Saxophone Quartet or Section with Optional Rhythm Section-Great tune from Boots Randolph (and the old British show Benny Hill) for sax quartet or ensemble and optional rhythm section. Great tune from Boots Randolph and Benny Hill for Saxophone Quartet or ensemble.

For clarinet choir. Krenek moved with ease through the various aesthetic and stylistic changes that marked the Twentieth century taking what he considered the best features of each and fusing them into a new language all his own. These pieces aretaken from 'Twelve Short Pieces in the Twelve-Tone Technique for Piano' (catalogue number GS32750) and transcribed for an 8-part Clarinet Choir by Frank Erickson. They evoke respectively 'Dancing Toys' a 'Peaceful Mood' and'Walking on a Stormy Day'.

Works for Piano four-hands Volume III-No other great composer left so many works for piano duet as Franz Schubert: altogether 54 (32 of which have an opus number) including fantasias dances marches variations rondos sonatas etc. Among Schubert’s circle of friends making music was a much beloved pastime. And even today musicians love to work with these pieces. In the three Henle Urtext volumes featuring Schubert’s four-hand piano music the works are arranged chronologically. Volume III contains nine pieces dating from the last three years of Schubert’s life thus his mature works in this genre. This includes the famous Fantasie in f minor D 940 (see also the individual edition HN 180)and the equally beloved Duo in a minor D 947 which was first published posthumously with the nickname “Lebensstürme”. Both date from spring 1828.

For Brass Quintet. Music for Brass Quintet from the Empire Brass Series. Three Ayres by English Renaissance composer and instrumentalist John Adson who held various posts as recorder and cornett player and as music teacher at the English court.

High Voice Compiled by Joan Frey Boytim-Joan Boytim who compiled the widely-used series The First Book of Solos is the most respected name in publications for the developing singer. She brings her expertise and vast knowledge of vocal literature into the sacredgenre with these collections which present traditional sacred solos for classical voice and piano. Ranging from classics by Bach and Mozart to early 20th century favorites and rarities the 43 songs - some long out of print- span from easy to more challenging but all are within the realm of a reasonable classical solo for a church service. Sacred Solos For All Ages for High Voice compiled by Joan Frey Boytim. Boytim who compiled the widely-used series The First Book of Solos is the most respected name in publications for the developing singer. She brings her expertise and vast knowledge of vocal literature into the sacred genre with these collections which present traditional sacred solos for classical Voice and Piano. Ranging from classics by Bach and Mozart to early 20th century favorites and rarities the 43 songs - some long out of print - span from easy to more challenging but all are within the realm of a reasonable classical solo for a church service.

Good Friday is the perfect time for this anthem although any Lenten use would be appropriate. Benjamin Harlan's ponderous and dark music moves to a beautiful and positive response to Christ's choice to endure the cross. Moving! Available: SATB.

Christmas music selected especially for the classical singer. Contents: The Virgin's Slumber Song (Reger) O Holy Night The Birthday of a King (Neidlinger) Jesus of Nazareth (Gounod) Noëls DesEnfants Qui N'Ont Plus De Maisons (Debussy) O Jesulein Suess (Bach) Ermuntre Dich (Bach) Nun Wandre Maria (Wolf) Schlafendes Jesuskind (Wolf) Epiphanias (Wolf) Silent Night (arr. Walters) In the Bleak Midwinter (arr. Walters) I Stand Here at the Cradleside (Karg-Elert).A collection of eight of the finest pieces of classical Christmas music for high voice and piano. Accompanying CD features complete performances with and without vocals.

In the Simply Integrity Series this arrangement features careful arranging for smaller choirs by Marty Parks. Easy vocal ranges and solid writing for each part make this a winner. Available separately: SAB CD Accompaniment Trax. Duration: ca. 3:50.

Saxophone Quartet-Included: Drums Piano Bass Full Score Eb Alto Saxophone 1 Eb Alto Saxophone 2 Bb Tenor Saxophone Eb Baritone Saxophone.

The Vocal Library High Voice-Creative stylish art music settings of traditional and familiar hymn tunes by composer Richard Walters appropriate for concert or church. 9 titles are for solo voice 2 are for duets. Solos include: Ah Holy Jesus · Be Thou My Vision · Come Thou Fount of Every Blessing · How Firm a Foundation · Let Us Break Bread Together · Now Thank We All Our God · O For a Thousand Tongues to Sing · Praise to the Lord the Almighty · This is My Father's World. Duets: All Creatures of our God and King · Wondrous Love.

Written by Gerry Rafferty and Joe Egan for their band Stealers Wheel this was a surprise hit for them in 1973. Since then it has been covered by numerous singers and most recently as the theme song for Grace and Frankie a Netflix original comedy. This arrangement keeps that light folk feel with a more contemporary accompaniment and will be a sure-fire hit with mixed voices as well as women's and men's groups. Written by Gerry Rafferty and Joe Egan for their band Stealers Wheel this was a surprise hit for them in 1973. Since then it has been covered by numerous singers and most recently as the theme song for Grace and Frankie a Netflix original comedy. This arrangement keeps that light folk feel with a more contemporary accompaniment and will be a sure-fire hit with mixed voices as well as women's and men's groups.

Urtextausgabe broschiert revised edition HN 123-Johannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118 he also wrote his last cycle of piano pieces opus 119. The composer wrote to Clara Schumann of the opening work saying that it was teeming withdissonances and that: “every measure and every note must sound like a ritardando as if one wanted to suck the melancholy out of each single one with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for everymood: No. 3 surprises with its lively and light C major and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition based on the Brahms Complete Edition is an invitation to pianists to rediscover Brahms’ complexcosmos. Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118 he also wrote his last cycle of Piano pieces opus 119. The composer wrote to Clara Schumann of the opening work saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando as if one wanted to suck the melancholy out of each single one with lust and pleasure out of the aforementioneddissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major and the cycle is completed with the defiant rhapsody in E flat major. This edition based on the BrahmsComplete Edition is an invitation to pianists to rediscover Brahms ’ complex cosmos.

from The Civil War: An American Musical-From our founding fathers to the present age the sound of freedom has echoed across our land. This gospel tour-de-force from The Civil War: An American Musical reminds us all of this great gift we experience each day.Availableseparately: SATB SAB SSA and ShowTrax CD. Performance Time: Approx. 3:10From our founding fathers to the present age the sound of freedom has echoed across our land. This gospel tour-de-force from The Civil War: An American Musical reminds us all of this great gift we experience each day. Available separately: SATB SAB SSA and ShowTrax CD. Performance Time: Approx. 3:10

Suite for Wind instruments- Leos Janácek 's Mládí (Youth) Suite For Wind Instruments. Parts for Flute/Piccolo Oboe Clarinet (B flat) Horn (F) Bassoon Bass Clarinet (B flat). Leoš Janá ek composed his Suite forwind instruments Mládí (in English youth) in 1924 so when he was over 70. Numerous sources still survive for this work making it difficult to establish the definitive musical text. For our Urtext edition – acooperation with Universal Edition Wien – Ji í Zahrádka from the Janá ek-Archiv in Brno succeeded in brilliantly surmounting this difficulty: he consults all of the handwritten sources for the edition for the first time and isthus able to give exact instructions for instance regarding the numerous tempo variants.

This was a 1980 hit for Billy Joel and written as a cynical look at the new music trends that were happening at the time. Considered a rock and roll classic this arrangement keeps true to the original and will be a powerhouse performance by men's as well as mixed choirs.

(Essential Elements Book 3)-Book 3 of the Essential Elements 2000 for Strings series Essential Technique 2000 includes exercises for the higher positions and shifting along with scales bowings and special techniques. Also includes theory history multicultural music creativity and assessment along with sight-reading and rhythm pages. All this PLUS a CD with more great play-along tracks.

Worn by the waves and recycled by the ocean sea glass is a product of both nature and man. Bottles and jars carelessly discarded are tumbled by sea and sand magically creating colorful and smoothly polished gems. This lovely descriptive work uses shimmering effects in piano and percussion combined with beautiful melodies and lush harmonies. With effective emotional peaks and a nice variety in textures this is a rewarding work for band. Dur: 3:45

Klavierauszug-Now the Concertino and the First Clarinet Concerto are about to be followed by Weber’s Second Concerto in E-flat major edited by Norbert Gertsch. Once again the piano reduction contrasts the original solo part with the widely known version by CarlBärmann (both parts are separately enclosed). The accompanying preface offers a detailed explanation of the importance of both versions and how they interrelate. Now the Concertino and the First Clarinet Concerto are about to be followed by Weber ’s Second Concerto in E-Flat Major edited by Norbert Gertsch. Once again the Piano reduction contrasts the originalsolo part with the widely known version by Carl Bärmann (both parts are separately enclosed). The accompanying preface offers a detailed explanation of the importance of both versions and how they interrelate.

Piano Selects Series-The Piano Selects Series from Fred Bock Music Company features the best sacred piano solos selected by the best arrangers. This edition from Lloyd Larson includes: Amazing Grace Come Ye Thankful People Come DeepRiver God of Our Fathers Jesus Is All the World to Me Praise the the Lord the Almighty Sing We Now of Christmas Thou Art Worthy Were You There Wonderful Words of Life.The Piano Selects Series from Fred Bock Music Company features the best sacred piano solos selected by the best arrangers. This edition from Lloyd Larson includes: Amazing Grace Come Ye Thankful People Come DeepRiver God of Our Fathers Jesus Is All the World to Me Praise the the Lord the Almighty Sing We Now of Christmas Thou Art Worthy Were You There Wonderful Words of Life.

The Nocturne in e minor was written as early as 1827 and is among the Chopin juvenilia that were published only after his death. Julian Fontana Chopin’s long-time confidant and assistant in all areas of life published a considerable number of previously unreleased works as “Oeuvres posthumes” in the mid 1850s and guaranteed that he would edit these works faithfully according to the master’s manuscripts. In the case of the e-minor Nocturne however there are no manuscript sources so we are thankful to have become acquainted with this charming and melodious early work through Fontana’s edition. Our own Urtext edition is based upon it. The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin ’s first Nocturne to be written and his 19th to be published. The Nocturne was composed in 1827 and was published after Chopin ’sdeath in 1855. In his book The Life and Death of Chopin Casimir Wierzyknski explains more about the history of the piece: ‘ Up until then this form [the nocturne] had been the exclusive domain of John Field anIrish-born composer. But his Nocturne in E minor did not satisfy him [Chopin] and was published only posthumously .’ This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering byHans-Martin Theopold.