Edition for piano two violins viola and violoncello- Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875 Piano Concerto No.12 in A major K.414 BA4877 Piano Concerto No.13 in C major K.415 BA4879 Piano Concerto No.14 in E-flat major K.449 BA4871

Ralph Vaughan Williams' The Water Mill From Four Poems by F Shove . KEY C (c - d')

2 ob 2 cl 2 hn bn contra tr.

Arranged For Violoncello and Piano- In 1891 Dvorák arranged the final eighth dance of his popular first set of the Slavonic Dances Op.46 for violoncello and piano. The Czech composer Jirí Gemrot born in 1957 has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvorák’s ideal sound Gemrot based his arrangements on the composer's orchestral score. Dvorák’s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Antonín Dvorák Volume IV/3 (Compositions for Violoncello). First complete edition of the first set of Slavonic Dances arranged for violoncello and pianoby Jirí Gemrot Includes Dvorák’s own arrangement of Dance No.8 With fingering and bowing by Tomáš Jamník Foreword (Cz/Eng/Ger) by Eva Velická

Mozart wrote four litanies and K.195 is a marian litany (to the Blessed Virgin Mary) composed in Salzburg in 1774 and scored for SATB soloists Mixed Choir (SATB) Oboe (2) Horn (2) Trombone (3) Organ Strings. Full score vocal score (BA4891-90) and performance material (BA4891) based on the Urtext New Mozart Edition is available for sale.

Clarinet (score & part). Reich S

This book is part of a string series arranged for violin viola and cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student and a carefully crafted removeable part complete with bowings articulations and keys well suited for the level 2-3 player. A fully orchestrated accompaniment CD is included. Each song on the CD includes a DEMO track which features a live string performance followed by the PLAY-ALONG track by itself. This book is also part of a Lord Of The Rings instrumental series written for flute clarinet alto sax tenor sax trumpet horn in F and trombone.

(Full score). Lloyd J

Violin Piano. Lees B

With numerous corrections. Piano reduction with a separate solo Piano part. The autograph to Beethoven ’s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven ’s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript. Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected. Thus this new Bärenreiter Urtext edition presents Beethoven ’s famous work in the clarity which it deserves.

aus der Oper Koanga-Flute Oboe String Orchestra (score & parts). Delius F

40 Progressive Duets for Oboes-Philip Sparke’s Skilful Duets is the second volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series ( Starter Duets ) this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument Skilful Duets introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrument ranges; the concept of tempo and style indications is also introduced. Skilful Duets provides invaluable additional material to complement anyteaching method. Philip Sparke’s Skilful Duets is the second volume of a progressive series of duet books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series (Starter Duets) this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument Skilful Duets introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrument ranges; the concept of tempo and style indications is also introduced. Skilful Duets provides invaluable additional material to complement any teaching method.

FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most important composers but also due to his symphonies and his chamber music as a leading figure in the history of Northern European music of the 19th century. His compositions include in addition to four symphonies and the chamber music tone poems for orchestra concertos operas ('Estrella di Soria' and 'The Queen of Golconda') cantatas solo songs with piano accompaniment piano music and much more. Berwald's violin concerto in C sharp minor is the work of a young composer. The autograph score bears the date 1820; Berwald was 24 years old at the time. After the firstperformance the violin concerto fell into oblivion and was as far as we know never again performed in Berwald's lifetime. It was not brought to light again until 1903 when on May 19 the first movement was performed at the Annual Celebration of the Academy of Music of Stockholm. Urtext of the Berwald Complete Edition Full score (BA4905) and Violin & Piano reduction (BA4905-90) available for sale Performance material (BA4905-72) available for hire

Guitar. Albeniz I

from the Paramount Pictures THE GODFATHER-Francis Ford Coppola‘s 1972 film The Godfather is seen by many to be a turning point in cinematic history. The sparse score written by Nino Rota is famous for its haunting main theme played by a solo trumpet from which The Godfather Waltz is derived. Philip Sparke has created a stunning arrangement of this theme which appears in all three parts of the trilogy.

2 ob 2 cl 2 hn 2 bn.

First Position - Volume 1- Viola Recital Album Volume 1: 9 Recital Pieces in First Position for Viola and Piano or Two Violas Viola Recital Album Volumes 1-4 (BA8990-BA8993) These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers. The piano part may be played by the teacher or an advanced student. Alternatively a secondviola part allows duet playing with the teacher during lessons. The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on the Viola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound. New pieces to supplement the Sassmannshaus Viola method All pieces in first position Include an additional viola part for duet version and a piano accompaniment

34 Children's Tunes-This is a collection of very easy and mostly well-known children’s tunes. With the play-along CD they sound really cool! The first tune is the easiest. The tunes gradually get more difficult step by step. Perfect for learning in an enjoyable way.

Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work juxtaposing 3/4 and 6/8 reminiscent of Latin-American music. The main theme is first heard on the euphonium horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in. The second theme reappears which leads back to the ‘blues’ melody which leads back to the opening fanfare. Palindromic! Exultation is a short and energetic concert opener that is similar to a palindrome. A fanfare opens the work juxtaposing 3/4 and 6/8 reminiscent of Latin-American music. The main theme is first heard on the euphonium horns and saxophones which is very bluesy. The contrasting second theme is short and spikey and played by the bass instruments of the band. A lyric melody emerges as the rest of the orchestra joins in. The second theme reappears which leads back to the blues' melody which leads back to the opening fanfare. Palindromic!

The well-known 16th Century canon by Thomas Tallis is as effective as it is simple. This arrangement includes four verses of the melody: the first in the form of canon; the second for brass; the third for woodwind and the fourth for the entire orchestra. Philip Sparke’s arrangement is also well suited for incomplete brass ensembles.