For organ 2 trumpets trombone (or horn or trumpet) and trombone.

Trumpet And Trombone - Or Horn- Music for Brass no.306.

Music for Brass No. 13- Sonata from Die Bänkelsängerlieder is a piece for Brass Quintet: two Trumpets a Horn a Trombone and a bass Trombone. The general level of this Sonata is intermediate / upper intermediate for all instruments. Found among some music sheets bought in the auction of the effects of one Dr. Gehring this sonata is the nineteenth piece was considered as one of the best musical sheets found. The title Die Bänkelsängerlieder means The bench singer to be understood as the itinerant musician who is singing about the stories he witnesses every day. A more detailed story of the piece is written as apreface for this volume. Lasting 2 minutes 45 this piece has a very nice melody and is perfect for recitals.

from the Series 'Guide pratique pour une Formation musicale par la Chanson traditionnelle française'

Brass Ensemble-Org-Vces-Vocal Score Mfb613V- SA or TB chorus 3 trumpets and organ (English text)

For 5 trumpets 3 trombones tuba and percussion.

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

4.Quodlibet 5.Ricercare 6.Postlude

Festival Bells is a fast-paced and demanding opening work. The uplifting mood of the piece describes the anticipation of a festival in Austria. Within the middle section the Upper Austrian anthem is incorporated into the music. This composition was commissioned by the Upper Austrian regional music directorate on the occasion of the Upper Austrian regional music festival and was premièred at the Brucknerhaus in Linz by the Salzkammergut Bläserphilharmonia under the direction of the composer. A festive cheerful and spectacular piece of music!

for Violin and Piano- F. Schubert 's Three Sonatas 'Sonatinas' For Violin And Piano Op. 137 . Sonata in D major Op.post. 137 1: D 384. Sonata in A minor Op.post. 137 2: D 385. Sonata in G minor Op.post. 137 3: D 408. The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert 's music.

1.Marche des Horaces et des Curiaces; 2.Marche de Saint Nicolas (for organ 2 bugles (or trumpets) and drum)

An easy way to improvise with 10 great tunes- This tune book by Ed Harlow contains cool grooves for beginners. The beat is provided by The Boston Horns band and the melody and accompanying grooves are set in easy arrangements and can be played by up to 3 players of the same instrument. This allows Easy Funk Play-Along to be used for individual practising or for (group) lessons. The solo passages are based around the pentatonic scale and particularly suitable for the first steps into improvisation. Each song comes with an alternative 'funky' solo song which can be practised with the play-along track.

A tremendously rhythmic and driving setting of this well-loved spiritual. Gibbs takes some unexpected harmonic turns throughout resluting a fresh and unique arrangement. A tremendously rhythmic and driving setting of this well-loved spiritual. Gibbs takes some unexpected harmonic turns throughout resluting a fresh and unique arrangement.

Get to know the soul of Klezmer!As Julian Rachlin writes in his preface to this new publication from Aleksey Igudesman: “Users of this book are bound to have a stimulating challenging and above all enjoyable journey through Aleksey’s own world of Klezmer…The quality of these compositions is simply superb.”Again Igudesman inspires informs and entertains – from his unusual arrangement of the all-time Klezmer classic Hava Nagila to his own compositions stylistically based on Klezmer’s Eastern European roots. Added notes on the piecesand helpful basic guidelines for playing Klezmer are provided. This volume is a feast of fun for violin duos and their audiences. Contents: Traditional: Hava Nagila · Igudesman Aleksey: Lena Malaja · Igudesman Aleksey: In the Woods · Igudesman Aleksey: The Crazy Bride · Igudesman Aleksey: Wedding Thing · Igudesman Aleksey: La Petite Valse · Igudesman Aleksey: Be Jewish Why Don't You? · Igudesman Aleksey: Richard Won't Like It! · Anonymous: Dancing With the Rabbi · Anonymous: Klezmer's Freilach Get to know the soul of Klezmer!As Julian Rachlin writes in his preface to this new publication from Aleksey Igudesman: “Users of this book are bound to have a stimulating challenging and above all enjoyable journey through Aleksey’s own world of Klezmer…The quality of these compositions is simply superb.”Again Igudesman inspires informs and entertains – from his unusual arrangement of the all-time Klezmer classic Hava Nagila to his own compositions stylistically based on Klezmer’s Eastern European roots. Added notes on the piecesand helpful basic guidelines for playing Klezmer are provided. This volume is a feast of fun for violin duos and their audiences. Contents: Traditional: Hava Nagila · Igudesman Aleksey: Lena Malaja · Igudesman Aleksey: In the Woods · Igudesman Aleksey: The Crazy Bride · Igudesman Aleksey: Wedding Thing · Igudesman Aleksey: La Petite Valse · Igudesman Aleksey: Be Jewish Why Don't You? · Igudesman Aleksey: Richard Won't Like It! · Anonymous: Dancing With the Rabbi · Anonymous: Klezmer's Freilach

A standard and much-used edition of this well-known concerto with a piano reduction by Clive Pollard prepared from Bottesini's autograph score. Distinctive attractive melodies ...the Finale propels the music with verve almost abandon'. Musical Times. Orchestral material available. Grade: Advanced

This collection of the most beautiful 100 easy original compositions for piano presented by Schott contains a selection of works that accompany every pupil in the first years of his or her piano lessons. The volume contains compositions from the days of Johann Pachelbel (1653-1706) to the days of Alexander Grechaninov (1864-1956) providing playing material from the high baroque period to the early 20th century. Apart from numerous individual pieces there are also easy sonatas and sonatinas by Haydn Cimarosa Clementi Mozart and Beethoven. Complete with fingerings tempo suggestions in the form of metronome numbers and notes on the execution of ornaments the collectionwith its modern readable typeface is ideal not only for lessons but also for the private music-making of every music lover. This album represents superb value for money!

The Little Mermaid made famous by Disney is the story of a girl with a beautiful Voice and a consuming passion for the Prince. This full Vocal score was expertly composed by John Høybye . The seven movements include A Man Lives Only 70 Years Deep Down in the Ocean Sea Witch Stand Up My Dear You Dance the Best of All and Lift Up Your Eyes And Glorify . The Little Mermaid by John Hoybye - Version for solo Soprano Female or Girls' Choir Narrator and Piano. Text: Hans Christian Andersen & Edward Broadbridge. Piano part available: WH31814A Full version for Soprano solo Mixed Choir (SATB) Narrator and String Orchestra: KP01863

For Soprano and Piano. Score. For Soprano and Piano. Score.

In the 1960s Khachaturian composed a trio of Concerto-Rhapsodies - one for violin one for cello and one for piano. The one for violin dedicated to Leonid Kogan is perhaps the greatest of these. Its baleful orchestral opening seems to take us to the anguished world of the Second Symphony yet it is a surprisingly private'-sounding work both mournful and confessional in tone. Much of the soloist's music is - as the title suggests - rhapsodic and even quasi-improvisatory in style balanced by a lively scherzo-style central section (again reminiscent of the Second Symphony) which includes a fragment of the Dies irae'plainchant; yet the work contains some of the loveliest lyricism Khachaturian wrote in any of his works for solo strings exceeding even his Violin Concerto as well as some of his most inventive orchestral writing. Only in the last couple of minutes after an event-packed 24 minutes does the soloist finally reach for an unambiguously major-key end leading the orchestra to a triumphant close.M.

A superb arrangement of this traditional melody.