The Storm Hound is a fantastic musical fable for Narrator Upper Voices Percussion and Piano. With the libretto by Marian Lines and Music by Betty Roe this is another fabulous musical experience by this influential and productive partnership. This Vocal Score contains all the narrated parts and the Vocal and accompaniment scores with full lyrics.

for SATB unaccompanied This is a simple attractive folk-song setting of Shakespeare's 'O mistress mine' from Twelfth Night. Each of the two verses begins with double counterpoint between tenor and bass and soprano and alto and builds chromatically to a resounding cadence. The optional humorous ending provides a fitting conclusion to this delightful paean to love. This is a simple attractive folk-song setting of Shakespeare's 'O mistress mine' from Twelfth Night. Each of the two verses begins with double counterpoint between tenor and bass and soprano and alto and builds chromatically to a resounding cadence. The optional humorous ending provides a fitting conclusion to this delightful paean to love.

Piano quintet with small string orchestra or string quintet.

Voice Instrument. Marx K

for SATB double choir unaccompanied Giovanni Da Palestrina 's Stabat Mater for SATB double choir unaccompanied.

In Flanders Fields was composed by Paul Mealor and first performed at the Festival of Remembrance 2014 at the Royal Albert Hall. This sheet music is the Vocal score for SATB Chorus. At its first performance the orchestra featured musicians from various Armed Forces divisions lending an emotional air of pathos to this already saddening song. Based on the incredible poem by John McCrae Paul Mealor has crafted a hauntingly beautiful piece of music that manages to enhances the tragedy of McCrae's lyrics. A solemn yet inspiring composition this is one of Mealor 's best and is a joy to hear and perform. In Flanders Fields was composed by Paul Mealor and first performed at the Festival of Remembrance 2014 at the Royal Albert Hall. This sheet music is the Vocal score for SATB Chorus. At its first performance the orchestra featured musicians from various Armed Forces divisions lending an emotional air of pathos to this already saddening song. Based on the incredible poem by John McCrae Paul Mealor has crafted a hauntingly beautiful piece of music that manages to enhances the tragedy of McCrae's lyrics. A solemn yet inspiring composition this is one of Mealor 's best and is a joy to hear andperform.

The composer writes: 'Imagine a mighty chieftain approaching a camp - he is strong proud and rules over many people. Try and portray this feeling in your playing!' The Mighty Chieftain Comes is aimed at the beginner bassist and remains in 1st position throughout employing both arco and pizzicato. Crotchets (quarter-notes) and minims (half-notes) are used with short rests for the young player and a lively and exciting piano accompaniment should appeal to students and teachers alike. The Mighty Chieftain Comes was premiered on 22 December 2011 by 6-year old bassist Maximilian Haas and pianist Oxam Berchein at the Bosendorfer Saal in Eggenfelden Germany.

Work for Organ dating from 1887.

for SATB and organ or orchestra Words from Psalm 100 Orchestral material is available on hire John Rutter: O Be Joyful In The Lord for SATB and organ or orchestra. Words from Psalm 100 Orchestral material is available on hire.

The Paganini Variations occupy a special place in Brahmss piano oeuvre. They are true to their main title a work for study but at the same time (in contrast to for instance the 51 exercises) also suited for concert performances. Both aspects were important to Brahms himself too. When he planned the variations in 1862/63 he was still working on a loose collection of individual exercises Brahms used as finger practice when the pianist prepared for concerts. He eventually reworked this collection of exercises into a work in its own right in 1865 repeatedly playing it in concert and publishing it in 1866. The Paganini Variations are also interesting in theirdouble function for contemporary pianists. Anyone studying them is able to marvellously develop his or her piano technique while at the same time working on a very effective piece for concert events. For the first time all the sources known to us could be used for this new edition even two early manuscripts that were thought to be lost after 1945 and were rediscovered in St. Petersburg just a few years ago. The Paganini Variations occupy a special place in Brahms ' Piano oeuvre. They are true to their main title a work for study but at the same time (in contrast to for instance the 51 exercises) also suited for concert performances. Both aspects were important to Brahms himself too. When he planned the variations in 1862/63 he was still working on a loose collection of individual exercises which he used as finger practice when preparing for concerts. He eventually reworked this collection of exercises into a 'work' in its own right in 1865 repeatedly playing it in concert and publishing it in 1866. The Paganini Variations are also interesting in their double function for contemporary pianists. Anyone studying them is able to marvellously develop his or her Piano technique while at the same time working on a very effective piece for concert events. For the first time all the sources known to us could be used for this new edition even two early manuscripts that were thought to be lost after 1945 and were rediscovered in St. Petersburg just a few years ago.

Bach 'Bouree in C minor' for viola and piano transcribed by Alan Arnold. Bach 'Bouree in C minor' for viola and piano transcribed by Alan Arnold.

Three Pieces for Organ solo by Fank Bridge. Three Pieces for Organ solo by Fank Bridge.

Ludwig Van Beethoven's Piano Sonata in C-sharp minor Op.27 No.2 most famously known as the Moonlight Sonata is one of his most popular and well known solo piano works. This single sheet contains the opening movement Adagio sostenuto which is a very beautiful and gentle movement with an underlying intensity. This edition is a wonderful piece to add to the repertoire of any accomplished pianist. Edited by Christopher Griffin.

Contents: Alkan: Fantasy in A b Op. 76 No. 1 C.P.E. Bach: Klavierstuck Solfeggietto J.S. Bach: Gavotte in E Bartok: Etude for the Left Hand Berens: 9 Etudes (from The Training of theLeft Hand Op. 89) Berger: Etude for the Left Hand Op. 12 No. 9 Blumenfeld: Etude Op. 36 Bonimici: Etude No. 3 Op. 273 Chopin: Etude in E b Minor Op. 10 No. 6 Czerny: Etude forOne Hand Ganz: Capriccio in E b Op. 26 No. 2 Godowsky: Elegy Meditation Greulich: Etude for Left Hand (from Etudes de Salon Op. 19) Kalkbrenner: Four-Voiced Fugue Kohler:Exercise in Arpeggio Melody from Weber's Freischutz Rhythmic Studies Three Folk Songs for the Left Hand Liszt: Hungary's God Marzsen: La Ricordanza Moskowski: Etude Op. 92 No. 4 Reger: FourSpecial Studies Reinecke: Finale (from Sonata for the Left Hand Op. 179) Saint-Saëns: Moto Perpetuo Op. 135 No. 3 Scriabin: Nocturne Op. 9 No. 2; Prelude Op. 9 No. 1 Tappert: 2Exercises (Nos. 22 and 45 from 48 Exercises for the Left Hand ) Zichy: Viennese Pranks.Music for Piano for Left Hand compiled by Raymond Lewenthal - either for students who have temporarily or permanently lost the use of one hand or for pianists of all levels (above approx Grade 5-6) who believe their left-hand playing is not as accomplished as their right (which may well include every pianist!). These pieces vary in difficulty. Some are technical studies can be considered part of a programme of study yet they are not just exercises; many of these pieces are extremely interesting and well-written and eminantly suitable for recital. The book includes some very useful notes about the history of left-hand music and practice techniques.

For SATB Choir and Organ. For SATB Choir and Organ.

For solo Violin and String Ensemble. String Ensemble consists of Violin I Violin II Viola Cello and Double Bass. For solo Violin and String Ensemble. String Ensemble consists of Violin I Violin II Viola Cello and Double Bass.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Richard Shephard's Never Weather Beaten Sail for SATB.

Consonus II is an anthology for recorders and other instruments for use in schools.

Over the Rainbow is a standard that has become forever associated with its most famous interpreter Judy Garland. Her troubled adult years only added poignancy to her guileless interpretation of the song preserved on celluloid in The Wizard of Oz when she was seventeen. The song would also do something similar for Eva Cassidy whose 1992 version brought her posthumous fame almost a decade later. Arranged beautifully by Christopher Hussey for SATB choir with Piano accompaniment this anthem of hope has not lost its bitter-sweet yearning. Over the Rainbow is a standard that has become forever associated with its most famous interpreter Judy Garland. Her troubled adult years only added poignancy to her guileless interpretation of the song preserved on celluloid in The Wizard of Oz when she was seventeen. The song would also do something similar for Eva Cassidy whose 1992 version brought her posthumous fame almost a decade later. Arranged beautifully by Christopher Hussey for SATB choir with Piano accompaniment this anthem of hope has not lost its bitter-sweet yearning.