Setting Joseph Addison's text Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir brass and organ throughout the piece proceeds through varied antiphonal groupings accompanying typically imaginative choral writing.

Vernon Griffiths ' Trisagion On 'Nicaea' for the Organ.

Piano. Novak V

Work dating from 1974 for 2 Pianos. Work dating from 1974 for 2 Pianos.

A collection of 100 simple rounds of moderate length and compass. Fifty-one of them have a compass of an octave or less. All the rounds are divided into sections according to the numbers of parts required and the majority fall into two three and four parts. Compiled and edited by Kenneth Simpson. A collection of 100 simple rounds of moderate length and compass. Fifty-one of them have a compass of an octave or less. All the rounds are divided into sections according to the numbers of parts required and the majority fall into two three and four parts. Compiled and edited by Kenneth Simpson.

for soloists SATB and organ Written for the Choir of Wells Cathedral this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. Matthew Owens ' St Matthew Passion for soloists SATB and Organ. Written for the Choir of Wells Cathedral of which Matthew Owens is Organist and Master of the Choristers this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other smaller solo roles of Judas (Tenor) Pilate (Tenor) Jesus (Bass) and Pilate's wife (Alto) continue in the same vein with four-part choral interspersions from the crowds soldiers and priests providing acontrast in texture. The hymn 'When I survey the wondrous cross' set to the Rockingham hymn tune appears twice throughout the work and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn and may also optionally double the choir during the narrative.

for SATB soloists SATB chorus and orchestra Starting afresh from Mozart's incomplete autograph and an unfinished sketch Richard Maunder uses none of Sussmayer's contributions and reworks the orchestration throughout. The familiar Sussmayer Sanctus and Benedictus are included as an appendix. All material is also available on hire The Requiem was Mozart’s final composition. It was commissioned by the widow of the Countess von Walsegg who died in February 1791. After working on the Requiem through October and November however Mozart fell ill and died without completing it. Mozart's widow needing money asked Joseph Eybler to complete the work. Unfortunately he could not finish the work and it was handed over to Franz Xaver Sussmayr. However Sussmayr was a musician of limited capabilities and much of his contribution was in fact a copy of Eybler's work. This new edition of Mozart's Requiem starts afresh from Mozart's incomplete autograph and uses none of Eybler or Sussmayr'scontributions. The orchestration has been reworked throughout using parts of Die Zauberflote and La Clemenza di Tito as the chief models.

for solo organ Containing a mixture of well-known and lesser-known pieces from across Purcell's work this volume is suitable for wide and varied church and concert use. A valuable addition to any organist's repertoire. This is a marvellous collection of pieces by Henry Purcell newly arranged for the Organ by concert organist Martin Setchell. Purcell's music is perfectly suited to the Organ and a number of his pieces have long been popular with players. This volume brings together a range of well-known pieces - trumpet tunes the Rondeau from Abdelazer Dido's Lament and movements from The Fairy Queen - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly tunes and hornpipes from the stage works lovely reflective songs and airs and a wide range of dances and chaconnes. The result is a set of pieceswith wise and varied church and concert use perfectly accessible to intermediate players and making a valuable addition to any organist's repertoire. Martin Setchell is Associate Professor of Music University Organist and tutor in Organ at the University of Canterbury School Of Music New Zealand. He combines his university teaching and research career with a busy and international schedule of recitals and concerts as soloist accompanist and continuo player on Organ and Harpsichord.

The Schott Viola Album includes 11 transcriptions in the 1st postition for Viola and Piano as arranged by Raymond H. Dodd.

Imaginative pieces for study and recital supplementary material to the piano method.

Piano Duets edited by Michael Aston-Piano Duets: Classical Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems alongside new editions of original works written specifically for piano duet. These pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium. Piano Duets: Classical Composers presents varied and accessible repertoire for every duet player. The collection includes attractive new arrangements of orchestral and chamber gems alongside new editions of original works written specifically for Piano duet. You'll find sonata movements by less well-known composers of the period Clementi and J.C.F. Bach as well as Beethoven's complete Sonata in D major one of the few original duet sonatas written by the composer. The volume is concluded with a light and attractive Minuet and Trio by Haydn a colourful Theme and Variations by Mozart and a graceful and flowing arrangement of Schubert'sEntr'acte Music from Rosamunde. Ranging from the intimate to the virtuosic these pieces are ideal for duettists looking for new recital material as well as those beginning to explore the medium. Contents: J. C. F. Bach: Allegro con spirito from Sonata in A major L. van Beethoven: Sonata in D major Op. 6 Muzio Clementi: Allegro maestoso from Sonata in E flat major Op. 3 No. 2 Joseph Haydn: Minuet and Trio from Symphony No. 100 'Military' W. A. Mozart: Allegro from Serenade K388 Franz Schubert: Entr'acte No. 3 from Rosamunde

This work was awarded the British Composer Award for Liturgical Music in 2003 but is published for the first time in 2013. The Roman Catholic Liturgy includes an antiphon to the Magnificat at Vespers O Doctor optime which Jackson sets incorporating medieval influences such as plainsong.

Paperback-for SATB (and two soloists) unaccompanied This is a stirring arrangement of the gospel classic I am on the battlefield for my Lord by Robert L. Jefferson for unaccompanied mixed voices with two idiomatic solos. Jefferson's characterful arrangement of the familiar melody features swing rhythms jazz harmonies and scat-style accompaniments. I Am On The Battlefield For My Lord has been here arranged for SATB (and two soloists) unaccompanied by Robert L. Jefferson . This is a stirring arrangement of the gospel classic I Am On The Battlefield For My Lord for unaccompanied mixed voices with two idiomatic solos for tenor or female soloists. The popular text uses the imagery of combat to express faithfulness to God and Jefferson 's characterful arrangement of the familiar melody features swing rhythms jazz harmonies and scat-style accompaniments.

Composed by Gustav Holst in 1909-10 arranged for orchestra.

The unacquainted listener upon hearing a piece from the Hahn piano repertoire is often surprised by its powerful charm - a testament to the composer's unique musical sensibility. Although some of Hahn's musical ideas have roots in the long tradition of Romanticism they also present a host of new images scarcely seen in earlier scores Each piece in this collection is based on a single formula that varies little from start to finish. An exception to this unique principle occurs in the IInd piece where the young woman takes fright at the flaming red eye of the setting sun watching her through the branches. As a conclusion Reynaldo Hahn offers avery free cadence that takes up and comments on the initial theme: the crackling notes culminate in a fortissimo blaze rapidly followed by a progressive lull that slowly fades away. The unacquainted listener upon hearing a piece from the Hahn piano repertoire is often surprised by its powerful charm - a testament to the composer's unique musical sensibility. Although some of Hahn's musical ideas have roots in the long tradition of Romanticism they also present a host of new images scarcely seen in earlier scores Each piece in this collection is based on a single formula that varies little from start to finish. An exception to this unique principle occurs in the IInd piece where the young woman takes fright at the flaming red eye of the setting sun watching her through the branches. As a conclusion ReynaldoHahn offers a very free cadence that takes up and comments on the initial theme: the crackling notes culminate in a fortissimo blaze rapidly followed by a progressive lull that slowly fades away.

These fifteen artistic challenging and beautiful solos have been arranged for the intermediate to advanced-level violinist. Keyboard accompaniment is included. Some of the pieces contain double stops. The selections include both pieces originally written for Violin and idiomatic transcriptions. These familiar melodies are from the works of J.S. Bach Borowski Brahms Debussy G.F. Handel Marcello Moszcowski Mouret Mozart Purcell Saint Saens Strauss and Tchaikovsky. PDF access available online. These fifteen artistic challenging and beautiful solos have been arranged for the intermediate to advanced-level violinist. Keyboard accompaniment is included. Some of the pieces contain double stops. The selectionsinclude both pieces originally written for Violin and idiomatic transcriptions. These familiar melodies are from the works of J.S. Bach Borowski Brahms Debussy G.F. Handel Marcello Moszcowski Mouret Mozart Purcell Saint Saens Strauss and Tchaikovsky. PDF access available online.

Big note solos on folk favorites designed to build technique range and endurance while maintaining student interest. Serves as a supplement to any method. Big note solos on folk favorites designed to build technique range and endurance while maintaining student interest. Serves as a supplement to any method.

1st part: Instructions for Beginners-Violin. Joachim

This is a major collection of organ music for students players and church musicians of all abilities. Pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes with a wealth of attractive and varied pieces spanning the 16th to 21st centuries. This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals and Postludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collectionhave been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist

Trumpet. Herbst