Sheet Music Sheet Music

1.Monsieur Faty; 2.La Tarte à la Crème (for trumpet horn trombone and tuba)

Featured in the Warner Bros. film Deliverance and based on Feuding Banjos written by Arthur Smith.

Full Score for Henze's 2010 setting of Franz Werfel's surrealist verse drama 'Sacrifice' for voices orchestra and concertante piano.

Transcription-Jean Guillou did not change a single note for this arrangement. He just distributed the different parts to the manuals and the pedal in a way that guarantees a clear and varied registration in harmony with the architecture of the work and the fingerings and pedallings of difficult passages. The registration only serves as a suggestion since the ways of using the instruments are as varied as the tastes and views of the artists. Jean Guillou did not change a single note for this arrangement. He just distributed the different parts to the manuals and the pedal in a way that guarantees a clear and varied registration in harmony with the architecture of the work and the fingerings and pedallings of difficult passages. The registration only serves as a suggestion since the ways of using the instruments are as varied as the tastes and views of the artists.

Classiques No.108- from 'The Magic Flute'

Set of parts for the ninth Naxos Quartet by Peter Maxwell Davies.

This work for viola chorus and percussion was commissioned by the London Symphony Chorus and was first performed in October 1994 at the Barbican Hall London by Yuri Bashmet and the London Symphony Chorus conducted by StephenWestrop. The remarkable text of the Troparion written by the great Byzantine poetess-nun Cassiana was the inspiration of The Myrrh-Bearer . The text informed the architecture of the music. The viola solo represents MaryMagdalen as the cello solo represented the Mother of God on The Protecting Veil. This is where the resemblance between the two pieces ends. In The Myrrh-Bearer the Chorus symbolises ‘us’ the ‘sins of the world’ from‘stylized dictatorships’ to ‘the frivolous inane escapist vanities of the world ’ the to cries of ‘help’ after the cosmic catastrophe and finally reaching an apocalyptic climax in the words ‘We have no king by Caesar;’ adownright condemnation of God in the Earthly power. In a surreal way the Magdalen’s ‘sin’ shines through in the viola music because she recognises the Godhead and the endless ‘Kyrie eleison’ chanted by the semi-chorusrepresents her repentance and whatever is left of a ‘repentant’ world. The Myrrh-Bearer explores the whole range of the viola climbing from the depths up to the highest notes and then falling again at the end after theMagdalen’s recognition of the Risen Christ – ‘Rabboni.’ The last stroke of the gong in the viola’s final bottom C gives a deliberately ominous end to the piece. This is a special item which is made to order. Please e-mail ourMail Order Department for further information.

3. Advanced Level Teacher's Book & CD-Jazz Works is a brand new collection of compositions for jazz ensembles at three levels. For each level there are eight original pieces in a challenging range of styles with parts for C Bb Eb and bass-clef instruments and for a rhythm section of piano guitar bass and drums. The Teacher's Book and CD for Level 3 Advanced. Contains notes on improvisation and jazz style and a step-by-step guide to directing and rehearsing a jazz ensemble. CD containing complete performances of each piece by a professional jazz ensemble.

For 8 instruments. Published 2006. 0.1(=ca).1.1 / 1.0.0.0 / 1.0.1.1.1 Commisioned by Camerata Senza Misura. First performance: Camerata Senza Misura 2006. Score. For 8 instruments. Published 2006. 0.1(=ca).1.1 / 1.0.0.0 / 1.0.1.1.1 Commisioned by Camerata Senza Misura. First performance: Camerata Senza Misura 2006. Score.

Version for saxophone quartet piano and percussion. Published 2004. Score. Version for saxophone quartet piano and percussion. Published 2004. Score.

Commissioned by The Bath Festival. 'If the idea behind the piece comes from anywhere the 'Disparates' (Follies) of Goya were certainly at the back of my mind when writing. The Goya images are nightmarish and the meaning ofmany is obscure. They are essentially sardonic and include allusions to witchcraft and to bizarre carnival festivities.' Simon Holt.

Easy pieces to play together- This collection features a wide selection of original works from the Renaissance Baroque and Modern eras arranged for Piano 4-hands. Focusing on easy repertoire Duets for Fun will provide hours of enjoyment for aspiring musicians wishing to discover new material as well as develop their playing. This collection is ideal for use as teaching material or for playing at home or in a concert with a friend. This title was previously published as 'Duo-Schatzkiste' (A Treasure Chest of Duos).

For two Sopranos and Alto. Published in 2001. Written for the Norwegian Mediaeval Trio. First performance at Birmingham Early Music Festival 10th November 2001. Conducting Score. For two Sopranos and Alto. Published in 2001. Written for the Norwegian Mediaeval Trio. First performance at Birmingham Early Music Festival 10th November 2001. Conducting Score.

Inspired by the concept of the serenading lover. In two colorful sections. Advanced Level. Inspired by the concept of the serenading lover. In two colourful sections. Advanced Level.

A sumptuous selection of the very best Keyboard music of the late Romantic era by composers ranging from Tchaikovsky to Faure and beyond all presented in one superb volume for the solo Piano. The music of the Romantic erais characterised by progressive innovations in both tonal and formal expression both in the compositions of the salons and concert halls and of the church. The works of Debussy Tchaikovsky and Faure have become essentialrepertoire for any serious Piano student forever pushing the boundaries of diatonic harmony timing and texture into evermore complex worlds of emotion. Elsewhere you'll even find the very first hints of Jazz in theAfrican/American sounds of Joplin's Ragtime classics. Every piece in this anthology is rich in heritage and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - themusic has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters.

Featuring a totally irresistible hook this song by Miley Cyrus soared to the top of the Hot 100 and will energize every concert. A super choreography feature for choirs of all ages! Available separately: SATB SSA 2-Part Combo Parts ShowTrax CD. Duration: ca. 3:30.

For Alto Saxophone (or Clarinet) and Piano. Includes a score and part. For Alto Saxophone (or Clarinet) and Piano. Includes a score and part.

Lennox Berkeley 's I Carry Your Heart With Me for medium Voice and Piano. ' Sometime in 1970 I gave Lennox Berkeley a volume of poems by the American poet E. E. Cummings (1894-1962) since my sister Meriel Dickinson and I were commissioning him towrite a song-cycle for a whole programme of settings of Cummings. At the time he became involved with Chinese poetry and we were delighted with the Chinese Songs Op. 78. However a year or so later in July 1972 Berkeley did set a poem by Cummings. This was ‘i carry your heart with me’ from 95 Poems (1958) and he dedicated the song to the countertenorTay Cheng Jim. The manuscript leaves few questions. Obviously the pedal sustainsthe sextuplet and triplet groups at the start and finish. It is possible that all the As in bar 32 of the left hand piano part should be flat although there are clashes like this elsewhere. A few phrase-marks have been added on existing patterns. ' - Peter Dickinson Lennox Berkeley 's I Carry Your Heart With Me for medium Voice and Piano. ' Sometime in 1970 I gave Lennox Berkeley a volume of poems by the American poet E. E. Cummings (1894-1962) since mysister Meriel Dickinson and I were commissioning him towrite a song-cycle for a whole programme of settings of Cummings. At the time he became involved with Chinese poetry and we were delighted with the Chinese Songs Op. 78.However a year or so later in July 1972 Berkeley did set a poem by Cummings. This was ‘i carry your heart with me’ from 95 Poems (1958) and he dedicated the song to the countertenorTay Cheng Jim. The manuscript leavesfew questions. Obviously the pedal sustains the sextuplet and triplet groups at the start and finish. It is possible that all the As in bar 32 of the left hand piano part should be flat although there are clashes like thiselsewhere. A few phrase-marks have been added on existing patterns. ' - Peter Dickinson

A volume of calisthenic exercises compiled to assist in the muscle development used in the playing the trombone. Exercises are broken into four sections: (1) Attack and tone placement; (2) Slow Slurs; (3) Flexibility; (4) Scales and Arpeggios. A volume of calisthenic exercises compiled to assist in the muscle development used in the playing the trombone. Exercises are broken into four sections: (1) Attack and tone placement; (2) Slow Slurs; (3) Flexibility; (4) Scales and Arpeggios.