Sonata for Cello and Piano. Includes Score and Part. Suitable for advanced players.

Four songs by Bob Chilcott for SS and piano on the theme of cities written with younger voices in mind. Styles range from the streetwise and upbeat to a more reflective lyricism. Four songs by Bob Chilcott for SS and piano on the theme of cities written with younger voices in mind. Styles range from the streetwise and upbeat to a more reflective lyricism.

POD-I'm Only Sixteen! is a work by Nico Muhly taken from his opera 'Two Boys' commissioned by the Metropolitan Opera. Scored for Tenor and Piano Accompaniment the piece lasts around 3 minutes. I'm Only Sixteen! is a work by Nico Muhly taken from his opera 'Two Boys' commissioned by the Metropolitan Opera. Scored for Tenor and Piano Accompaniment the piece lasts around 3 minutes.

Now available in an accessible SAB voicing! Taking its name from an 18th century MP this English ditty is cleverly arranged for a light-hearted encore or folk selection. Including several musical twists the arrangement is accessible for smaller mixed choirs in school and community. Now available in an accessible SAB voicing! Taking its name from an 18th century MP this English ditty is cleverly arranged for a light-hearted encore or folk selection. Including several musical twists the arrangement is accessible for smaller mixed choirs in school and community.

A selection of Bernstein's songs arranged for alto saxophone with piano accompaniment by David Elliott providing a wide variety of musical challenges for intermediate to advanced performers.The edition is part of the Trinity syllabus (grades 1 2 4 5) Alto Saxophone Piano. Bernstein

Jazz Play-Along Volume 36-A superb opportunity to discover the awesome Hard Bop styles of jazz-master Horace Silver. For use with all Bb Eb and C instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. For study each tune includes a split track featuring: Melody cue with proper style and inflection Professional rhythm tracks Choruses for soloing Removable bass part Removable piano part. For performance each tune also has: An additional full stereo accompaniment track (no melody) Additional choruses for soloing. A superb opportunity to discover the awesome Hard Bop styles of jazz-master Horace Silver. For use with all Bb Eb and C instruments the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets melody cues and other split-track choices on the included CD this first-of-its-kind package makes learning to play jazz easier than ever before. For study each tune includes a split track featuring: Melody cue with proper style and inflection Professional rhythm tracks Choruses for soloing Removable bass part Removable piano part. For performance each tune also has: An additional fullstereo accompaniment track (no melody) Additional choruses for soloing.

Over the years many graduation ceremonies have been enhanced by performances of this lyric choral. Besig's arrangement has an optional baritone solo and an accompaniment track is included on the Piano Trax CD which may also be used with any of the alternate voicings. Don Besig's soaring choral piece arranged for SAB choir with Flute and Piano accompaniment.

The classic Biblical text Surely He has borne our griefs was set by Antonio Lotti. In this edition Thomas Juneau provides a new English translation and other editorial helps. The classic Biblical text Surely He has borne our griefs was set by Antonio Lotti. In this edition Thomas Juneau provides a new English translation and other editorial helps.

Edvard Grieg's Peer Gynt Suite Nos.1 & 2 Op.46 & Op.55 for Piano duet.

from Billy Elliot-This uplifting song gives voice to Billy's powerful need to express himself through dance. A magnificent affirmation of the human spirit! Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (syn gtr b dm). Duration: ca. 3:45. This uplifting song gives voice to Billy's powerful need to express himself through dance. A magnificent affirmation of the human spirit! Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (syn gtr b dm). Duration: ca. 3:45.

Adele_x001A_s album 25 is overflowing with beautiful dramatic music including this soulful ballad that expresses the pain of lost love. This will be a powerful choral showcase that will connect with every audience! Adele's album 25 is overflowing with beautiful dramatic music including this soulful ballad that expresses the pain of lost love. This will be a powerful choral showcase that will connect with every audience!

Franz Schubert’s piano works belong to pianists’ core repertoire and of course to Henle’s too. Our catalogue contains almost all of Schubert’s piano compositions. This volume contains the piano works that are played the most: the two collections offour Impromptus (D 899 and D 935) as well as the six Moments Musicaux (D 780). Our edition was first printed in the year that the publishing house was founded in 1948. The editor and person who provided the fingerings was a pianist who is stillgreatly admired: Walter Gieseking. We have made numerous “cuttings” from this main “plant”- single editions with the identical musical text ofthe Impromptus op. 90 The Urtext edition of Schubert's Impromptus And Moments Musicaux for piano solo as edited by Walter Gieseking. Contents include: 4 Impromptus Op.90 D.899 6 Moments Musicaux Op.94 D.780 4Impromptus Op. post. 142 D.935

A journey through the history of classical music-This book of flute duets is a journey through the history of classical music for two players of a moderate standard. The pieces ordered chronologically according the composer’s year of birth take you from the 17th century all the way to the late 19th century via Purcell Haydn Schubert and Grieg.

Batterie Et Piano - Guit.Elect.Et Basse Ad Libitum- for drum kit and piano (with electric guitar and bass ad lib.)

The Trombone player's Vade Mecum was composed by André Lafosse for advanced trombonists who are preparing for their exams. Divided into three parts this piece covers all the necessary elements to prepare the exams: - The first one focuses on technical challenges: minor common chords melodic minor scales diminished sevenths high and low scales chromatic scales progressing in thirds - The second corresponds to a scale of an octave in semi-quavers each of its degrees being the starting point for an additional scale. Each scale is followed by its chords and the seven degrees and octave can be played bothdescending and ascending. This second part on its own represents 30 exercises of scales. - The last part is quite difficult with 25 exercises covering most of the other difficulties that could be encountered. These pieces are perfect to get ready and to overcome all the small weaknesses a player can have before a big contest or recital. André Lafosse (1890-1975) was a trombonist and a professor at Paris Conservatoire. He also composed a suite for brass quintet called 'Suite Breve' and recorded with Stravinsky.

Francis Poulenc (1899-1963) was an energetic French composer who is known for both his light-hearted instrumental works and his more serious sacred and choral music. Pastourelle was a dance written as one of ten movements for the children's ballet L'Eventail De Jeanne (Jean's Fan) in 1927. Each dance was composed by a different French composer. Only the first movement by Ravel who also gave the first performance of the Ballet on the Piano and Poulenc's eighth movement have endured. An orchestral version was composed at the same time but the original version for Piano is published here.

Eglogue Et Danse Pastorale is a piece for Alto Saxophone and Orchestra by Renée Corniot (1901 – 1972). Dedicated to Marcel Mule it lasts 14 minutes and can be played by advanced players. The first section is slower than the second half and the full piece will require a strong endurance to play some of the Saxophone pieces in the second part as it includes some fast rhythms some accidental notes and alterations and some trills. It would be a perfect work to perform for a recital or a contest.

Suites No.1 - No.4

2 Trompettes Ut-Cor-Trombone-Tuba-Ption Et Pties- Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences Sonatina for Two Trumpets 1 Cornet 1 Trombone and 1 Tuba being no exception. This Bozza piece for brass is characteristically French with lyrical and graceful melodies contrasted by fast flourishing staccato semiquaver passages. As music educationalist Paul Griffiths has written of Bozza 'scompositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Comprising four movements Sonatina for Two Trumpets 1 Cornet 1 Trombone and 1 Tuba is an exciting alternative addition to the brass ensemble repertoire.

transcribed for Harpsichord by Gustav Leonhardt-“I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is of course another matter.” (Gustav Leonhardt) The harpsichordist conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach’s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil the famed harpsichordist Siebe Henstra based on the handwritten notes that Leonhardt used for his own performances. I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is of course another matter. ( Gustav Leonhardt ) The harpsichordist conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach's compositions for unaccompanied Violin or Violoncello. Now these transcriptions are being made available to us by his pupil the famed harpsichordist Siebe Henstra based on the handwritten notes that Leonhardt used for his own performances. - InformativeForeword by early music specialist Skip Sempé (Ger/Eng) - Editorial notes by the editor Siebe Henstra