Standard US Set (incl. Score - ohne europäische Zusatzstimmen)-Grades 4-5

Hétéroclite (6') (9e) (collection vent de sax) pour saxophone alto et percussion. Par Clément D. aux éditions Leduc. Partition / Livre de chansons pour Saxophone

POD-Wind Walks by Peter Bruun (2004-16). Five songs for mixed choir to poems by Gerard Manley Hopkins. Dedicated to Ars Nova Copenhagen. Contents: 1. Let me be to Thee as the circling bird 2. Peace (insertion: The next war by Wilfred Owen) 3.Hurrahing in Harvest 4. Carrion Comfort (insertion: Tears idle tears by Alfred Tennyson) 5. Heaven Haven Wind Walks by Peter Bruun (2004-16). Five songs for mixed choir to poems by Gerard Manley Hopkins . Dedicated to Ars Nova Copenhagen. Contents: 1. Let me be to Thee as the circling bird 2. Peace (insertion: 'The next war' by Wilfred Owen) 3. Hurrahing in Harvest 4. Carrion Comfort (insertion: 'Tears idle tears' by Alfred Tennyson) 5. Heaven Haven

For solo Piano. For solo Piano.

Written whilst the composer was living in Comeragh Road the litanies of the title are sixteen discrete sections of music varying in length from two seconds to a minute. Each of these blocks has a different texture musical character and registration from its predecessor and the structure of the piece is articulated by a pattern of contrasts repetitions and allusions.

For flute and orchestra (Piano Reduction). A musical interpretation of the Pied Piper legend first performed by the Los Angeles Philharmonic with James Galway soloist under the direction of Myung-Whun Ching inFebruary 1982. Includes suggestions for staging lighting and performance. Orchestral parts available on rental from the publisher. In seven movements: Sunrise and the Piper's Song The Rats Battle With TheRats War Cadenza The Piper's Victory The Burghers' Chorale The Children's March. Reduction for Flute and Piano of the Concerto for Flute and Orchestra.

for SATB choir unaccompanied and with piano Nine classic Chilcott songs including original pieces and arrangements of traditional material. The varied nature of the collection highlights Chilcott's prodigious gifts. Some of the pieces are published here for the first time. Orchestral arrangements for Ar Hyd y Nos (fl ob hn hp str) O Danny boy (2.2.2.2-2.0.0.0-hp-str) and The Skye Boat Song (2.2.2.2-0.0.3.1-hp-str) are available on hire. Nine classic Chilcott songs including original pieces and arrangements of traditional material all written for SATB chorus with some Piano accompaniments. The varied nature of the collection highlights Chilcott's prodigious gifts. Some of the pieces are published here for the first time.

Charles Villiers Stanford's beautiful Sonata No.2 In D Minor Op.39 for Cello with Piano accompaniment. Edited by Julian Lloyd Webber.

This powerful ballad asks us to recognize our differences see beyond them and let love lift us all above the walls. Orchestrated by Mark Hayes this piece can serve as a closing number or a theme for anymulticultural program or need. It will definitely inspire and challenge your singers and audiences. A new classic! Available separately: SATB SAB 2-part StudioTrax CD. Duration: ca. 4:36.This powerful ballad asks us to recognize our differences see beyond them and let love lift us all “above the walls.” Orchestrated by Mark Hayes this piece can serve as a closing number or a theme for any multicultural program or need. It will definitely inspire and challenge your singers and audiences. A new classic! Available separately: SATB SAB 2-part StudioTrax CD. Duration: ca. 4:36.

Play along. The band at home. 12 songs to play with-Guitar. Lonardoni Guitar. Lonardoni

Emily Dickinson's haunting poetry is beautifully set over a gently-arpeggiated piano accompaniment. Ideal for developing ensembles working on blend and phrasing. Performance Time: Approx. 3:05.

A comprehensive collection of 42 exercises for the Viola Da Gamba offering practice pieces that cover the full melodic and technical range of the instrument including scales motivic repetition and bowing challenges. A comprehensive collection of 42 exercises for the Viola Da Gamba offering practice pieces that cover the full melodic and technical range of the instrument including scales motivic repetition and bowing challenges.

Scored for Flute Trombone(or Cello) Piano and Percussion. Scored for Flute Trombone(or Cello) Piano and Percussion.

Suite-3 Double Basses. Bushell H 3 Double Basses. Bushell H

A short Christmas cantata suitable for Secondary and Junior schools as a concert item. The singable and thought-provoking songs focus attention on the less fortunate at Christmas time as well as on the festive fun side. Duration:15 mins. Script available in student book. You will require a license to perform this work at your school/youth theatre; please click here for moreinformation and our application form. Professionally recorded demonstration and backing tracks are available to purchase and download here .

Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for oboe and piano (or organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux (1899-1961) whotaught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'. Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.

Sonate en la mineur pour violoncelle et piano. Par Raykhelson aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Duet for 2 pianos This arrangement has been made from a Soprano recitative and Aria from the Birthday Cantata by Bach. The piece has a fresh and pastoral character and the arrangement for two pianos stays true to Bach's balance between the beautiful melody and tone-painting in the harmonies. This arrangement has been made from a Soprano recitative and Aria from the Birthday Cantata by Bach. The piece has a fresh and pastoral character and the arrangement for two pianos stays true to Bach's balance between the beautiful melody and tone-painting in the harmonies.

Mister Sandman is fantastic piece beautifully composed by Pat Ballard for SATB Choral. Mister Sandman is fantastic piece beautifully composed by Pat Ballard for SATB Choral.

With simple choral parts and a crafty blues piano accompaniment this anthem is perfect for large and small choirs alike. The work is mostly in two parts but there are about seven measures where the women divide into alto and soprano. From the director of the National Lutheran Choir who knows how to make things sound satisfying even if they are not complex. With simple choral parts and a crafty blues piano accompaniment this anthem is perfect for large and small choirs alike. The work is mostly in two parts but there are about seven measures where the women divide into alto andsoprano. From the director of the National Lutheran Choir who knows how to make things sound satisfying even if they are not complex.