15 Vorspielstücke Für Kleine und Große Gitarristen

Volume 2- With only one exception Gade composed his works for male choir with accompaniment for Danish choral societies numerous of which had been founded across the country since 1839. These societies were often closely connected with professional associations making them equally important for musical and social matters. This volume contains five occasional works for male choir with accompaniment that were composed between around 1838 and 1883. Three of them were intended for church usage (two funerals and one wedding). Among the works for equal voices and accompaniment in this volume “Aarstidsbilleder” op. 51 is the longest. It was composed for the women of The MusicSociety in Copenhagen and conducted by Gade himself during the 1871/72 seasons. The appendix contains works that were completed but do not allow for definitive decisions regarding their final presentation.

für Viola solo

From the Classic Hot Licks Video Series Newly Transcribed and Edited!-The legendary Hot Licks guitar instruction video series is being made available in book format with online access to all the classic video footage. This volume provides a unique chance to learn from guitarist Brian Setzer. Get one-on-one insights on his approach to rockabilly blues jazz and country including wild string-bending techniques slap-echo effects and hot solos. You'll learn Setzer's favorite: rockabilly rhythms single-string bop runs double-stop riffs chord substitutions rockabilly fingerpicking and much more.The legendary Hot Licks guitar instruction video series is being made available in book format with online access to all the classic video footage. This volume provides a unique chance to learn from guitarist Brian Setzer. Get one-on-one insights on his approach to rockabilly blues jazz and country including wild string-bending techniques slap-echo effects and hot solos. You'll learn Setzer's favorite: rockabilly rhythms; single-string “bop” runs; double-stop riffs; chord substitutions; rockabilly fingerpicking; and much more.

20 Easy to Intermediate Arrangements for Bass Flute and Piano-Originally published in a different format Potter's Bass Flute Solos is here issued in a separate book for bass flute and piano accompaniment. This collection contains works at the easy and intermediate levels and includes popular recital pieces such as Carol of the Bells the spiritual Let My People Go and 18 others. The same contents are also available in Alto Flute Solos (FH0511). Originally published in a different format Potter's Bass Flute Solos is here issued in a separate book for bass flute and piano accompaniment. This collection contains works at the easy and intermediate levels and includes popular recital pieces such as Carol of the Bells the spiritual Let My People Go and 18 others. The same contents are also available in Alto Flute Solos (FH0511).

20 Easy to Intermediate Arrangements for Alto Flute and Piano-Originally published in a different format Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels and includes popular recital pieces such as Bizet’s Habanera from Carmen the traditional Irish tune Danny Boy and 18 others. The same contents are also available in Bass Flute Solos (FH0512). Originally published in a different format Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels and includes popular recital pieces such as Bizet’s Habanera from Carmen the traditional Irish tune Danny Boy and 18 others. The same contents are also available in Bass Flute Solos (FH0512).

Op. 57

Op. 92

(from Grease)-Best known as the exciting finale from the movie Grease this rollicking '50s novelty is made for choreography! Available: SATB SAB SSA 2-Part ShowTrax CD. Performance Time: Approx. 2:20. (from Grease). Best known as the exciting finale from the movie Grease this rollicking '50s novelty is made for choreography! Available: SATB SAB SSA 2-Part ShowTrax CD. Performance Time: Approx. 2:20.

Op. 47 1

as performed by Marshmello ft. Bastille-‘Happier’ is without doubt one of the best ‘feel good’ songs of recent times. Tom Stanford has created a cheerful and easy playable arrangement which will fit into any concert programme. ‘Happier’ is without doubt one of the best ‘feel good’ songs of recent times. Tom Stanford has created a cheerful and easy playable arrangement which will fit into any concert programme.

New Edition-Springing from scripture this choral juggernaut inspires choir and congregation with its majestic sweep! Written in the character of a noble early hymn the music is a perfect vehicle for the psalm-based text exalting the glory of the everlasting God. The newly released strong cinematic orchestration raises the anthem to dizzying heights. Highly recommended! Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba perc 1-2 timp pno hp vn 1-2 va vc db) available as a digital download.Springing from scripture this choral juggernaut inspires choir and congregation with its majestic sweep! Written in the character of a noble early hymn the music is a perfect vehicle for the psalm-based text exalting the glory of the everlasting God. The newly released strong cinematic orchestration raises the anthem to dizzying heights. Highly recommended! Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-3 tba perc 1-2 timp pno hp vn 1-2 va vc db) available as a digital download.

Note-for-Note Keyboard Transcriptions-14 exact transcriptions of the keyboard parts from the 2016 album release by Dream Theater approved by Jordan Rudess himself. Includes: Dystopian Overture • The Gift of Music • Heavens Cove • A Life Left Behind • Lord Nafaryus • Moment of Betrayal •My Last Farewell • A New Beginning • The Path That Divides • Ravenskill • A Tempting Offer • Three Days • The Walking Shadow • When Your Time Has Come.14 exact transcriptions of the Keyboard parts from the 2016 album release by Dream Theater approved by Jordan Rudess himself. Includes: 'Dystopian Overture' 'The Gift of Music' 'Heaven's Cove' 'A Life Left Behind' 'Lord Nafaryus' 'Moment of Betrayal' 'My Last Farewell' 'A New Beginning' 'The Path That Divides' 'Ravenskill' 'A Tempting Offer' 'Three Days' 'The Walking Shadow' 'When Your Time Has Come'.

3rd Movement of The Seas of the Moon-The third movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon Sea of Clouds was inspired by a series of paintings done by Claude Monet in the London fog. Monet captured the gradations of light as it was affected by fog with ghostly images sifting through. This movement is mostly subdued and dreamlike the music ebbing and flowing and eventually building to a vast wall of sound and then dissolving into silence. Dur: 5:05

4th Movement of The Seas of the Moon-The fourth movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon Serpent Sea is animated exuberant and somewhat over-the-top. It was inspired by the idea of two huge winged serpents rising out of the waves and frolicking together in a wild barbaric dance. The pair do however show a more graceful side every once in a while - represented by an exotic theme that starts in the clarinet and flute. The movement ends with a wild flurry as the serpents vanish back into the sea. Dur: 3:50

Op. Woo 119

for choir and fixed media-Isthmus denotes a narrow strip of land with sea on either side forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus my birthplace and in the USA my recently adopted homeland. Having lived in a small partitioned island for my formative years and in England for eleven years water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border a violent and absolute interruption of a continuum. While in the USA or indeed in a now connected Europe it is possible to travel on land for days without having to encounter a border in the countries where I lived for most of my life that was not possible. As an artist this notion of establishing boundaries and consciously trying to break them is very close to me as my music deals both with modernity but also with tradition and similarly with metaphor and reality. As a Cypriot the sea the world of antiquity the mysteries of the oracles the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus different layers of history are frequently superimposed on a single building that might still preserve its Roman Byzantine Venetian and Ottoman features in its layers of stone and architecture. Similarly ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus therefore can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus in this short piece I connect these experiences with the purpose of creating a distinct and unique sonic context connecting technology and tradition the pastoral with the urban the musical with the extra-musical and the abstract with the concrete. For example the choir does not always sing in the traditional sense but the singers imitate various natural sounds such as water air crickets or birds to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York communicated within clearly defined singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic articulating an imaginary language but also literal with a setting of the poem “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers i

Sunday Bloody Sunday - Where The Streets Have No Name - One - Pride (In The Name Of Love)-Although U2 have been a leading rock band for several decades there are hardly any quality band medleys available. The German arranger Wolfgang Wössner is famous for making arrangements of classic rock repertoire and he saw the opportunity to create a new medley of famous U2 songs. ‘U2 On Stage’ features 'Sunday Bloody Sunday’ ‘Where The Streets Have No Name’ ‘One’ and ‘Pride (In The Name Of Love)’. Although U2 have been a leading rock band for several decades there are hardly any quality band medleys available. The German arranger Wolfgang Wössner is famous for making arrangements of classic rock repertoire and he saw the opportunity to create a new medley of famous U2 songs. ‘U2 On Stage’ features 'Sunday Bloody Sunday’ ‘Where The Streets Have No Name’ ‘One’ and ‘Pride (In The Name Of Love)’.

Op. Woo 131

Tender Love - Op. Woo 123