The Story of King Arthur leads us back into the Middle Ages and straight to the legend of Arthur himself. The Belgian composer Filip Ceunen sketched the famous legend in three linked movements Camelot The Holy Grail and Excalibur thus creating an exciting work that is suitable for any wind band at a lower level. With this composition Filip Ceunen won the ‘Familie Van Riet-prijs 2015’ (Family Van Riet Award 2015).

Seasonal work for Wind Band in full score and parts.

This joyful festive march by the Belgian composer Sven Van Calster was written specially for young ensembles looking for a challenge. In Festiva all instrument groups are featured but the parts include sufficient doublings to cover any missing players. In a balanced concert programme a march is of course an absolute must!

for the total beginner-Playing the guitar is great fun. It can bring you a lifetime of pleasure and make you many friends. It’s also an excellent way to relax and help you escape life’s ups and downs and if you’re one of the really lucky ones playing the guitar could make you a millionaire! This book covers the basic art of lead guitar and has been written for the total beginner or anyone who’s tried to learn but had no success. It’s laid out in a simple down to earth manner using tried and tested methods that they learnt from years of teaching beginners. All the pieces have been thoroughly ‘road-tested’ by hundreds of students aged from six to sixty over a period of many years with great results. Thesimple TAB notation which is used throughout can be learnt easily in a matter of minutes getting you up and playing with the CD quickly and painlessly.

Efter Tagore-Gitanjali-Hymner (Efter Tagore) . BVN149 Gitanjali-Hymner (Efter Tagore) . BVN149

Cahier 2B Piano-For all budding young pianists Le Voyage magique is an essential well-presented guide in to the world of Piano music. pianist Leon Bates has toured the world performed with many symphony orchestras while his long-standing collaboration with pianist Janet Vogt has proven popular and effective in aiding aspiring piano players. As an excellent collection containing popular and specially selected recognisable tunes this illustrated book with accompanying CD will appeal to all young beginners. For all budding young pianists Le Voyage magique is an essential well-presented guide in to the world of Piano music. pianist Leon Bates has toured the world performed with many symphony orchestras while his long-standing collaboration with pianist Janet Vogt has proven popular and effective in aiding aspiring piano players. As an excellent collection containing popular and specially selected recognisable tunes this illustrated book with accompanying CD will appeal to all young beginners.

Two Part medley including Over The Rainbow I'm Always Chasing Rainbows and Singin' In The Rain .

Piano score for mixed choir solo voice and piano. Soli: SATB - Choir: SATB

Alan Spedding's Toccata-Carillon for Organ.

For Solo Piano. For Solo Piano.

Air de Spinette 'Mon beau chevalier qui partez pour la guerre'

Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it has obviously given me an alternative focus on the whole piano literature and has given me a closerelationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements &ndash in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans Abrahamsen 2015 Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my le

Piano. Dvorak A.

First Movement of the Piano Sonata

A work first published in 1950.

This series aims to present the significant concert band works of Philip Sparke in a format that enables any player to study their music whether or not they get the chance to play these pieces with their own band.

Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini's famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point ofdistraction - and the secret behind it being hauled through the wringer by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I'll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it'll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn't end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years later suggested why not transcribe the solo part for piano?. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it the one-and-only the real thing if you like. The orchestral score remains exactly the same in both cases. Both versions the two Paganini Variations are comparable to a set of twins not quite identical but almost. And both each others's equal. Poul Ruders Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganinis famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated orintricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what Ill call with a quick nervous look over my shoulder: brilli

This book contains transcriptions of pieces from the recordings 'Fantasia Flamenca' '12 Canciones de Garcia Lorca' and 'Paco de Lucia y Ramon de Algeciras en Hispanoamerica'; Eight original popular compositions by the great master like Guajiras de Lucia and El Tempul four arrangements of the songs by Lorca and the famous Tico-Tico for Guitar duo.

April Op.43/2 for Male Choir TTBB by Poul Rovsing Olsen (1959). April Op.43/2 for Male Choir TTBB by Poul Rovsing Olsen (1959).

En 1980 le pianiste et compositeur italien Gian Piero Reverberi fonde l’ensemble Rondò Veneziano. Le style musical directement inspiré de la musique baroque et associé à des instruments modernes (batterie guitare basse synthé) séduit immédiatement. Concerto est basée tant pour la forme que pour l’harmonisation sur les principes du concerto baroque italien. L’adjonction d’un rythme emprunté à la musique pop apporte une touche énergique et dansante.