20 Sånger (20 Laulua - 20 Lieder) Hæfte 3 Op.41 af Yrjö Kilpinen til digte af Anders österling. Med svensk finsk og tysk tekst. 20 Sanger (20 Laulua - 20 Lieder) Haefte 3 Op.41 af Yrjo Kilpinen til digte af Anders osterling. Med svensk finsk og tysk tekst.

Piano Score for SST Soloists SATB Choirs and Piano

Like many composers who found themselves in exile during the war years Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style reviving more traditional or antiquated ideas of melody tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices. the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book six contains three songs adapted from Tinon Of Athens Cymberline and Othello .Like many composers who found themselves in exile during the war years Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style reviving more traditional or antiquated ideas of melody tonality and texture. Hiscollection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices.the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book six contains three songs adapted from Tinon Of Athens Cymberline and Othello .

A Fresh Approach to Sight-Reading-Joining the Dots is designed to improve students' skills in reading music at sight enabling them to perform new music with confidence. The books feature short creative exercises which help students to develop their ability to read music more quickly and easily both in exams and when learning new pieces. Joining the Dots offers guitarists lots of material to help build confidence and skill in sight-reading. The series brings together a range of activities to help students improve their sense of fingerboard geography helping them to read new music more quickly and easily. The five books cover the requirements for ABRSM's sight-reading tests at each of Grades 1 to 5 and include: many short characterful pieces to sight-read in a range of approachable musical styles warm-up and technical exercises to establish basic hand shapes and finger patterns within each key simple improvisation exercises in which students canexplore musical ideas and familiarize themselves further with the 'feel' of each key longer solo pieces and some duets and trios for additional sight-reading practice or to learn quickly and play through for fun

SATB chorus part only.

for Tuba or Baritone or Euphonium and Pianoforte-This is an attractive single movement work for the tuba and a welcome addition to the instrument's sadly neglected repertoire. With the beautifully melodic and sonorous two outer sections contrasted effectively against the rather more energetic central theme this piece would work well in a recital programme. An attractive single movement work for Tuba by Philip Catelinet. Beautifully melodic and sonorous outer sections contrast effectively against the rather more energetic central theme and this piece works well in a recital programme. Selected as part of the ABRSM Tuba Syllabus Grade 6.

Walter Schroder's Andante Cantabile for Trombone and Piano. Walter Schroder's Andante Cantabile for Trombone and Piano.

for flute horn and harp

The Spanish master Andres Segovia was one of the great masters of the guitar. Self-taught he took the guitar to new heights of technical mastery in countless concerts and toured almost every country in the world. With his vast number of transcriptions and editions Segovia created an extensive repertoire of classic and modern guitar music thus laying the foundation for the renaissance of the guitar in the 20th Century. In particular he succeeded in inspiring a new generation of contemporary guitar composers.This collection contains the finest pieces from his repertoire with which he has earned his instrument such great respect.

New revised edition- Premiered in London in 1733 Handel's magic opera Orlando is based on a libretto by Carlo Sigismondo Capeci that derives indirectly from Ludovico Ariosto's epic poem Orlando furioso. This subject was very popular at the time and was frequently set to music e.g. by Jean-Baptiste Lully Agostino Steffani and Joseph Haydn. The title role of Orlando is the last one that Handel wrote for the celebrated castrato Senesino. Several stunning stage effects intended to illustrate Zoroastro's sorcery call for sophisticated baroque stage machinery. The vocal score has been adapted andcarefully amended in keeping with the revision of the complete edition volume. The engraving and presentation of the former vocal score (BA 4027-90) have also been meticulously revised in many details. However the pagination stays the same so that both vocal scores are compatible with each other. A new Foreword in two languages (Eng/Ger) is also included in the edition. - Urtext edition based on the Halle Handel Edition - Full score (BA4087-01) & vocal score (BA4087-90) available for sale and performance material (BA4027-72) available for hire

Hawkes Pocket Scores HPS 664-Pocket or Study Score. Piston W

12 beliebte Stücke-Accompaniment. Mahr

Based on Hummelflug by Nikolaj Rimskij-Korsakov.

Violoncello Contrabass and Bassoon- Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist. At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music. Urtext from Joseph Haydn Werke Full score & parts (BA4673) available for sale

Der Star Syv Store Stjerne is a piece written for Voice and Piano Accompaniment expertly composed by Ludolf Nielsen . Der Star Syv Store Stjerne is a piece written for Voice and Piano Accompaniment expertly composed by Ludolf Nielsen .

Violin Viola 2 Horns Double Bass (Score & parts). Vanhal Jb

New ABRSM specimen sight-reading tests for Horn Grades 6-8. Essential practice material for candidates preparing for higher-grade Practical exams. The tests are representative of the technical level expected in the exam and explore different keys styles and tempi. Includes a generous number of tests. Specimen sight-reading tests and essential practice material for candidates preparing for higher-grade practical exams. These tests are representative of the technical level expected in the exam and explore the different keys styles and tempi. Including a generous number of tests which have been devised to develop your portfolio of skills and form a natural extension to your study.

Mozart composed this glorious Bassoon Concerto K.V.191 in Salzburg in July 1774. Written at this time it was most likely commissioned by a wealthy amateur musician. There is an individual Bassoon part supplied on a seperate sheet as well as a Piano accompaniment replacing the orchestral score.

Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra. Duration: 2 hours

Flute. Schaeffer B