Contents: Knoxville: Summer of 1915 * Three Scenes from Vanessa (Do not utter a word; Must the winter come so soon?; Under the willow tree) * Andromache's Farewell * Two Scenes from Antony and Cleopatra (Give me some music; Death of Cleopatra). Reduction for Voice and Piano. Operatic and concert scenes. Includes 'Knoxville: Summer Of 1915' 'Three Scenes From 'Vanessa 'Andromache's Farewell' and 'Two Scenes From Anthony And Cleopatra'.

Sum Vermis is the setting of a poem by Jacinto Verdaguer for Soprano two Pianos and two Percussionists.

Almost limitless warm-up and technical exercises are laid out in this text for aspiring pick-style guitarists. Exercises begin at the most basic level obtainable by anyone with fingers and move to an advanced level. This smallbooklet gives guitarists the information needed to continue constructing technical exercises for a lifetime.

(Dall'opera La Boheme) Per Canto E Pianoforte Soprano. (Dall'opera La Boheme) Per Canto E Pianoforte Soprano.

12 fun duets from a dozen different seasons of the year including 'Autumn Leaves' 'Blooming Buds' and 'Snow Fun without You!'

Hidden Ceremonies I by Sadie Harrison. 9 fragments after paintings by Brian Graham. I after ‘Antiphon’ (1999) II after ‘Sacrarium’ (2000) III after ‘Palimpsest’ (2000) IV after ‘The Intervening Figure’ (2002) V after ‘Flint’ (2003) VI after ‘Hearth’ (2003) VII after ‘Hidden Ceremony’ (2004) VIII after ‘Spine’ (2005) XI after ‘Antler Music’ (2006) Hidden Ceremonies I by Sadie Harrison. 9 fragments after paintings by Brian Graham. I after ‘Antiphon’ (1999) II after ‘Sacrarium’ (2000) III after ‘Palimpsest’ (2000) IV after ‘The Intervening Figure’ (2002) V after ‘Flint’ (2003) VI after ‘Hearth’ (2003) VII after ‘Hidden Ceremony’ (2004) VIII after ‘Spine’ (2005) XI after ‘Antler Music’ (2006)

Paperback-for SATB and organ Mack Wilberg has used his compositional craftsmanship to create this memorable arrangement suitable for performance throughout the liturgical year. Mack Wilberg has used his compositional craftsmanship to create this memorable arrangement suitable for performance throughout the liturgical year.

(Metioron) by Evis Sammoutis was first performed 2 September 2010 at 2nd Contemporary Music Festival (The Shoe Factory Nicosia Cyprus) by Peter Sheppard Skaerved violin Neil Heyde cello Roger Heaton clarinet & Jan Phillip Schulze piano. 15'; for clarinet violin cello and piano.

An exciting trio for two Alto Saxophones and one Tenor Saxophone in a characteristically Spanish style. Grade: 6 - 8

Betty Roe's The Venite with written for Eagle House School Sandhurst and incorporates an unusual 'echo' effect between chorus and congregation.

Angelus ad Virginem describes the Annunciation the biblical event in which the Angel Gabriel communicated with Mary about the forthcoming birth of Jesus. The tranquil music is intended to depict the angelic voice of Gabriel and the voice of Mary through its chant-like nature and exotic shifting harmonies. Douglas Mason began his musical training as a chorister in Gloucester Cathedral Choir under John Sanders. He subsequently read music at Durham University and went on to train as a music teacher at Leeds University also singing professionally as a lay clerk in the Choir of Leeds Parish Church at this time. As a composer Douglas focuses on choral works in particular and he has also written and arranged music for schools. As a performer Douglas has sung on numerous television and radio broadcasts and appeared on recordings for several labels including Abbey Priory and ASC records. For several years he was also a member of the William Byrd Singers directed by Stephen Wilkinson.

(Crocker) SATB (A Cappela)

First Lessons Djembe provides a fun and easy way to learn to play the Djembe. It was conceived for the beginning Djembe player yet contains information and reference material that is valuable for players at all levels.Playing the Djembe is a lifelong journey of self-expression as well as self-discovery. While the material presented herein may at first glance seem elementary the value and importance of it in terms of moving forward on the drumming path with the Djembe is truly invaluable. The fundamentals of playing dynamics and tonality are the benchmarks of mastering musicality on the Djembe and worthy of a lifetime of continued practice and refinement. I encourage you toenjoy this journey every step of the way. Includes access to online audio and video. First Lessons Djembe provides a fun and easy way to learn to play the Djembe. It was conceived for the beginning Djembe player yet contains information and reference material that is valuable for players at alllevels. Playing the Djembe is a lifelong journey of self-expression as well as self-discovery. While the material presented herein may at first glance seem elementary the value and importance of it in terms of moving forward onthe drumming path with the Djembe is truly invaluable. The fundamentals of playing dynamics and tonality are the benchmarks of mastering musicality on the Djembe and worthy of a lifetime of continued practice and refinement. Iencourage you to enjoy this journey every step of the way.

A bright but serene piece set to Corinthians c.14 v15. A bright but serene piece set to Corinthians c.14 v15.

A magnificent set of Six Victorian sketches for String orchestra by Geoffrey Bush. The Consort of the title refers to Prince Albert and these six movements display various styles popular in his time.

Research has shown that many printed editions from the 18th Century provide more reliable guidance as to the composer’s intentions than Mozart’s own autograph manuscript; the composer himself prepared many of his works for printing marking them with precise performance instructions for dynamics and articulation. He devoted particular care to the slow movements which are often richly ornamented in the printed editions. This knowledge together with regained access to source materials in the libraries of Eastern Europe gives us sufficient grounds to publish a new Wiener Urtext edition of Mozart’s Sonatas. Advice on performance from the renowned Mozart connoisseur Robert D.Levin provides fresh stimulus for revising rather tired standard interpretations of Mozart. Research has shown that many printed editions from the 18th Century provide more reliable guidance as to the composer’s intentions than Mozart ’s own autograph manuscript; the composer himself prepared many of his works for printing marking them with precise performance instructions for dynamics and articulation. He devoted particular care to the slow movements which are often richly ornamented in the printed editions. This knowledge together with regained access to source materials in the libraries of Eastern Europe gives us sufficient grounds to publish a new Wiener Urtext edition of Mozart ’s Sonatas. Advice on performance from the renowned Mozart connoisseur Robert D. Levin provides fresh stimulus for revising rather tired standard interpretations of Mozart .

Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with the moon ('lunar'= 'lunacy') and with cuckoos. Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with themoon ('lunar'= 'lunacy') and with cuckoos.

for unison voices This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation with editorial performance suggestions. The Gregorian chant has been a source of inspiration to the world for over a thousand years. Its pure unaccompanied melodic lines which have so long adorned the worship of the Christian church have never been surpassed for beauty to their texts. Here a collection of 11 Gregorian chants have been gathered together for a selection of mixed voices. Edited by the brilliant John Rutter.

Carl Philipp Emanuel Bach's Sonata For Viola and Obligato Harpsichord In G Minor Wq 88 edited by Hugo Ruf.

Composed in France over a century ago these three short pieces are ideal for the intermediate bassist. The style is lyrical tonal and approachable offering interesting study or concert repertoire with lively supportive and effective accompaniments. Parade is lively and rhythmic remaining in bass clef throughout; Cantabile is melodic and dramatic offering cantabile and musical challenges in equal measure and Menuet Varie has lyrical and rhythmic contrasts and is the most challenging of the three. Ratez was a fairly prolific composer and these pieces were dedicated to M. Charpentier Professor of Double Bass at the Paris Conservatoire. These piecesare popular with students and teachers alike.