade on short order”: these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married whenhe pulled this wind piece out of his hat. Yet the results are far removed from the detached courtly style of the serenade: the work one of the jewels of the wind repertoire opens full of earnestness and profundity in the gloomykey of c minor. The high opinion Mozart had of this octet is evident in the fact that he later arranged it for string quintet.

Score-Ballet Suite in Six Movements for Orchestra from the original version for Piano Duet.

Your audience will be swept away with this inviting setting of the Jerome Kern/Oscar Hammerstein classic! Opening with a warm rubato piano intro followed by vibrant opening chords from the singers this chart settles into a freshswing treatment that will make everyone smile! Available separately: SATB SSA ShowTrax CD. Rhythm parts available digitally (pno gtr b dm). Duration: ca. 4:20.

Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever the reason behind it opus 25 is one of Beethoven’s few chamber music works that did not have a bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding a publisher for his serenade- shortly afterwards he even turned to the work again and revised an arrangement for flute and piano (op. 41) which had been made by a third party. Our revised edition follows the musical text which will soon be published in volume VI/1 of our newBeethoven Complete Edition.? What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.

(from Spring Awakening)-Winning eight Tony Awards Spring Awakening explores the confusion the frustration the joy and excitement of the teenage years through vivid and emotional songs and a powerful and dramatic score. This final song of life and hope brings the show to its passionate close. Available separately: SATB SAB SSA ShowTrax CD. Rhythm section parts available digitally (syn gtr b dm). Duration: ca. 3:30. Winning eight Tony Awards Spring Awakening explores the confusion the frustration the joy and excitement of the teenage years through vivid and emotional songs and a powerful and dramatic score. This final song of life and hope brings the show to its passionate close. Available separately: SATB SAB SSA ShowTrax CD. Rhythm section parts available digitally (syn gtr b dm). Duration: ca. 3:30.

3-6 Octaves of Handbells Level 2-Based on the Hebrew melody Leoni and originally transcribed by Meyer Lyon (1751-1799) this setting for 3-6 octaves of handbells with 3-4 octaves of handchimes OR tonechimes. (chimes used range from D6 - D7) presentsthe melody in three moods. The first a basic chordal presentation; the second a flowing eighth-note accompaniment played by mallets on tabled bells or thumb damped; and third with chimes on the melody and bells on asyncopated accompaniment. 75 measures in length.

Canadian Brass. For Double Brass Quintet.