Pequeño Poema- La Escala Sido fait partie d’une série de petits poèmes musicaux que Ferrer Ferran a composés à l’intention des petits et grands musiciens en herbe avec un objectif précis : égayer et valoriser les débuts quelquefois difficiles dans le monde fascinant de la musique. La Escala Sido s’appuie sur la totalité des sept notes de la gamme.

Fifteen medium level sight reading pieces for second- and third-year bands. Average length of each song is one full page per student part. - Time signatures: 4/4 3/4 2/4 cut time 6/8 - Keys: ConcertF Concert Bb Concert Eb Concert Ab - Note/rest values: Whole half quarter eighth dotted half dotted quarter eighth/two sixteenths - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp ff crescendo decrescendo staccato accent trio

This trio of lyrics features settings of three poems by the well-known Japanese children's poet Michio Mado and have been translated by the Empress Michiko of Japan. The three expressive poems provide great insight into our relationship with the natural world. Three Japanese Lyrics by Wayland Rogers for SSAA with Piano Accompaniment.

The Birds was commissioned by the Lydia Michael Trust to be about the birds of Beauly and is dedicatedto the University of Edinburgh. First performance by Jane Irwin (mezzo-soprano) and students from theRoyal ScottishAcademy of Music and Drama at the Royal Scottish Academy of Music and Drama on26th June 2007.

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

Sonatina by Eugène Bozza is a piece for four unequal Clarinets (an E flat Clarinet two B flat and a Bb Bass Clarinet). Strongly lyrical this piece which lasts approximatively 7'50 minutes is very interesting and quite challenging to play. It explores the full high and low of the instruments and requires some good ability of breathing and strong agility. It is divided into three main parts which are: I. Allegro vivo II. Calme (Quiet) and III. Allegro Vivo. While the first and third sections are very cheerful and energetic the second part is slower and more reflective. Eugène Bozza won differentprizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Sange Om Tid for de mindste af Kristina Holgersen . Sange Om Tid for de mindste af Kristina Holgersen .

Classiques No.183- from Suite No.6 for Harpsichord

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes seeing them as a series of pieces in many different styles representing a small world or as the 'world of the little ones the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty.The Mikrokosmos is a cycle of 153 pieces for piano written with a didactic purpose. That is to give the piano pieces which can be used from the very beginning and then going on it is graded according to difficulties. The title Mikrokosmos can be interpreted as a series of pieces in many different styles representing a small world. This edition has been written in English French German and Hungarian.

The English versatile composer arranger and performer Harvey Brough was trained at Coventry Cathedral Choir the Royal Academy of Music and then at Clare College Cambridge. After leaving college he formed Harvey andthe Wallbangers and toured Britain and Europe for six years in venues as diverse as the Royal Albert Hall Sadlers Wells the Town and Country Club and Berlin Tempodrom.

in vier Sätzen-Violin Piano. Delius F

A thorough and comprehensive exploration of the disciplines of improvisation for confident Keyboard players looking to develop their skills in playing 'by ear'. Beginning with simple progressions and basic chorale-style melodies Kenneth Simpson's step-by-step tutorial introduces more keys cadences and approches. Suspensions inversions figures and moving basslines are also covered leading to a full understanding of the construction of Keyboard works in the early Classical canon.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Petite Gavotte for Alto Saxophone with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes while remaining a prominent composer. Composed in 1964 Bozza 's PetiteGavotte addresses a variety of features of the Alto Saxophone suitable for intermediate saxophonists. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Spiritual-A traditional spiritual arranged for SSATB choir a cappella by Stephen Hatfield.

For Clarinet in Bb Harp and Percussion. For Clarinet in Bb Harp and Percussion.

The feel-good classic What a Wonderful World was first recorded by Louis Armstrong in 1968. His version was later inducted into the Grammy Hall of Fame. This arrangement includes that original sentimental vibe but also adds a re-harmonized section for a unique jazz feel. This fine twist on a beautiful classic will not disappoint.

for harp or celtic harp

An arrangement of When I Fall In Love for SAB choir with piano accompaniment.

A Fresh Approach to Piano Sight-Reading-Joining the Dots is designed to improve students' skills in reading music at sight enabling them to perform new music with confidence. The books feature short creative exercises which help students to develop their ability to read music more quickly and easily both in exams and when learning new pieces. Joining the Dots offers pianists lots of material to help build confidence and skill in sight-reading. The series brings together a range of activities to help students improve their sense of keyboard geography helping them to read new music more quickly and easily. The five books cover the requirements for ABRSM's sight-reading tests at each of Grades 1 to 5 and include: many short characterful pieces to sight-read in a range of approachable musical styles warm-up and technical exercises to establish basic hand shapes and finger patterns within each key simple improvisation exercises inwhich students can explore musical ideas and familiarise themselves further with the 'feel' of each key longer solo pieces and a duet for additional sight-reading practice or to learn quickly and play through for fun

Can be played by a youth orchestra. Can be played by a youth orchestra.