Treble Clef Version-Richard Reed Parry 'S Duet For Heart And Breath Treble Clef Version For Viola (Or Other Instrument Of Suitable Range) And Piano (Or Other Polyphonic Instrument). The Performers Wear Stethoscopes Positioned Over Their Hearts So That Each Can Follow His Or Her Own Heart Rate. Two Eighth Notes (Quavers) Correspond To The Two Sounds Of A Normal Heartbeat And Performers Should Match As Closely As Possible The Staccato And Irregular Rhythm They Hear. When Instructed To ‘Play To Breath’ The Natural Cycle Of One Inhalation And One Exhalation Or Vice Versa Will Determine The Length Of The Bar (Two Quarter Notes/Crotchets) Without Any Attempt To Make It Metronomic. ' This Piece IsBased Around The Idea Of Using The Widely Varying Internal Rhythms Of The Performers’ Bodies As Performance Parameters. There Is No Actual Tempo Or Meter Built Into The Piece. The Breathing Rates Of The Players Are Used In Alternation With The Individual Performers’ Heart Rates To Determine The Pace At Which All Of The Musical Material Is Played. This Requires That The Performers Generally Play Quietly And Delicately With Little Or No Vibrato So As To Be Able To Hear Their Heartbeats Adequately. This In Combination With Thenatural Variance Between The Different Heart Rates Results In A Kind Of Delicate Musical “Pointillism”: Starts And Stops Which Are Somewhat Staggered Parts Which Repeatedly Line Up And Fall Out Of Synch With Each Other Different Individuals’ Pulses Rising And Falling. The Piece Is Never Performed Exactly The Same Way Twice. ' - Richard Reed Parry . Richard Reed Parry 's Duet For Heart And Breath Treble Clef version for Viola (or other instrument of suitable range) and Piano (or other polyphonic instrument). The performers wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato andirregular rhythm they hear. When instructed to ‘play to breath’ the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to makeit metronomic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathingrates of the players are used in alternation with the individual performers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly anddelicately with little or no vibrato so as to be able to hear their heartbeats adequately. This in combination with thenatural variance between the different heart rates results in a kind of delicate musical “pointillism”:starts and stops which are somewhat stagge

String Basics : Steps to Success for String Orchestra is a comprehensive method for beginning string classes. Utilizing technical exercises music from around the world classical themes by the masters and original compositions students will learnto play their string instruments in an orchestra. Step-by-step sequences of instruction will prove invaluable as students learn to hold their instrument and bow finger new notes count different rhythms read music notation and more. Clear full-color photographs and fingering chart diagrams introduce playing positions bow hold and bowing and left hand finger patterns. Duets rounds trios and orchestra arrangements develop students ability to play in an ensemble setting right away.Duets are designed to strengthen ear training and establishing good information. Interactive Practice Studio is a unique and trendsetting downloadable resource containing a wealth of supporting biographical historical and cultural information:photos maps artwork audio samples video and more. Its designed with your students in mind. Fun - Inspiring - Motivating! Video Lessons offer students and teachers a comprehensive step-by-step look at concepts taught throughout String Basics.Lessons are taught in a middle school classroom setting by authors Shade and Wolstenhulme. Lessons show special consideration for each instrument and one lesson is specially devoted to shifting for the bass. Theory & Composition offers studentshands-on experiences to better understand what they see and hear by actually learning to notate music and compose simple melodic lines. The Teachers Edition provides successful teaching strategies as they pertain to the material introducedthroughout String Basics. The Strategies are divided into two categories: Performance and Musical Understanding. Through them guidelines and guide- posts assist towards giving students a comprehensive experience in orchestra. Also available toteachers is the Interactive Teachers studio offering even more helpful tips and strategies. String Basics : Steps to Success for String Orchestra is a comprehensive method for beginning string classes. Utilizing technical exercises music from around the world classical themes by the masters andoriginal compositions students will learn to play their string instruments in an orchestra. Step-by-step sequences of instruction will prove invaluable as students learn to hold their instrument and bow finger new notes countdifferent rhythms read music notation and more. Clear full-color photographs and fingering chart diagrams introduce playing positions bow hold and bowing and left hand finger patterns. Duets rounds trios andorchestra arrangements develop student's ability to play in an ensemble setting right away. Duets are designed to strengthen ear training and establishing good information. Interactive Practice Studio is a unique andtrendsetting downloadable resource

For solo voices SATB chorus and Orchestra. Score and parts are available on hire from the publisher which are newly engraved and correspond exactly with this vocal score. Edited with a new English translation by Neil Jenkins.

Designed specially for schools without an SATB choir this collection contains 21 settings for unison and two-part voices. These arrangements all compatible with The Novello Book Of Carols are scored for tuned and untuned percussion two melody parts (each in C and B flat) guitar chords bass line and simplified piano. These carols provide the ideal opportunity of junior and middle school choirs to join adult choirs in performance whilst fulfilling the need for ensemble music throughout the year. Edited by William Llewellyn.

A unique collection of duets which will provide a wide ranging selection of high-quality music to flautists and guitarists. Pieces include well-known classics lesser known yet captivating pieces and some original compositions.The accompanying recording allows the listeners to hear both parts simultaneously to facilitate learning the pieces. It also allows for either of the instruments to be turned off completely so that an individual instrumentalistcan use the recording as their playing partner. The guitar part for each piece is written in several ways to accommodate players of all abilities. Standard notation is provided for classically trained guitarists tablature isalso provided and each piece includes simplified chord names along with a suggested strum.

Suite for Cello Oboe and Strings.

Twenty of Schubert's best-known works arranged for easy playing. Includes 'Ave Maria' 'Marche Militaire' and 'Who Is Sylvia?'.

A setting of Psalm 109 for SATB soli and chorus string orchestra and organ continuo. Edited by John Steele. Vocal score with organ part.

Covered by the likes of John Fogerty Elvis Presley Woody Herman Tina Turner and more this classic R&B hit is standard repertoire for entertaining.

für zwei Hörner zwei Violinen Viola und Bass-It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture demand declined for buoyant serenades and divertimenti intended for court circles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind his Sextet op. 81b is thus all the more remarkable standing out on account of the unusual virtuosity of the horn parts. Our edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat it also contains transposed parts in F.?It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture demand declined for buoyant serenades and divertimenti intended for courtcircles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind his Sextet op. 81b is thus all the more remarkable standing out on account of the unusual virtuosity of the hornparts. This edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat it also contains transposed parts in F.

Two E.E. Cummings Songs by Augusta Read Thomas for SSAA choir a cappella.

A special double-CD bumper compilation. Twenty-one chart hits and jazz and latin standards in melody line arrangements for Trumpet with specially recorded backing tracks. Includes tunes by S Club 7 All Saints Santana and JamesBrown.

This upbeat easy-to-learn holiday celebration focuses on the similarities between Christmas Hanukkah and Kwanzaa. The focus is on friendship love and acceptance rather than commercialism or materialistic gifts. Holiday Train is an exciting winter concert piece.

Moi Pour Un Peu D'Amour Je Donnerais Mes Jours- Duo de Spinette et de Lucrèce 'Moi pour un peu d'amour je donnerais mes jours'

Score and Parts-For Brass Quintet. Contents: Adagietto œ Bells œ Classical Dance œ Country Dance œ Dialogue œ Fanfare œ The Happy Drunken Organ Grinder œ Impertinence œ Lullabye œ March œ May Dance œ The Mirror œ Rondo œ Song œ Study on E.

Get Down Get Down with this classic Tom Wallace arrangement based on the major hit song by Kool & The Gang. Your band will love playing these well-known and funk-inspired horn licks. What a Groove-fest!

This enjoyable and refreshing work by Joseph Curiale relates to the experience of the great Chinese immigration to our American West during the Gold Rush.

A cantata for tenor solo SATB and orchestra with words by H.W. Longfellow. This vocal score contains a piano reduction of the orchestral score. A cantata for tenor solo SATB and orchestra with words by H.W. Longfellow. This vocal score contains a piano reduction of the orchestral score.

Based on the book Old Turtle by Douglas Wood-Long ago an argument arose between mountains and rivers stars and ants lions and bears on the nature of God. A terrible cacophony of quarreling voices rang out until wise Old Turtle quelled the din explaining that Godis all that we dream of and all that we seek... all that we come from and all that we can find. Based on the book by Douglas Wood with its elegant dream-like watercolors by Cheng-Khee Chee Song of Wisdom from OldTurtle is a choral and symphonic experience which must not only be heard but felt by the soul! Staying true to the text of the story Joseph Martin has masterfully crafted the many characters and moods of the book into amusical fantasy for SATB chorus and narrator. Brant Adams' rich and colorful orchestration adds depth and a sense of awe to this choral symphony. The work leaves audiences speechless until they jump to their feet in enthusiasticapplause! Orchestra score and parts available on rental from G. Schirmer.

For SATB Choir. For SATB Choir.