Irish Children's Song-A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer! A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The Vocals are set in a simple homophonic style which makes the Body Percussion achievable. This work can be performed with or without Piano and makes a fantastic concert closer!

A spectacular sixth collection of original compositions and top notch arrangements of classic tunes by John Edmondson and Anne McGinty for beginning Concert bands and Big bands. A spectacular sixth collection of original compositions and top notch arrangements of classic tunes by John Edmondson and Anne McGinty for beginning Concert bands and Big bands.

With a touch of high country ruggedness and Appalachian charm this original overture by Paul Murtha is an excellent choice for contest or concert programming. A single catchy melody is woven throughout the work in a variety ofstyles and settings. From the joyous opening and clarinet statement to the tender slower sections to the blazing full band passages this work packs plenty of variety into a very effective setting.

Welcome to Willomocky! Join Camp Leader Miss Rigby who whips the troops into shape for fun and learning about the Bible and Big Chief Willomocky. It's all here: a campfire sleeping under the stars hiking athunderstorm rainbows butterflies and a contest to determine the best camper. Meg has her own plan on how to win...but she and all the campers learn some very important truths along the way. Funny...touching...and teaching.Perfect for grades 1-6. Easy. 7 songs. Performance time: approx. 40 minutes. Available: Director's Manual Singer's Edition 5-Pak Reproducible Pak ChoirTrax Preview CD CD 10-Pak and Preview Pak.

Uses: General Thanksgiving Scripture: I Thessalonians 5:18 This sensational song of gratitude is a sincere call to being thankful for the blessings of life. The beautifully arching melody gives singersan expressive moment to enjoy and pianists will revel in the ways the piano interacts with the voices. Written to be useful anytime program as an offertory to add meaning and power to this important moment in worship.

A collection of 30 all-time favorite salon/recital/encore pieces for violin solo. Featured are tangos waltzes dances and beautiful solos by composers such as Kreisler Strauss Bach and others. Piano Accompaniment and Audioavailable online.

A great celebration of music and creation elevate this glorious piece. Winner of the NDSU competition and selected for the Jo Ann Miller Choral Series and appropriate for fine high school and college choirs.

Opening with hushed anticipation this anthem builds to a triumphant song of celebration. Weaving scriptural paraphrases with a beautiful original text this anthem captures the joy of the first Easter morning. Soaring!

Percussion Trio - Grade 3-Trio for Two Snares and Bass.

For the setting of Lux Aurumque the composer chose the Latin translation of an Edward Esch poem enhancing the elegant simplicity of this new work. The tight harmonies will need to be carefully balanced by a well trained acappella choir. Suitable for an advanced high school choir and beyond. Moderately difficult. Light warm and heavy as pure gold and the angels sing softly to the newborn babe. A poem by Edward Esch (translated into Latin by Charles Anthony Silvestri) with tight shimmering harmonies. For SATB Choir (divisi) A Cappella. As performed by Eric Whitacre's Virtual Choir

Arranged by William Dawson.

Nico Muhly 's My Days for ATTB choir and five Viola Da Gambas. Full score. This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012. ' My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as anaccount of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ‘Gibbonsy’ verses and responses. A series of semiimprovisedfragments on the text Take thy plague away from me introduces the third section of the piece where plucked strings create a halo around the text hear my prayer OLord. The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated. ' - Nico Muhly Nico Muhly 's My Days for ATTB choir and five Viola Da Gambas. Full score. This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012. ' My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ‘Gibbonsy’ vers

Together We Sing Series-This familiar Latin text is set for women or 3-part treble voices in a simple setting that allows singers to interpret the music by the rise and fall of the musical lines the rubato style expressive dissonance and dynamic opportunities. Beautiful in performance it is also a wonderful teaching piece for a variety of ages.

This is a setting of a text by Yehudah Halevi found in the traditional High Holy Days Machzor. Reminiscent of Psalm 139 (Where can I go from your presence?) It is well-suited for Mincha Yom Kippur Memorials and Yizkor. Davidson's writing is always excellent and this piece is no exception; a welcomed addition to your HHD folders. For SATB and optional Keyboard.

Includes: Mi-Chamochah (Who Is Like You?) Modim Anachnu Lach (We Gratefully Thank You) and L'cha Dodi (Come My Beloved). Samuel Adler is a highly sought-after conductor and well-respected pedagogue. His music is carefully crafted and always colorful. Congregational refrains are found throughout the three pieces.

Set of Parts-For clarinet bassoon French horn violin viola cello and double bass. For Clarinet Bassoon Horn 2 Violins Viola Cello and Double Bass.

2nd Bb Cornet-A march-sized folio for band that includes six great Sousa favorites annotated by Frank Simon cornetist with the original John Philip Sousa Band. Contents: Bombasto El Capitan Entry of the Gladiators GateCity The Gladiator Hostrauser's March Independentia King Cotton La Sorella The Liberty Bell Manhattan Beach Marche Lorraine Our Director S.I.B.A. March The Stars and Stripes Forever Tenth Regiment

This flowing piece describes autumn in a lovely captivating way.

The composer's most ambitious symphonic work to date this adventurous and powerful composition takes the listener through a collage of moods and interwoven sound textures. The opening and closing sections are propelled withrhythmic vitality and energy while the middle slow section includes an important piano part along with unique woodwind and horn colors. The percussion writing is stunning and features expanded mallet parts and driving ostinatos.This exciting work is contemporary sounding and makes a bold statement for mature bands. (6:30)

Simple and sweet melody for high school SA voices set to poetry by Emily Dickinson. Good balance of unison harmony and counterpoint parts. Includes a compelling piano accompaniment.