The popular Irish anthem arranged for brass quartet by Alan Fernie. Instrumental options: 2 Cornets/Horn/Euphonium 2 Trumpets/Horn Trombone 2 Trumpets/2 Trombones All parts included

A delightfully pleasing potpourri of ballads songs and glimpses of the colorful diversity and history of the French people. Thirty-seven songs are included. Lyrics are in French and in English. All the music is scored inpiano/vocal format.

Includes: Andante Cantibile from String Quartet No. 11 (Tchaikovsky) Andantino (Lemare) Aria Nobile from Classic Symphony (Haydn) Danse Macabre (Saint-Saens) The Happy Farmer (Schumann) Menuetto from Symphony Concertante (Mozart) On Wings of Song (Mendelssohn) Rondo (Beethoven) Scarf Dance (Chaminade) Scene and Dance from Swan Lake (Tchaikovsky) Southern Spirituals Tambourin Dance (Rameau) Valse de Salon (Brahms) Viennese Refrain Young Prince and the Princess from Sheherazade (Rimsky-Korsakov)

Work for Organ by the Nigerian concert organist.

The Parallel German-English Texts with Annotations- The major choral works by Johann Sebastian Bach-the Christmas Easter and Ascension Oratorios and the St. Matthew St. Mark and St. John Passions-stand as the most frequently-performed and penetratingly discussed of the genre. Renowned Bach scholar Michael Marissen has assembled a compact well-designed and ideally useful treatment of Bach's oratorios providing the full German texts with literal English translations and copious annotations. He provides strict literal translations of these texts with citations from the Luther Bible as it was known in Bach's day along side extensive footnotes that provide information addressing the interests and concerns of today's Bachcommunity. These are the first translations of the librettos from Bach's oratorios to accommodate the many sense-clarifying allusions to the readings of the Luther Bibles in Bach's day to explore from historical dictionaries the meanings of previously unnoticed archaic usages and to contrast relevant findings from modern biblical scholarship. Marissen's insights are particularly helpful his thoroughness is impressive and the book will be a longstanding definitive and essential reference for choral directors performers audience members and Bach scholars alike.

The musical Miss Saigon was a massive hit in London Broadway and throughout the world. Based on Puccini’s opera Madame Butterfly this epic production centers on the romance between a strong-willed Vietnamese woman and an American soldier during the Vietnam War. The story tells of two young lovers torn apart by war yet still held together by a burning passion. This medley features three of the best songs from the musical and mixes desperate love with optimism and joy. Relive the hit show with this catchy medley.

Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017). Dedicated to Ensemble Nordlys. Parts are available: WH32974A Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017). Dedicated to Ensemble Nordlys. Parts are available: WH32974A Programme note TATTOO FOR FOUR is in reality the same piece as TATTOO FOR THREE from 1984 but with a fourth voice - for violin - added. For performances of the older piece just omit the violin part. The 'hidden' 1984 piece has been slightly revised so the original performing material is now obsolete. The first piece in the TATTOO series was TATTOO FOR ONE for solo clarinet also written in 1984. Reaching back to its 1984 origins TATTOOFOR FOUR follows standard accidental procedure. (Poul Ruders)

Originally for cello and piano the Idyll dates from 1865. Charming three minute salon piece for Double Bass and Piano with a nice simple piano part. It has a romantic song structure which makes full use of the stringed instruments warm sound and yearning intensity. I have found this piece very useful with my own pupils around the ABRSM grade 7 - 8 standard a very pleasant little filler piece. Originally for cello and piano the Idyll dates from 1865. Charming three minute salon piece for Double Bass and Piano with a nice simple piano part. It has a romantic song structure which makes full use of the stringed instruments warm sound and yearning intensity. I have found this piece very useful with my own pupils around the ABRSM grade 7 - 8 standard a very pleasant little filler piece.

The Blues Scale For Flute by Andrew D. Gordon is an invaluable guide to the blues scale explaining how it is used to improvise in many styles of contemporary music. This book contains 20 grooves in 13 styles: Pop: 2 Grooves Rock: 3 Grooves Blues: 2 Grooves Jazz-Swing: 1 Groove Funk: 3 Grooves R&B: 1 Groove Latin: 1 Groove Gospel: 2 Grooves New Age: 1 Groove Reggae: 1 Groove Calypso: 1 Groove Acid-Jazz: 1 Groove Country: 1 Groove In The Blues Scale For Flute the blues scale and relative minor blues scaleare covered in detail. This book explains how they are used either separately or together in the patterns for each style (the relative minor blues scale is generally not used in minor keys). Each of the 20 grooves in this book contains over 150 patterns in total using notes solely from the blues scale. Each groove utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses. The audio files contain recordings of all the blues patterns that are notated in the book featuring a rhythm section of Piano Organ Guitar Bass and Drums. Also included are extended 2-3 minute play-a-long MP3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. Watch the video below for more information.

Ethel Smyths The March Of The Women (In G) for SSA choir with Piano accompaniment. Dedicated to the Womens Social and Political Union. Ethel Smyth 's The March Of The Women (In G) for SSA choir with Piano accompaniment. Dedicated to the Women's Social and Political Union.

A Band Book For Beginners- The most common problem facing Junior Bands is usually an unbalanced instrumentation. All the pieces in this collection have been conceived with young players in mind and the parts are available in different transpositions so that various combinations of instruments are possible. Instrumentation Part 1: in C (8va) Flute in C Oboe/Piccolo in Eb Soprano Cornet/Eb Clarinet in Bb Clarinet/Trumpet/Cornet Part 2: in Bb Clarinet/Trumpet/Cornet in Eb Eb Horn/Alto Saxophone in F French Horn Part 3: in Eb EbHorn/Alto Saxophone in F French Horn in Bb Euphonium/Baritone/Trombone/Bass Clarinet/Tenor Saxophone in C Euphonium/Trombone/Baritone/Bassoon Part 4: in Bb Euphonium/Baritone/Trombone/Bass Clarinet/Tenor Saxophone/Bb Bass in Eb Eb Bass/Baritone Saxophone in C Tuba/Bassoon/Euphonium/Trombone/Baritone Percussion

for soprano solo upper voices SSATB piano and optional percussion A Time for all Seasons is an evocative cantata that explores the complexities of the human condition. McDowall's impressive range of musical styles effective antiphonal writing and artful juxtaposition of textures work together to create a meaningful experience for the listener. Cecilia McDowall 's A Time For All Seasons for Soprano solo upper voices SSATB Piano and optional Percussion. A Time For All Seasons is an evocative cantata that explores the complexities of the human condition. The well-known To every thing there is a season text from Ecclesiastes is interwoven with a modern-day reworking of the verses by award-winning poet Kevin Crossley-Holland. McDowall 's impressive range of musical styles effective antiphonal writing and artful juxtaposition of textures work together to create a meaningful experience for the listener. The work's scoring contributes to thenarrative with sections for solo soprano or full choir contrasting with prescient interjections from the upper voice choir. The part for upper voices may also be sung by a children's choir and there is an optional part for Percussion.

An anthology for organ of 14 varied and colourful arrangements of pieces by Grieg. The volume contains a mixture of well-known pieces and new discoveries for use in recitals or as voluntaries in a church setting. An anthology for organ of 14 varied and colourful arrangements of pieces by Grieg. The volume contains a mixture of well-known pieces and new discoveries for use in recitals or as voluntaries in a church setting.

Viola Piano. Klingler K

No.18 from 'Miniatures'.

A madrigal for the summer months by John Wilbye arranged for the upper voices by H.A. Chambers. Piano accompaniment is included for rehearsal.

Contents: Fantasia & Fugue in D Minor Gaudeamus Igitur Gloria Go Down Moses Grand March (Aida) Hallelujah Amen Hodie Christus Natus Est Hosanna to the Son of David Jerusalem Joshua My Bonny Lass My Lord What a Mornin' Now Is The Month of Maying Overture to H.M.S. Pinafore Sweet Love Doth Now Invite Trumpet Voluntary (Stanley) We Hastenwith Eager Footsteps Where E'er You Walk.

Paperback-for organ A setting of the traditional Christmas carol for organ. Dicie presents three variations of the carol's melody which are separated by a ritornello. This piece would be useful as a prelude or interlude for services during Advent and Christmas seasons. A setting of the traditional Christmas carol for organ. Dicie presents three variations of the carol's melody which are separated by a ritornello. This piece would be useful as a prelude or interlude for services during Advent and Christmas seasons.

for SATB unaccompanied Meaning 'Souls of the Righteous' this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. This piece is suitable for church and secular mixed-voice choirs and a non-singing translation of the text is included. Meaning 'Souls of the Righteous' this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. Jackson masterfully balances the still mesmerizing music of the opening and close with a more agitated and emotionally powerful central section. This piece is suitable for church and secular mixed-voice choirs and a non-singing translation of the text is included.

The work explores both conventional Sonata forms and the flexibility of performance practice for which Finnissy is renowned. The piece was designed to interact with some of the materials of the first movement of the String Quintet in F major Op.88 by Brahms and embraces the Irish folk-song O! Thou hapless soldier from Beethoven's Irische Lieder WoO 153.